film noir – Page 3 – PopCult Reviews

Movie Review – Detour

Detour (1945)
Written by Martin Goldsmith
Directed by Edgar G. Ulmer

Noir is not exclusively the realm of detective stories. Detective pictures are under its broad umbrella, but some of my favorite noir films focus on people who get into trouble and can’t escape it. There might be a crime they can commit that would fix their financial situation, or they may be convinced to join in a conspiracy to murder with promises of sex & money. These are the genre at its best, exploring the deep flaws in humanity and how we so often sabotage ourselves. Detour is one of these, possibly one of the bleakest noir films from this period. It was released by the Producers Releasing Corporation, which at the time was the smallest and least prestigious studio in Hollywood. Gower Street in Hollywood made up “Poverty Row,” a low-rent stretch where the lowest-budget studios operated. They made money, but it was often by chasing trends or simply making movies quick & cheap. Detour never feels like that; it’s a masterpiece from a filmmaking system that rarely produced such work.

Movie Review – Laura

Laura (1944)
Written by Jay Dratler, Samuel Hoffenstein, Elizabeth Reinhardt, and Ring Lardner Jr.
Directed by Otto Preminger

I’m currently reading Hollywood: An Oral History by Sam Wasson & Jeanine Basinger. It uses transcripts from people who worked in every aspect of the film industry going back to the early silent era. These transcripts are cut apart and grouped chronologically and by subject. For instance, the chapter I’m in now goes through the departments formed when the studio system was dominant. So we get these figures’ takes on everything from costuming to cinematography to studio personnel. There are chapters on the major studio heads, what each filmmaking house was known for in their heyday, and how the whole profession went from a disposable trend to dominating the planet.

Movie Review – The 4th Man

The 4th Man (1983)
Written by Gerard Soeteman
Directed by Paul Verhoeven

In 1981, the Dutch author Gerard Reve was asked to supply the free book given away during an annual promotion of literacy in The Netherlands. If you bought any Dutch-language book that week, you would get a copy of Reve’s for free. Reve wrote De Vierde Man, a noirish psychological thriller. As a gay man and a Catholic, those themes would often get brought up in his books, this one was a little different as the lead character was bisexual, and the book contained only a brief scene of gay sex. It was apparently too controversial, and the book was dropped in favor of something far more bland & boring. That book has been mostly forgotten, while De Vierde Man was adapted by Paul Verhoeven. The 4th Man would be that director’s final Dutch production until he returned in 2006; in the meantime, he made some of the most memorable 1980s action/farcical films.

Movie Review – A Simple Plan

A Simple Plan (1998)
Written by Scott B. Smith
Directed by Sam Raimi

The 1990s were an eclectic decade for Sam Raimi. Darkman was his entry into the 90s, which helped to get his third Evil Dead film, Army of Darkness, greenlit through Universal Pictures. That was followed a few years later by the western The Quick and The Dead. Then came A Simple Plan (He would wrap up the decade with the Kevin Costner baseball movie For Love of the Game, so he wasn’t sticking to a single genre).

Movie Review – The Long Goodbye

The Long Goodbye (1973)
Written by Leigh Brackett
Directed by Robert Altman

“There’s a long goodbye/And it happens every day.”

So go the lyrics of a song you will hear many variations of while watching The Long Goodbye. To say this film upset many people, both critics & the general audience, would be an understatement. The character of Phillip Marlowe was a highly revered cultural icon to the adults of the 1970s. In tandem, Humphrey Bogart, forever connected to Marlowe, was seen as the epitome of the movie detective. You cannot watch any American detective film or television series without it being profoundly influenced by that ur-text. So when iconoclastic director Robert Altman released his adaptation of The Long Goodbye, it was not initially well-received. However, The Long Goodbye would be re-released in the same year with a new marketing campaign and find an audience that truly loved it.

Patron Pick – Bad Day at Black Rock

This is a special reward available to Patreon patrons who pledge at the $10 or $20 a month levels. Each month those patrons will pick a film for me to review. They also get to include some of their own thoughts about the movie, if they choose. This Pick comes from Matt Harris.

Bad Day at Black Rock (1955)
Written by Don McGuire and Millard Kaufman
Directed by John Sturges

The frenzy of war often brings the greatest evil out of people. Humans have a penchant for looking for an Other to blame for their ills and the sins of the world. We don’t have to go too far back in our history to find an endless parade of atrocities and hate crimes perpetrated on these Others. The murders and savagery never quell the sense of discontent in the perpetrators, instead planting a ball of guilt in their stomach that festers & boils. How foolishly we target individuals rather than the systems in the place that create war and strife. Easier to kill an innocent person who doesn’t look like you or speaks a different language than work for solidarity to overcome the wrong we all feel. Bad Day at Black Rock is a modern folktale about justice being visited on people guilty of such crimes.

Movie Review – Mildred Pierce (1945)

Mildred Pierce (1945)
Written by Ranald MacDougall
Directed by Michael Curtiz

I’ve come to realize Joan Crawford is a far more complicated person than pop culture has made her out to be. Most people think of “No wire hangers!” or some other element of Mommie Dearest. I wouldn’t doubt Crawford wasn’t a great mother, but she certainly feels like someone ahead of her time as an actress. The role of Mildred Pierce is not a glamorous one. She’s an older woman whose daughter steals the spotlight, but Pierce is also so complex and layered, making choices that can’t be seen as operating inside your standard binary thinking. It’s the rich nuance and texture you’d expect from a story written by James M. Cain, a predominately noir-leaning author.

Movie Review – Nightmare Alley (2021)

Nightmare Alley (2021)
Written by Guillermo del Toro and Kim Morgan
Directed by Guillermo del Toro

Having just watched the original Nightmare Alley a week ago, I was a little uncertain how I’d feel about this remake. Guillermo del Toro, like the Wachowskis, is a filmmaker I respect but don’t necessarily enjoy much of their work. It’s clear del Toro is presenting his vision without many studio-directed tweaks and cuts. I’ve begun to think of him as a more thoughtful Tim Burton, someone whose style is matched by the substance of his work. With Nightmare Alley, he comes to the table with a solid narrative to work with. He even manages to go with the novel’s original, bleaker conclusion than the 1947’s softened conclusion. However, the movie feels too sterile due to an over-reliance on modern digital cinematography.

Movie Review – Nightmare Alley

Nightmare Alley (1947)
Written by Jules Furthman
Directed by Edmund Goulding

When I sat down to watch the original Nightmare Alley, I wasn’t prepared to be hit with such a spectacular film. I expected it would be a decent, pulpy sort of tale but the performances, cinematography, and music were far beyond the bar I’d set in my head. I turned to Ariana during our viewing to make sure I didn’t imagine how amazing this movie is, and she confirmed that she, too, was blown away. For just two years post-WWII, this movie looks ahead of its time. The plot is incredibly complex and can’t simply be boiled down to a single sentence. There are so many supporting characters who are given the type of nuance and complexity we often associate with modern cinema. But here it is, punching far above the weight of most movies and delivering one of the darkest endings I’ve seen from a film of this era.

Movie Review – The Maltese Falcon

The Maltese Falcon (1941)
Written & Directed by John Huston

John Huston was born into entertainment. His father, Walter, got his start in vaudeville and then transitioned into movies. When John was born, his parent ended their earlier careers (his mother was a sports editor) to be more domestic. Walter became a civil engineer for a few years but eventually returned to acting. The couple divorced when John was six, and he spent much of his childhood at boarding schools, ferried between his two parents. Watching Walter act on stage profoundly affected John’s burgeoning love of storytelling and set him on his path to becoming a filmmaker.