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Comic Book Review – The Uncanny X-Men Omnibus Volume Four

The Uncanny X-Men Omnibus Volume Four (2021)
Reprints Uncanny X-Men #176-193, X-Men Annual #8, Kitty Pryde and Wolverine #1-6, X-Men and Alpha Flight #1-2, and Marvel Fanfare #40
Written by Chris Claremont (w/Barry Windsor-Smith)
Art by John Romita, Jr, Al Milgrom, Paul Smith, Barry Windsor-Smith, Steve Leialoha, and Craig Hamilton

The Uncanny X-Men was approaching a period of massive changes. This collection ends with Claremont’s 100th issue on the title, and you can feel him searching for new threads to connect old ideas with fresh ones. Issue 176 sees two prologues, one to a story that just feels like treading water, and the other is something that will develop over the next few months.

Comic Book Review – The Uncanny X-Men Omnibus Volume Three

The Uncanny X-Men Omnibus Volume Three (2021)
Reprints Uncanny X-Men #154-175, X-Men Annual #6-7, Special Edition X-Men #1, Marvel Graphic Novel #5, Wolverine #1-4, and Magik #1-4
Written by Chris Claremont
Art by Dave Cockrum, Paul Smith, Bill Sienkiewicz, Brent Anderson, Frank Miller, Walter Simonson, John Romita Jr., Michael Golden, Bret Blevins, John Buscema, Ron Frenz, and Sal Buscema

Chris Claremont’s X-Men run began as an engine running on sagas. The Phoenix saga started almost as soon as he began writing the book and dominated for three years. Following that, you had the Kitty Pryde era, where her joining the team and going through growing pains were crucial features. It wasn’t as saga-ish, but it gave us stories like Days of Future Past, which still ripple through X-Men media to this day. In reading these stories, I get the sense Claremont was trying to find the next big arc, but so much of what came out of the writing was circling around the same ideas or characters and fleshing them out a bit more. This is a time when the writer is trying to figure out how X-Men stays relevant and moves from the trappings of Silver Age storytelling into a more modern, mature era.

Comic Book Review – The Uncanny X-Men Omnibus Volume Two

The Uncanny X-Men Omnibus Volume Two (2020)
Reprints X-Men #132-141, X-Men Annual #4-5, Uncanny X-Men #142-153, Avengers Annual #10, Marvel Fanfare #1-4, Marvel Treasury Edition #26-27, Marvel Team-Up #100, Bizarre Adventures #27, Phoenix: The Untold Story
Written by Chris Claremont and John Byrne
Art by John Byrne & Dave Cockrum

In my last review, I held back on discussing two characters introduced in the previous couple of issues collected in that omnibus. I’ll talk about them now, as one proves to be a core element to the next phase of Claremont’s run. Emma Frost debuted as part of the Hellfire Club’s first volley to capture Jean Grey and bring her into the fold. I had read these issues years ago and didn’t remember that Emma gets taken off the board fairly quickly. This means when the X-Men finally meet the entire Hellfire Club, Emma is catatonic and not part of the action.

Comic Book Review – The Uncanny X-Men Omnibus Volume One

The Uncanny X-Men Omnibus Volume One (2020)
Reprints Giant-Size X-Men #1, X-Men #94-131, and X-Men Annual #3
Written by Chris Claremont and John Byrne (w/Len Wein & Bill Mantlo)
Art by Dave Cockrum & John Byrne

Last year, I read through the initial X-Men run featuring the original five. Stan Lee & Jack Kirby started out as the creative team, quickly stepped aside, and the title just never found its footing. There was a great stint when Roy Thomas wrote with Neal Adams on pencils; that was a standout, but overall, it was a forgettable comic book. For five years, the X-Men book reprinted its sixty-six issues, and as Marvel got closer to running out of stories to reprint, they decided to do something new with the concept. Len Wein was doing double duty as writer & editor at Marvel in the mid-1970s and worked with artist Dave Cockrum to create some new mutants to shake up the X-Men dynamic. He also pulled in a character he’d introduced around the same time in the pages of Incredible Hulk. It was a short, clawed Canadian superhero named Wolverine.

Ariana’s Favorite 2023 Reads

It’s that time of the year when we sort through all the books we read and try to find some favorites.

Comic Book Review – Spider-Man Epic Collection: Man-Wolf at Midnight

Spider-Man Epic Collection: Man-Wolf at Midnight (2022)
Reprints Amazing Spider-Man #124-142 and Giant-Size Super-Heroes #1
Written by Gerry Conway
Art by Ross Andru, Gil Kane, John Romita, and Paul Reinman

Something terrible happened to Peter Parker, and no one will let him process it and move on. The iconic man behind the spider lives in stasis between two poles: Uncle Ben’s death and Gwen Stacy’s death. There is this brief period between the two where he could be Spider-Man. Yet even in that, Captain Stacy’s death was a way of reigniting the angst of Peter’s guilt. This is who Spider-Man effectively is in popular culture: a perpetually grieving man who can never be absolved of his guilt. At least Batman is allowed to be grim, while Spidey has to joke about everything while psychologically unable to express the weight of his pain. Reading this collection caused me to completely rethink how I feel about this character.

Comic Book Review – Spider-Man Epic Collection: The Goblin’s Last Stand

Amazing Spider-Man Epic Collection: The Goblin’s Last Stand (2017)
Reprints Amazing Spider-Man #105-123
Written by Stan Lee & Jerry Conway
Art by John Romita, Gil Kane, Jim Starlin, and Paul Reinman

Throughout the 1960s, Stan Lee had his hand in every single Marvel comic being published. This was most often in the role of scripting, which ensured the comics all had a similar voice. He also garnered the ire of his artistic collaborators, Jack Kirby & Steve Ditko, being the most well-known. The fact that most people associate Marvel with Lee without knowing who these other people are indicates the sort of manipulator Lee was. By 1972, Lee stepped away from writing duties and assumed the role of publisher, overseeing Marvel’s growing media empire.

Comic Book Review – Fantastic Four Epic Collection: The Master Plan of Doctor Doom

Fantastic Four Epic Collection: The Master Plan of Doctor Doom (2017)
Reprints Fantastic Four #19-32, Annual #1-2
Written by Stan Lee
Art by Jack Kirby

This collection continues laying the foundation of what the Marvel Universe would become. When Fantastic Four #19 was published in July of 1963, what did the rest of the Marvel Comics Universe look like? Amazing Spider-Man #5 just dropped, which pits him against Doctor Doom. Strange Tales spotlights the solo adventures of the Human Torch, with Doctor Strange making his debut as a back-up feature. Tales of Suspense is just a few issues into its Iron Man run, and he’s facing off against the Crimson Dynamo. Journey Into Mystery is about the ongoing adventures of The Mighty Thor. Nick Fury’s World War II-era stories are being told in his comic. Tales to Astonish continues its run of Ant-Man & The Wasp. The Avengers and The X-Men had their first issue debuts in July 1963. Beyond that, Marvel is still publishing plenty of romance and Western books from Millie the Model to Patsy Walker, The Rawhide Kid and The Two-Gun Kid. Captain America is still on ice somewhere in the Arctic Circle. In this next phase of Marvel, the cohesive shared universe begins to become a thing, and the Fantastic Four binds it all together.

Comic Book Review – Fantastic Four Epic Collection: The World’s Greatest Comic Magazine

Fantastic Four Epic Collection: The World’s Greatest Comic Magazine (2014)
Reprints Fantastic Four #1-18
Written by Stan Lee
Art by Jack Kirby

I’m not quite sure what Marvel Comics is anymore these days. They have gone all-in on making their books just variants of variants at this point. There’s the stable of adjectives they slap on books that don’t mean much (Uncanny, Astonishing, Immortal is one now with the upcoming Immortal Thor). There’s also the spamming of popular IPs with Spider-Man, Venom, Spider-Gwen/Ghost Spider, and Miles Morales being used in multiple comics a month in a way that I think is less about storytelling and more about keeping brands in front of the consumers at all times. While comics have always been a business about finding ways to keep people handing over their money for another monthly installment, in the “old days,” there was a certain freshness & creativity to it. These were comics being dreamed up by weirdos who had yet to determine if they would be popular with a big enough audience to make them economical.

Comic Book Review – Amazing Spider-Man Epic Collection: The Death of Captain Stacy

Amazing Spider-Man Epic Collection: The Death of Captain Stacy (2021)
Reprints Amazing Spider-Man #86-104
Written by Stan Lee & Roy Thomas
Art by Gil Kane & John Romita with John Buscema

This was my least favorite of the four Amazing Spider-Man collections I read for this series. The art changes, but it’s not the art that made me dislike it; it is the writing. Stan Lee was clearly running out of steam with his ideas for Spider-Man. It also supports the claims that Lee relied on his artists to handle many plots to which he would add flourishes. I won’t say these are terrible stories, but you definitely get the sense he was reaching for ideas, and a lot of this doesn’t feel as powerfully written as the earlier issues.