Gentlemen Broncos (2009, dir. Jard Hess)
Starring Michael Angarano, Jemaine Clement, Sam Rockwell, Jennifer Coolidge, Mike White, Halley Feiffer, Hector Jimenez
In 2006, after he had been hired to develop the score for Nacho Libre, singer-songwriter Beck said of director Jared Hess, “No filmmaker since Fellini has had such an eye for amazing characters”. That’s a pretty strong statement to make about a filmmaker who had only released one feature film at the time. And while Nacho Libre left me wanting for the disjointed narrative of Napoleon Dynamite, Gentlemen Broncos has shown me exactly what Beck was seeing.
It may come as no surprise at how much I loved Broncos as it definitely hit me where I live. The film’s protagonist, Benjamin Purvis (Angarano) is a homeschooled, amateur science fiction writer who has developed a novel based on his late father. He attends a young writers conference with a group of fellow homeschooled students from his co-op and meets his idol, Ronald Chevalier (Clement) who proceeds to steal Benjamin’s story and change key details to hide the theft. Simultaneously, Benjamin sells the film rights of his novel to an incredibly amateur filmmaking duo, one of whom has romantic intentions on Ben.
The level of the theatrical grotesque in this film is so incredibly over the top. As bizarre as this world is, it feels so familiar and fleshed out. There are so many rich details and background pieces of minutiae that part of me didn’t want to leave this universe. Added to all of this are dramatized excerpts from both Benjamin and Chevalier’s versions of Yeast Lords (the name of the stolen novel). In both versions Sam Rockwell plays the protagonist and proves once again why he is one of the most talented actors working today. In Benjamin’s version he plays the hero as a gruff, Southern accented redneck and in Chevalier’s is a lisping, albino.
Aside from Rockwell, there were many great performances, in particular Hector Jimenz (also in Nacho Libre). I have no idea what sort of acting choices Jimenez made for his role as Lonnie Donaho, the auteur responsible for making over 80 films (most of them trailers he tells us) but they result in one of the strangest characters I have ever seen on the big screen. The moment I knew Lonnie would be one of my favorite characters to pop up in the film comes early on. He and Tabitha (Fieffer), Benjamin’s love interest, take a seat next to Ben on the bus heading to the writers conference. Tabitha asks Ben to give her a hand massage, and as he does Lonnie proceeds to blow in Tabitha’s ear with a sound resembling a clogged vacuum cleaner.
Jared Hess, and his wife and writing partner Jerusha, have renewed my hope in their work. They come across as a combination of the clean, crisp filmmaking of Wes Anderson and the love of the mundanely bizarre of Tim & Eric. I think Nacho Libre’s flaws came from having a third party intervene and make rewrites to make the film more “palatable” for mainstream audiences. Hess isn’t built to make mainstream cinema and the more freedom he is allowed to pursue his skewed vision of middle America the better.