Savage Worlds is a game I’ve known about for over a decade, but just have never sat down to play. In solo tabletop RPG circles, I see it being written about often and decided to go through character creation to get a feel for the system. Savage Worlds doesn’t have an official setting, but many creators have made settings that add elements to character creation.
Continue reading “31 Days of Character Creation #25 – Savage Worlds”
The Assassination of Jesse James by the Coward Robert Ford (2007)
Written and directed by Andrew Dominik
I have watched the films of Andrew Dominik in a slightly odd order. First, I saw Killing Them Softly, his third film. Then I watched Blonde, his dismal adaptation of a Joyce Carol Oates novel about Marilyn Monroe. Now I come to his second film, the one that garnered him attention in the States, The Assassination of Jesse James by the Coward Robert Ford. It was an excellent film; kept its focus on the characters and never got caught up in the tropes of cinematic Westerns, which is the point.
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Johnny Guitar (1954)
Written by Philip Yordan and Ben Maddow
Directed by Nicholas Ray
By 1954, Joan Crawford was in the latter part of her career. She debuted in 1924 after receiving a contract from MGM that paid $75 a week. This was during the silent era, which Crawford was able to transition from into sound. By 1938, she was one of several actors labeled “box office poison” for declining revenues. That didn’t stop Crawford; she got bought out of her contract to move to Warner Brothers. It was here she starred in Mildred Pierce, one of her most well-regarded pictures of this era. She would branch out to other studios, and it was with Republic Pictures that she collaborated with Nicholas Ray to make the cult classic Johnny Guitar.
Continue reading “Movie Review – Johnny Guitar”This special reward is available to Patreon patrons who pledge at the $10 or $20 monthly levels. Each month, those patrons will pick a film for me to review. If they choose, they also get to include some of their thoughts about the movie. This Pick comes from Bekah Lindstrom.
Shanghai Noon (2000)
Written by Alfred Gough and Miles Millar
Directed by Tom Dey
“The feeling of belatedness, of living after the gold rush, is as omnipresent as it is disavowed. Compare the fallow terrain of the current moment with the fecundity of previous periods and you will quickly be accused of ‘nostalgia’. But the reliance of current artists on styles that were established long ago suggests that the current moment is in the grip of a formal nostalgia.” – Mark Fisher
If you were raised in the US or live there, you are in a period of artistic decline. The big movie studios, always focused on the dollar, have genuinely given up on any pretense of their output having long-lasting cultural meaning. In the golden era of the studio, some executives and presidents understood they had to make crowd pleasers but always tried to push the medium forward. They would give money to some smaller pictures that ended up being the ones remembered all these decades ago.
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The story of Hamsor Pang comes to a tragic ending, however we continues things a little further by shifting our perspective to a new protagonist.
(Oracle question: Is the upside-down silver cross worn by the bounty hunter in the cabin? Likely odds. Nat 20. Yes)
Pang takes a breath of the fresh, snowy air outside the mountain cabin. He turns back and looks at the dark mouth of the doorway. He remembers the necklace the bounty hunter wore, the upside cross. Something itches in his brain, that this could be useful to have in his possession. Taking a deep breath, Pang steps back into the abattoir and after a few minutes of searching finds the necklace still hanging from the butchered corpse’s neck. He takes it.
(Luck check DR14 vs. 6, 5. Failure)
Continue reading “Solo Tabletop RPG Review & Actual Play – Frontier Scum: Lonesome Drifter Part Two”
Frontier Scum: Lonesome Drifter (Chacolypse)
Download Lonesome Drifter for free here.
Purchase the base game Frontier Scum here.
Directly based on the rules-lite Mork Borg system and its bold graphic design sensibilities, Frontier Scum is a wild, psychedelic take on a classic genre. Like with Mork Borg, the world is painted with broad strokes, just enough detail to evoke your imagination into filling in the rest of the details. Almost immediately, the book explains that it has no interest in bringing up the racist tropes that have been long interwoven in American Westerns, so this takes place in a fictional reality where none of that exists. This makes it much more like Red Dead Redemption, where you can have wildly different environments close together to capture every flavor of Western. There’s a blasted wasteland where prospectors dig for gold, a bustling city run by the Incorporation, a swamp where the dead rise, and a desert where horrors hunger.
Continue reading “Solo Tabletop RPG Review & Actual Play – Frontier Scum: Lonesome Drifter Part One”
Deadwood: The Movie (2019)
Written by David Milch
Directed by Daniel Minahan
It wasn’t the ending we would have liked, but we never believed there would be an ending. That’s how I feel about Deadwood: The Movie. The original idea was to do a series of made-for-HBO films that brought a satisfying conclusion to the series. Money and life saw to that not happening. The film was made just in the nick of time, I suppose. Shortly before he began work on the movie’s script, series creator & showrunner David Milch was diagnosed with Alzheimer’s. He currently resides in an assisted-living facility as the disease has no cure and weakens a person’s ability to function daily. Milch’s gift to us as he undergoes this tragic transformation is a final glimpse at Deadwood and the characters we grew to love over three seasons. It’s a spotty, often messily structured film, but it is a way to say goodbye.
Continue reading “TV Review – Deadwood: The Movie”If you enjoy the reviews, podcasts, and other content we make here at PopCult Reviews please consider sending a tip of appreciation through our Ko-Fi. Thanks!
Deadwood Season Three (HBO)
Written by David Milch, Ted Mann, Regina Corrado, Alix Lambert, Kem Nunn, Nick Towne, Zack Whedon, W. Earl Brown, and Bernadette McNamara
Directed by Mark Tinker, Dan Attias, Gregg Fienberg, Ed Bianchi, Dan Minahan, Tim Hunter, and Adam Davidson
Ratings are the bane of good art. Because everything that involves money must be quantified into a system that evaluates for profit or potential profit, television executives chose to use viewership numbers to determine whether a piece of art continues. There is some logic behind this, as the production of shows involves a lot of money & resources. The idea is that art exists to be consumed in the instant it is delivered to the public. In the modern world, there is no discovery of something beautiful over time; this society prides itself on fantastic newness. Despite being the fourth highest-rated cable television series of 2006, Deadwood was ultimately canceled upon concluding its third season.
Continue reading “TV Review – Deadwood Season Three”
Deadwood Season Two (HBO)
Written by David Milch, Jody Worth, Elizabeth Sarnoff, Ted Mann, Victoria Morrow, Steve Shill, Regina Corrado, Sarah Hess, and Bryan McDonald
Directed by Ed Bianchi, Steve Shill, Alan Taylor, Gregg Feinberg, Michael Almereyda, Tim Van Patten, and Dan Minahan
For those who like to think about the Old West as a time of genteel masculine honor, a show like Deadwood will disappoint you. This is not a cowboy show about the white hats taking down the black hats. David Milch had no interest in making a show that propped up myths of that sort. That doesn’t mean Deadwood is a dead-accurate show; it is still a piece of fiction. However, I suspect it may be one of the closest things we’ve ever had to detailing what life was like in the lawless places of America once upon a time. This is a visceral show that doesn’t shy away from the grotesque nature of a world where medicine was not commonplace and bodily fluids flowed as much in public as in private. The Old West was a filthy disgusting place. People who romanticize it wouldn’t be able to handle it if they were sent back there. Remembering what a shithole it was helps us understand why it is so vital that we move the needle forward on the human race.
Continue reading “TV Review – Deadwood Season Two”
Deadwood Season One (HBO)
Written by David Milch, Malcolm MacRury, Jody Worth, Elizabeth Sarnoff, John Belluso, George Putnam, Bryan McDonald, Ricky Jay, and Ted Mann
Directed by Walter Hill, Davis Guggenheim, Alan Taylor, Ed Bianchi, Michael Engler, Dan Minihan, and Steve Shill
On one level, Deadwood operates as a white dude character actor showcase. I guarantee you will spend time proclaiming some variation of “It’s that guy from that thing.” I have always been a huge fan of character actors, which is why The Coen Brothers and Paul Thomas Anderson are some of my favorite filmmakers. They can find great actors with unique looks and give them fantastic scripts to perform. The exact same could be said of Deadwood, one of the early “children’ of the success of The Sopranos on HBO. Once that series made its big splash, the network invested a lot more money in developing unique dramas with some of the most substantial writing in the industry. David Milch honed his skills on Hill Street Blues & experienced a controversial hit with NYPD Blue. Deadwood would serve as a tribute to his love of the Western genre, populating the television series with actual figures from the historical Deadwood but infusing it all with an air of Shakespearean gravitas.
Continue reading “TV Review – Deadwood Season One”
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