Where the Wild Things Are (2009)
Written by Spike Jonze and Dave Eggers
Directed by Spike Jonze
To be a child is to be overwhelmed. I often think back to my own messy childhood and feel pangs of regret that my way of thinking was so warped by Christian-conservative ideologues for parents that I just don’t have some of the same experiences that many of my peers did. However, I believe all children struggle with how to process their emotions. Some have good supportive parents, while others have parents who model terrible behavior. The key difference has always been a parent who can say they are sorry to their child, which my parents could not and still can’t do. The parent who does that, who can shrug off the ego, understanding that “sorry” will help shape their child into a kind person, does something revolutionary. Where the Wild Things Are is about the tension, that moment of growth from being self-centered to understanding the experiences & feelings of others.
Continue reading “Movie Review – Where the Wild Things Are”
I’m Here (2010, dir. Spike Jonze)
Starring Andrew Garfield, Sienna Guillory
I’m Here is available to watch at http://www.imheremovie.com/
I would recommend you go here instead: http://www.youtube.com/watch?v=_TQuzRCbpsY
Brief note on the presentation of the film, before I get into my review: The film is sponsored by Absolut Vodka, who decided to offer the film to online audiences in one of the stupidest ways possible. The film has scheduled showings, forcing you to wait in a queue to watch it. There’s no reason why this should be, as plenty of other video media is offered on demand. This seems to have been a move on the marketing department, and who knows how many countless viewers they will lose because of this nonsensical wait time. Onto the review:
Spike Jonze knows how to work with very little, and create a lot. Here he employs his trademark marriage of low-tech and high tech to create a very fleshed out world in just about 30 minutes. The story is a science fiction one, but a sort of retro-futuristic Los Angeles. Humans and robots live together, the robots appear to be built of those unattractive beige computer cases from the 90s. The only CG employed are in the eyes and mouths of the characters, and that is done in a subtle way.
The story follows Sheldon, a librarian robot who is introverted and nervous, returning to his apartment every evening, plugging into the wall recharger and sitting alone. One day he happens to meet Francesca, a female robot who is driving a car, something robots are not allowed in this world. The two hit it off and a romance develops. During a concert, the crowd gets a little rough and Francesca loses her arm. In an act of love, Sheldon unscrews his own and gives it to her. As their relationship continues, it becomes apparent a larger sacrifice will be made. The film is an interesting mix of heartbreaking and unsettling. A lot of the choices made in this relationship appear to be one sided, and it can be read as an act of unconditional love or of a selfishness. Definitely worth a watch and a beautiful looking film from director Jonze.
Where The Wild Things Are (2009, dir. Spike Jonze)
Starring Katherine Keener, James Gandolfini, Catherine O’Hara, Lauren Ambrose, Paul Dano, Chris Cooper, Forest Whitaker
Taking up only around a dozen pages, Maurice Sendak’s Where the Wild Things Are seemed more appropriate as an animated short, rather than a live action feature. Thanks to the creative genius of Spike Jonze, the story was able to be fleshed out further without losing the themes and tone of the picture book. Instead of opting for the current trend of CG animation, Jonze turned to an older and more conventional method by hiring the Henson Creature Shop to design and construct full body suits of the Wild Things. The result is a film that says as much to adults as it does children.
The story, familiar to most, is very simple: Young Max is stomping around the house in his monster suit, bites his mother and is punished. Instead of Max’s bedroom transforming into the forest, Jonze sends Max into the real woods and to a scenario that causes us to ask whether he actually experienced this or not. Max ends up on an island, populated by giant monsters which Max quickly conquers as their king. In the world of the film, a conflict arises between two Wild Things: KW and Carol. This provides the crux of the drama in the film and parallels the typically volatile relationship Max experiences with his sister.
Jonze creates a tone that very few children’s films possess; a tone of honesty. Max behaves like a real child, not a Disney-fied picture of perfection or precociousness. Max has his own sense of illogical, child-like logic and reacts with violent emotion. Author Sendak has commented, about the original text, that it was meant to speak to children about being angry and not play to the wants of parents. The voices of the Wild Things are also filtered through Max as well and represent both the different sides of his personality as well as the way he sees people in his life.
Many parents complained that the film was too dark but I see it as no darker than the original story. I think many parents fail to realize the honesty of Sendak’s text, which in turn makes it a “dark” story in comparison to the false sunniness of many children’s stories. I also think, unlike films such as Shrek and Madagascar and films of that kind, Where the Wild Things Are has true intellectual “nutritive value”. Jonze has made a film that will provide something new and valuable to audiences as they grow older.