disney – PopCult Reviews

Patron Pick – Inside Out

This special reward is available to Patreon patrons who pledge at the $10 or $20 monthly levels. Each month, those patrons will pick a film for me to review. If they choose, they also get to include some of their thoughts about the movie. This Pick comes from Bekah Lindstrom.

Inside Out (2015)
Written by Pete Docter, Ronnie del Carmen, Meg LeFauve, and Josh Cooley
Directed by Pete Docter with Ronnie del Carmen

Pete Docter has been a significant part of Pixar since their feature film debut with Toy Story in 1995, being one of the contributors to the script. His feature directorial debut was the well-regarded Monsters Inc., followed by Up. Inside Out was his third feature, with his most recent entry being 2020’s Soul. From just a little reading about Docter and seeing his work, I can tell he’s very introspective and thoughtful. Inside Out was inspired by his watching his daughter start internalizing her emotions as she began adolescence and wishing he could know what she was thinking. He and his team consulted with psychologists throughout the process to ensure their anthropomorphized portrayal of the human psyche was true to science.

Movie Review – Who Framed Roger Rabbit?

Who Framed Roger Rabbit? (1988)
Written by Jeffrey Price and Peter S. Seaman
Directed by Robert Zemeckis

There will never be a film like this one again. Warner Bros. and Disney allowing their characters on screen together makes it a rare event. Who Framed Roger Rabbit? was a celebration of classic American animation, both in the characters featured but also in animation legend Richard Williams overseeing that part of the production. Watching it now as an adult, it is surprisingly straightforward. It follows the noir genre closely with its plot while letting the tone be set by the zany premise. The story takes place over two days, and there’s never a lull; the pacing keeps us moving along with the characters, leading up to a very memorable conclusion.

Movie Review – Chip ‘n Dale: Rescue Rangers

Chip ‘n Dale: Rescue Rangers (2022)
Written by Dan Gregor and Doug Mand
Directed by Akiva Schaffer

So much nostalgia that you feel like you’re going to vomit; this is what American mainstream media feels like these days. Every week, another intellectual property is rebooted, remade, sequel-ized, etc. Most of it is complete garbage. Nostalgia is a type of feeling that appeals to very regressive, reactionary, infantile minds. People are reasonably on edge because Western civilization seems to have reached its zenith and is now in a spiral of decline. The Boomers were the first generation that began to dominate with nostalgia; we saw multiple television series from their childhood made into feature films. Nothing has rivaled the Millennials’ slavering thirst to relieve every Saturday Morning Cartoon and blockbuster movie they saw growing up. So it was only a matter of time until Chip ‘n Dale saw this treatment, shaped by the cynical nature of animated comedy.

Movie Review – Tron: Legacy

Tron: Legacy (2012)
Written by Edward Kitsis and Adam Horowitz
Directed by Joseph Kosinski

In 2012 it was evident that director Christopher Nolan was having a massive influence on Hollywood and moviemaking. You could see this in the trailer released post-Inception with their Hans Zimmer-inspired “bwaaaaa” sounds. It was also seen in the cinematography that had become popular, very sterile, clean framing. The scope of a setting was essential, and the camera often paused to take in mind-bending landscapes, which sometimes superseded character development or plot. Tron: Legacy is clearly a film not just inspired by the 1982 original but shaped in the popular aesthetics of the time. On paper, this sounds like something that could work but could also fall completely flat.

Movie Review – Tron

Tron (1982)
Written & Directed by Steven Lisberger

I never grew up aware of this movie, but around 2000, it suddenly became an old Disney film thrust back in the spotlight. Possibly due to a lack of cable, thus an absence of access to the Disney Channel (Tron was shown on the channel’s first day on the air), I just passed it by. I had seen bits and pieces of the movie and wasn’t too terribly impressed, but I am always fascinated with this period of Disney’s output, a weird dark territory where they were taking risks and on the verge of bankruptcy. It’s a much more interesting time for the company than now, where they churn out processed formulaic drivel. So I decided to give the two films in the Tron series a shot and finally see what drew a cult following to them.

Movie Review – The Devil and Max Devlin

The Devil and Max Devlin (1981)
Written by Mary Rodgers
Directed by Steven Hilliard Stern

This Disney film began life in 1973 as a concept developed at Hammer Films. It was going to be called The Fairytale Prince and star Vincent Price as a dead actor who collects children’s souls for The Devil. Now that would have been a movie. Instead, we got this uneven, poorly written & directed embarrassment. By the 1980s, Disney was not in a good spot. Changes in leadership since the death of Walt led to a company that seemed to lack a clear identity. They produced live-action movies like Escape From Witch Mountain or Freaky Friday, which performed poorly at the box office. Their animated fare (The Rescuers, The Fox and The Hound) weren’t doing too well either. But even those look good compared to this one.

Song of the South or Why Disney Has Always Been Politcial

Recently the Orlando Sentinel published an op-ed by Clark County, Nevada district attorney and human thumb Jonathan VanBoskerck titled “I love Disney World, but wokeness is ruining the experience.” Vanny begins his rant by complaining about Disney’s new employee dress code, which allows visible tattoos, culturally inclusive uniforms, and natural hairstyles. Now, Disney is a demonic megacorporation that should be burnt to the ground, but this is just basic minimum human decency. They will still mistreat employees, but at least these workers aren’t being forced to suppress their race or cultural heritage.

Movie Review – The Nightmare Before Christmas

The Nightmare Before Christmas (1993)
Written by Caroline Thompson and Michael McDowell
Directed by Henry Selick

While the idea and production design were initially conceived by Tim Burton, the actual execution of The Nightmare Before Christmas was done by a bevy of other talented creators. However, the film is associated with Burton, and many mistake him as the director. We love and remember the picture for Danny Elfman’s music, Henry Selick’s direction, and the fantastic script by Thompson and McDowell. Thompson co-wrote Edward Scissorhands, and McDowell also penned the screenplay for Beetlejuice, so they brought all those elements to the table. The result is a gorgeous macabre take on the Christmas spirit that endures because it stands out from the crowd but reminds us of childhood favorites.

Movie Review – The Shaggy D.A.

The Shaggy D.A. (1976)
Written by Don Tait
Directed by Robert Stevenson

I remember watching the original Shaggy Dog film as a kid and enjoying it quite a bit. I remember memorizing the Latin incantation and playing the film out with my siblings. Now it’s been twenty-plus years since I last saw that movie, and I never happened to sit down and watch the follow-up. By this time, the original Wilby Daniels, Tommy Kirk, had been arrested for marijuana possession, and thus his career with Disney was terminated. In 1976, Dean Jones was a go-to in the studio’s acting stable, and so he was put into the role.

Movie Review – The Million Dollar Duck

The Million Dollar Duck (1971)
Written by Ted Key & Roswell Rogers
Directed by Vincent McEveety

This was the first film that critic Gene Siskel walked out on. He would only do that with two subsequent movies (1980’s Maniac and 1996’s Black Sheep). The story is a stock Disney script for the time, one of the gimmick comedies, not rising much above a Disney Channel original movie. The production quality is at the television level as well. By the midway mark of the film, I was checking out, despite trying to stay engaged from the outset. There are only so many gags you can do with this plot before it wears out its welcome.