This is a special reward available to Patreon patrons who pledge at the $10 or $20 a month levels. Each month those patrons will pick a film for me to review. They also get to include some of their own thoughts about the movie, if they choose. This Pick comes from Matt Harris.
Syndromes and a Century (2006)
Written & Directed by Apichatpong Weerasethakul
I’m still not sure how I feel about the work of Apichatpong Weerasethakul. This is the second of his films I’ve ever watched, the previous being Memoria. I don’t dislike his movies; it’s more a matter of adjusting expectations of pace & tone. Weerasethakul’s work is so calm and slow-burning that it can often feel like nothing is happening. However, what he’s doing is using that stillness to communicate ideas about how we live our lives. Weerasethakul wants his audience to become more contemplative, to absorb the details we often gloss over as we rush through life. That’s made very apparent in this picture’s tone and mirrored structure.
Continue reading “Patron Pick – Syndromes and a Century”
Mammoth (2009, dir. Lukas Moodysson)
Starring Gael Garcia Bernal, Michelle Williams, Marife Necesito, Sophie Nyweide, Nathhamonkarn Srinkikornchot
We are constantly alone, even when we’re with the ones we love. And when the decision comes to be away for money, we seem to choose to be away even if it makes us miserable. Swedish director Lukas Moodysson examines these ideas in a very well-acted, but ultimately cold and derivative film. The strongest influences here are the work of Alejandro Innaritu (Babel, Amore Perros) and the 2005 film Crash.
The picture begins with the happy family at play: Leo (Bernal) is a video game designer, Ellen (Williams) is an emergency room doctor specializing in pediatrics, and their daughter, Jackie (Nyweide) is a precocious child caught up in her love of astronomy. Also in their lives is Gloria (Necesito), a live in cook/maid/nanny whom Jackie seems much closer to. Leo leaves for a long business trip in Thailand and Ellen becomes caught up in the tragedy of a stab wound victim brought to her and jealousy of Gloria and her daughter. Gloria is dealing with anxiety of being separated from her own sons back in the Philippines.
Moodysson’s outlook on the world is a bit too simple and feels very predictable. Ellen’s jealousy over Gloria could be seen from the opening frames of the film, and doesn’t really develop in relevant way. The situation with Gloria’s children also comes to a close on a very unsure note, and not in a thought-provokingly ambiguous way, but rather uninspired. The film also makes some bland cross cutting: a pile of elephant dung is followed by Gloria cleaning toilets. These scenes feel more proud of how clever they are than really possessing any real cleverness.
The problem with not creating any sort of metaphors between his ideas and his characters, causes Moodysson to end up moralizing to us in the most patronizing of ways. Much like Crash, a horrific example of patronizing and pretentious cinema, Mammoth slaps us over the head with its message multiple times and then with a barrage in the final scenes. At the end of the day though, the question arises “What is the point?” Yes, I think everyone is aware of the global disparity of wealth and power. The film provides no ideas as to where we go next, which makes it makes of little value.