science fiction – Page 13 – PopCult Reviews

Movie Review – Tron: Legacy

Tron: Legacy (2012)
Written by Edward Kitsis and Adam Horowitz
Directed by Joseph Kosinski

In 2012 it was evident that director Christopher Nolan was having a massive influence on Hollywood and moviemaking. You could see this in the trailer released post-Inception with their Hans Zimmer-inspired “bwaaaaa” sounds. It was also seen in the cinematography that had become popular, very sterile, clean framing. The scope of a setting was essential, and the camera often paused to take in mind-bending landscapes, which sometimes superseded character development or plot. Tron: Legacy is clearly a film not just inspired by the 1982 original but shaped in the popular aesthetics of the time. On paper, this sounds like something that could work but could also fall completely flat.

Movie Review – Tron

Tron (1982)
Written & Directed by Steven Lisberger

I never grew up aware of this movie, but around 2000, it suddenly became an old Disney film thrust back in the spotlight. Possibly due to a lack of cable, thus an absence of access to the Disney Channel (Tron was shown on the channel’s first day on the air), I just passed it by. I had seen bits and pieces of the movie and wasn’t too terribly impressed, but I am always fascinated with this period of Disney’s output, a weird dark territory where they were taking risks and on the verge of bankruptcy. It’s a much more interesting time for the company than now, where they churn out processed formulaic drivel. So I decided to give the two films in the Tron series a shot and finally see what drew a cult following to them.

TV Review – Squid Game Season 1

Squid Game Season 1 (Netflix)
Written & Directed by Hwang Dong-hyuk

I was skeptical when I first heard about the viral Netflix hit Squid Game. Anytime a show is that popular and popping up in so many corners of the internet, I can’t help but think it’s some shallow meme-ish nonsense. However, the fact that it was a Korean series caught my interest. Over the last twenty years, I’ve enjoyed almost every film I’ve seen from that country. Their filmmakers have a fantastic eye and are telling stories that are relevant beyond their own culture. So when I heard Squid Game was addressing issues of economic class, I was sold that I needed to see it, spurred on by the hilarious right-wing media tripping over their feet to argue it wasn’t a critique of capitalism (even though that is what the creator said) and that it was “really about communism.”

Movie Review – Come True

Come True (2021)
Written & Directed by Anthony Scott Burns

Certain movies hit my personal aesthetics so perfectly I love them immediately. Beyond the Black Rainbow and It Follows are two films that sit in that dreamlike 80s-ish wheelhouse. They don’t spam cultural references to get across their implied eras; they just exude the vibe. When you watch them, it feels like that movie you saw when you were up way too late, half asleep, not sure if you remember it quite right. They are movies where you don’t need concrete logic; you just need them to feel a certain way. Come True is another picture I can add to that list. Its blend of visuals and music made me immediately love it.

Movie Review – Psycho Goreman

Psycho Goreman (2020)
Written & Directed by Steven Kostanski

1980s/90s nostalgia is running rampant in popular culture. Whether its new streaming series that evoke the mood of the period or new versions of classic action figures released into the wild or reboots of franchises that are beloved, America just cannot get enough of crawling into a cocoon of childhood memories instead of confronting that ever-present horror of this moment in time. Psycho Goreman is a violent beating from the past, refusing to allow things to be so fuzzy and friendly. Instead, we get the bloody horrifying Saturday morning cartoon we all sort of really dreamt about, a hilarious and absurdist take on the Power Rangers, E.T., and many other corporate childhood darlings.

Movie Review – Lapsis

Lapsis (2020)
Written & Directed by Noah Hutton

In recent years, the gig economy has sadly become more prevalent, starting in large urban centers and working its way out to rural environs. It is predicated on people unable to find steady, well-paying work, particularly those who are desperate. This desperation often comes out of unexpected tragedy, and for Americans, that is linked with medical debt. If you’ve spent time in honest conversation with someone who drives for Uber or does InstaCart, you’ll quickly learn how hard it is to stay above water even with these gigs. Their wages are often lower than expected, and the public they serve can be anything but kind. Lapsis uses the dregs of the gig economy as a jumping-off point for its science-fiction satire.

Book Update – September/October 2021

Parable of the Sower by Octavia E. Butler

We live at a time when much of the world we assumed was permanent is being shown as transitory at best. Unsustainable systems of living are falling apart before our eyes reminding us how dead-eyed consumption charging into the future will lead to our deaths. Science fiction writer Octavia E. Butler saw humanity headed in this direction back in the 1990s when Parable of the Sower was published. The book is set in the distant future of 2024 and is told from the perspective of Lauren Olamina, a young Black woman living outside of Los Angeles. Her deceased mother’s use of drugs during pregnancy imbued Lauren with hyper-empathy, meaning she experiences the sensations and feelings of others. In a crumbling world full of violence and rage, this is a very horrible thing to have.

Movie Review – Dune (2021)

Dune (2021)
Written by Jon Spaihts, Denis Villeneuve, and Eric Roth
Directed by Denis Villeneuve

In the early 2000s, SciFi Channel aired the first attempt since David Lynch’s adaptation of the Dune novel. They were reasonably successful in creating a mini-series that encompassed the first three books in Frank Herbert’s series. Once again, though, critics voiced concerns over the drawn exposition of the world as the filmmakers had to lay out a distant future for humanity with a limited amount of time. It would be twenty years later that this newest attempt would happen. With a larger budget to do justice to the strange new world eight thousand years in the future, will this version finally be the satisfying film fans and general audiences will click with?

Movie Review – Dune (1984)

Dune (1984)
Written & Directed by David Lynch

In the early 1980s, David Lynch was a hot commodity. His cult film Eraserhead had gotten the attention of producers in Hollywood. This led to a life-changing opportunity with Mel Brooks to make The Elephant Man. The critical acclaim from that movie made sure to cement Lynch’s name, and he was afforded more significant offers. In the early 1970s, there had already been efforts to make a Dune adaptation, directed by Alejandro Jodorwosky. That famously fell through, but a lot of pre-production work was done that would find its way to this 1984 release. Lynch was chosen to helm what producers thought could be the next Star Wars. George Lucas had just wrapped his monumentally successful film series with 1983’s Return of the Jedi. Dune was all set to take the mantle. And then audiences saw the movie…

Patron Pick – The Fifth Element

This is a special reward available to Patreon patrons who pledge at the $10 or $20 a month levels. Each month those patrons will get to pick a film for me to review. They also get to include some of their own thoughts about the movie, if they choose. This Pick comes from Amy Stewart.

The Fifth Element (1997)
Written by Luc Besson & Robert Mark Kamen
Directed by Luc Besson

The 1990s saw a slew of big-budget science fiction films, and most of them were memorable but not fantastic. Independence Day and Judge Dredd come to mind. However, there would occasionally be a diamond in the rough. Demolition Man would be a campy favorite. Contact was a science fiction pic made for people desiring something more cerebral. And then we have The Fifth Element, a lavish indulgence of production design, eccentric characters, and space opera that never takes itself too seriously yet has so much heart. There are few films like it which is probably why The Fifth Element has endured in people’s memories. But, unfortunately, even the director failed to recapture the magic decades later.