television – Page 2 – PopCult Reviews

TV Review – Fantasmas

Fantasmas (2024)
Written and directed by Julio Torres

The post-Internet era of media is very much here, and one aspect of that is this DIY/hyperreal style of filmmakers like Julio Torres. The work is very much queer both in its presentation of diverse genders and sexualities but also in the strangeness of its presentation. It’s clearly modeled on our real world but often exaggerated in ways inspired by the cartoons of the 1990s and early 2000s these artists grew up watching. They address the current reality of capitalism’s buckling by finding humor in the mundane but nevertheless infuriating odyssey of trying to get adequate health care or resolving a bank charge. And it’s all done in a manner that feels fresh and exciting.

TV Review – Shogun Season One

Shogun Season One (2024)
Written by Rachel Kondo, Justin Marks, Shannon Goss, Nigel Williams, Emily Yoshida, Matt Lambert, Maegan Houang, and Caillin Puente
Directed by Jonathan van Tulleken, Charlotte Brändström, Frederick E.O. Toye, Hiromi Kamata, Takeshi Fukunaga, and Emmanuel Osei-Kuffour

I must confess that of all the Japanese media, the stories surrounding this historical period typically leave me cold. I can acknowledge that there is tremendous quality here, but the philosophy of life is so dramatically alien to me that I have difficulty connecting to it. Unlike the protagonist here, I do not feel the intense etiquette systems. It comes across to me as oppressive and suffocating. But then, I wouldn’t be surprised if a Japanese person who finds this perspective normal looked at how I lived my life and felt that I was in a sort of prison, too. All societies are, to an extent, prisons; they have rules relatively rigid to outsiders. And that’s kind of what this show is exploring.

TV Review – The Bear Season Three

The Bear Season Three (2024)
Written by Christopher Storer, Matty Matheson, Courtney Storer, Will Guidara, Catherine Schetina, Joanna Calo, and Alex Russell
Directed by Christopher Storer, Duccio Fabbri, Ayo Edebiri, and Joanna Calo

Fairweather fans always seem to balk at season three. I remember when Mad Men Season Three premiered, and slowly but surely, people who had loved it for the first two years decided that elements of the show they had enjoyed were suddenly not good any longer. I found it to be one the best seasons in the run, finally allowing its characters to face the unwelcome truths in their lives. Lost Season Three is still maligned by so many when it has probably the best season finale of the entire show’s run. The best television moves at its own pace. You are either in rhythm with it, or you are not. In an era where plot and IP-driven television seem to dominate the landscape, it is refreshing to have something that chooses character over plot.

TV Review – Northern Exposure Season Three

Northern Exposure Season Three (1991-92)
Written by Martin Sage, Sybill Adelman, Ellen Herman, Robin Green, Stuart Stevens, Henry Bromell, Dennis Koenig, Jordan Budde, Craig Volk, Diane Frolov, Andrew Schneider, Jeff Melvoin, David Assael, Mitchell Burgess, Kate Boutilier, Jeffrey Vlaming
Directed by Nick Marck, Bill D’Elia, Miles Watkins, Jim Hayman, David Carson, Sandy Smolan, Michael Katleman, Jack Bender, Michael Fresco, Lee Shallat, Dean Parisot, Rob Thompson, Matthew Nodella, Steve Robman, Tom Moore

This was the season where the awards started coming in for Northern Exposure. It was also the first season to have a complete order, twenty-two episodes. The budget has been increased, and the amount of care put into many of these episodes approaches cinematic levels. I had to check what year these episodes came out, 1991-92, but they feel more complex than something you would expect from CBS then. It’s become clear to me how this show was one of the experimental US programs of the 1990s that paved the way for the prestige TV of the cable era.

TV Review – Foundation Season Two

Foundation Season Two (2023)
Written by David S. Goyer, Jane Espenson, Leigh Dana Jackson, Joelle Garfinkel, Eric Carrasco, David Kob, Liz Phang, Addie Manis, and Bob Oltra
Directed by Alex Graves, David S. Goyer, Mark Tonderai, and Roxann Dawson

I was a big fan of the first season of Foundation, but I saw that several critics and viewers found its structure confusing. There are definitely some time jumps that allow many changes to happen. I started to see the show as a mix of serialized storytelling and anthology. Each season would have some cast that would carry over because of cryosleep or cloning. The rest of the cast would rotate out at the end of each season as we jumped centuries ahead to see the Empire’s decline and the Foundation’s rise. Apparently, people liked season two even more, so we’ll have a third coming in the next few years. This second season focused on showing how flawed systems are where one figurehead is expected to lead millions or billions, or in the case of one locale, a few dozen.

TV Review – The Sympathizer

The Sympathizer (2024)
Written by Park Chan-wook, Don McKellar, Naomi Iizuka, Mark Richard, Maegan Houang, and Anchuli Felicia King
Directed by Park Chan-wook, Fernando Meirelles, and Marc Munden

The portrayal of communism in Western media is fraught with contradiction. It has to be because to honestly present communism would mean capitalism would be critiqued in detail. Part of the ongoing American imperialist project is ensuring no cogent critiques of the dominant economic system happen. This means when communism is presented, it is always a brutal internment camp where people are tortured. This disregards the fact the United States has and continues to operate brutal internment camps where people are tortured. It seems that this behavior isn’t inherent to communism but something people seem to do regardless of the economic system they live under. While The Sympathizer starts out strong, its lead director steps aside three episodes in, and a very neoliberal centrist viewpoint leaves it as an imperfect creation.

TV Review – The End of Evangelion

The End of Evangelion (1997)
Written by Hideaki Anno
Directed by Kazuya Tsurumaki and Hideaki Anno

Apparently, a large enough contingent of viewers were dissatisfied with the ending of Neon Genesis Evangelion, and creator Hideaki Anno produced this follow-up feature that exists parallel to that conclusion. From what I read, it sounded like Anno went back and forth between his original concept and some altered ideas. It is a very jarring experience for the central narrative to suddenly collapse into an internal dialogue between Shinji and mental projections of the important people in life. There’s also a meta-commentary on anime cliches that pops up and a weirdly upbeat ending. Several questions were left unanswered, so it was decided to go back and add more to the finale.

TV Review – Outer Range Season Two

Outer Range Season Two (2024)
Written by Cameron Litvack, Glenise Mullins, Dagny Atencio Looper, Jenna Westover, Doug Petrie, Marilyn Thomas, Aïda Mashaka Croal, and Randy Redroad
Directed by Gwyneth Horder-Payton, Deborah Kampmeier, Blackhorse Lowe, Josh Brolin, and Catriona McKenzie

Outer Range was one of my most pleasant streaming TV surprises in 2022. This Amazon series was different from what I expected after seeing the promotional images of Josh Brolin in a cowboy hat standing in a field. My assumption was that this was some Yellowstone copycat. I could not have been more wrong. Instead, I found a complex and bizarre show about a man displaced in time & space and the odd ripples that seemed to have in his personal life and community. The end of season one dropped a significant twist (which I may have to talk about in this review, so beware if spoilers are a thing for you) that excited me to see where the show went next. Then news of strife behind the scenes came out, and I wondered if we would ever see season two. We have now, but not without dramatic changes, which have altered the original tone.

TV Review – X-Men ’97

X-Men ‘97 Season One (2024)
Written by Beau DeMayo, Charley Feldman, JB Ballard, and Anthony Sellitti
Directed by Jake Castorena, Chase Conley, and Emi-Emmett Yonemura

I was a big fan of the X-Men animated series on Fox in the 1990s. It just so happened that it aired at the same time as my sister’s beloved Saved By the Bell. Thank goodness for VCRs. I ended up with quite a few episodes on tape to rewatch them, which I did many times over. I can’t say I kept up with the show well after the first three seasons. I definitely never would have guessed we’d see a revival of the series and one that doesn’t just try and recreate the original. Instead, this is a slight maturation of the format and the quality of storytelling. It still reads like Saturday morning cartoons, albeit with a more modern serialized structure.

TV Review – Neon Genesis Evangelion Episodes 19 thru 26

Neon Genesis Evangelion – Episodes 19 through 26
Written by Hideaki Anno, Akio Satsukawa, and Hiroshi Yamaguchi
Directed by Masayuki, Masahiko Ōtsuka, Hiroyuki Ishidō, Akira Takamura, Shōichi Masuo, and Kazuya Tsurumaki

When I first started watching Neon Genesis Evangelion at the start of the year, I read that some fans hated the ending of the anime series. I wanted to know why that could be. Now that I have finished the show, I completely understand why some of the audience would not like this. I, however, am a big weirdo, and I loved it, yet I get that it goes in a wildly different direction and doesn’t provide the direct sort of conclusion you might expect from a show about giant “robots” fighting monsters from space. Of course, I will be watching and reviewing the two feature films that serve as a complementary ending next month, but for now, I just want to focus on the series.