drama – Page 28 – PopCult Reviews

Movie Review – The Apostle

The Apostle (1997)
Written & Directed by Robert Duvall

I first saw The Apostle approximately twenty-two years ago. I checked it out from the local public library, where I was working at the time and absolutely loved from the first viewing. I mentioned earlier in this series how author Flannery O’Connor referred to the South as a “Christ-haunted landscape.” Robert Duvall furthers this by exploring a character who lives in seeming constant open dialogue with God. He implores the deity for guidance as often as he rages at him for life events the man cannot understand.

The Cinema of Misery

Doesn’t the world feel exceptionally shitty these days? Would you like to watch a movie that will lift your spirits? Well, that’s not this list. When I originally planned this list, COVID-19 cases were going down, and it seemed like the BLM uprisings were pushing back at power semi-successfully. As I publish this, we have soaring case numbers and now federal stormtroopers acting in outright violation of the Constitution in Portland, Oregon. Just yesterday, political commentator Michael Brooks passed away suddenly at the age of 37. Brooks was in my home every day through his work on The Majority Report and his own podcast. Add to this anxiety surrounding schools opening back up soon while the virus rages, and I can safely say my head is not in a good space these days. Seems like the perfect time for such a list.

Movie Review – Sling Blade

Sling Blade (1996)
Written & Directed by Billy Bob Thornton

One of the notions observed about the concept of Family at the end of the 20th century & especially in the 21st is that it is no longer the people whom you are born into but the people you choose to populate your life with. Sling Blade is a movie about that kind of a family, focusing on one particular member and how they navigate their role in the group. This film is the evolution of a one-man show into a short film and finally the feature film we review here. This story meant a lot of Billy Bob Thornton so much that he would devote so large a portion of his life to playing a singular character. He becomes lost in this character, and my wife didn’t realize it was Thornton until the end credits rolled.

Movie Review – Rambling Rose

Rambling Rose (1991)
Written Calder Willingham
Directed by Martha Coolidge

The role of women in Southern culture is a complex one, and as a white man, I will not be able to adequately convey what it is like from my perspective. Rambling Rose, though, is a film that gets somethings right but so much else wrong, like problematically wrong. I sat stunned within the first few moments of this movie, and throughout the rest of it at how tone-deaf and overly melodramatic so much of the story becomes. The female character at the center of the picture really has no voice, and instead, the narrative is shaped by an adolescent boy that lusts after Rose. There’s an attempt to have him learn a lesson about women, but it’s muddied with troublesome archaic thinking.

Movie Review – A Face in the Crowd

A Face in the Crowd (1957)
Written by Budd Schulberg
Directed by Elia Kazan

Southern folksy charm is one of those things I see visitors to the American Southeast remark upon often. The city of Nashville likes to boast that it’s the largest small town in the country, and I have to admit, if you are walking down the street, you will have strangers saying, “Hello” and waving. But this friendliness can also be a sinister mask, obscuring ulterior motives and manipulations. When this manner is adopted by someone in the media with less than divine intentions, it can be downright corrosive to society. All that is warm, genial, and welcoming is not good for your health.

Movie Review – Little Children

Little Children (2006)
Written by Todd Field & Tom Perrotta
Directed by Todd Field

Tom Perrotta has enjoyed quite a bit of success in having his novels adapted to film & television. Election, directed by Alexander Payne, was his first work turned into a movie and remains a great picture about the dangers of ambition. Even more successful was the television adaptation of The Leftovers by Damon Lindeloff, arguably the best series of the 2010s. Inbetween these two lies Little Children, a very literary film helmed by Todd Field. This is a dense movie that doesn’t stick to the text with fidelity, instead creating its own narrative spin on the same themes and characters.

Movie Review – In the Bedroom

In the Bedroom (2001)
Written by Todd Field & Robert Festinger
Directed by Todd Field

The bedroom is the rear compartment of a lobster trap and is designed to hold two lobsters before turning on each other. A lobster fisher must check their traps regularly lest multiple animals get caught in the bedroom and begin tearing each other’s claws off. In the same scene that we learn this, we are also told that when a female lobster is “growing berries,” i.e., carrying eggs, she becomes the most fearsome type of lobster.

Movie Review – Eyes Wide Shut

Eyes Wide Shut (1999)
Written by Stanley Kubrick & Frederic Raphael
Directed by Stanley Kubrick

The final film from Stanley Kubrick came twelve years after his previous picture, Full Metal Jacket. The expectations are high, and close friends and family of the director have said he really felt the pressure of making a great film because of the standards he’d set for himself. I never had the privilege of going to a new Kubrick film in the theater, I was eighteen when Eyes Wide Shut was released and hadn’t yet fully developed in my understanding of cinema. From what I read from older film fans & critics, a Kubrick movie was met with humming anticipation. These heightened expectations will inevitably lead to disappointment because they put so much of the viewer’s demands on what the piece of art should be. However, contemporary reevaluations of Eyes Wide Shut have redeemed a beautiful send-off for one of our great masters in the craft.

Movie Review – Barry Lyndon

Barry Lyndon (1975)
Written & Directed by Stanley Kubrick

I think Stanley Kubrick was one of those rare directors who could dramatically shift tone & aesthetics between films without losing his core themes. On a material level, the differences between A Clockwork Orange and Barry Lyndon is a vast gulf. Sex & violence is still present, but it’s meted out in a much more measured fashion. The goal of Barry Lyndon is to communicate with subtlety, to control the camera to an almost ascetic degree in how it delivers information about the characters & conflict. Kubrick also plays with structure creating two very distinct halves that tell us different things about the same character.

Movie Review – Lolita

Lolita (1962)
Written by Vladimir Nabokov (but really by Stanley Kubrick & James B. Harris)
Directed by Stanley Kubrick

As both the film’s trailer and poster asked, “How did they ever make a movie about Lolita?” To say this is an extremely controversial book is an understatement, but also to say that the controversy surrounding the book is overblown would be as well. Lolita is sometimes categorized as an erotic novel, and, as someone who has read Nabokov’s book, I didn’t find anything erotic in the whole text. It’s a first-person narrative told by an unreliable narrator whom the author has called “a vain and cruel wretch.” The novel Lolita is a literary text dripping with irony. There’s a bizarre penchant for modern American culture to assume “protagonist” is equivalent to “hero,” and I guess our popular media has pushed that paradigm aggressively. I don’t think that is the case, and often the most interesting stories are the ones told from a villain’s point of view, which does not mean we are expected to agree with the narrator.