PopCult Reviews

Movie Review – Neighbors

Neighbors (1981)
Written by Larry Gelbart
Directed by John G. Avildsen

Animal House and The Blues Brothers are probably the only films John Belushi was in that a large number of people agree were good pictures. Neighbors is a movie that held a consensus as a complete disaster. This was the final film Belushi would star in, dying from a drug overdose, a combination of heroin and cocaine. When you look at the final product and Belushi in it, there’s a lot to like, but so many elements fail hard. Part of the film’s inability to find success in the box office lies in the fact that it’s an art-house picture, not a mainstream comedy. But when your two big names are Belushi and Dan Akroyd, and it’s 1981, you are going to try and sell this as a comedy for the crowds.

PopCult Media Moment (01/24/20)

Last weekend, I reviewed Disney’s The Black Hole, a terribly flawed science fiction horror flick with some great ideas embedded within. I did a little internet sleuthing and found out a sequel was in the works starting back in 2009. Director Joseph Kosinski (Tron: Legacy) was set to helm the film with Jon Spaights (Prometheus, Doctor Strange) writing. While the film was in the scriptwriting stage, Disney bought Lucasfilm and decided to drop the remake. It was said at the time Spaihts’ script was “too dark for Disney.” Since then, Disney has been busy with many other projects.

Comic Book Review – Miracleman: The Golden Age & The Silver Age

Miracleman: The Golden Age w/The Silver Age
Reprints Miracleman #17-22, extra material from #23-24
Written by Neil Gaiman
Art by Mark Buckingham

Alan Moore’s departure from Miracleman did not mean the end of the character. Instead, Moore personally handed the reins over to Neil Gaiman. This was 1990, and by that time, Gaiman was growing in prominence with The Sandman title for DC Comics. This was not the height of Gaiman’s fame but definitely at the moment where he became one of the premier writers in the genre. Gaiman set out with big plans for the Miracleman title, a trilogy of six-issue volumes that would explore the utopian world Moore set up. However, Eclipse, the company that published Miracleman was struggling in the direct market distribution model, publishing exclusively for comic book/hobby shops. This was to be an unfinished magnum opus, ending on a cliffhanger.

Movie Review – Honey Boy

Honey Boy (2019)
Written by Shia LaBeouf
Directed by Alma Har’el

Filmmaking as therapy is a common theme in autobiographical movies. Just recently, I reviewed Pedro Almodovar’s Pain and Glory, which served as an outlet for the director to talk about aging and his physical ailments. Actor Shia LaBeouf similarly uses film as confession & therapy, though more intimate and raw than Almodovar. LaBeouf, if you don’t know, was a child actor on the Disney Channel before he reached higher levels of fame in Michael Bay’s Transformers films. The film jumps between these two periods, fictionalizing or obscuring the details, so it’s not about LaBeouf specifically.

Movie Review – The Black Hole

The Black Hole (1979)
Written by Gerry Day & Jeb Rosebrook
Directed by Gary Nelson

Who is Disney’s The Black Hole for? It’s too dark and metaphysical for kids to understand, yet it’s presented as a 1950s B-science fiction film unironically, which makes it less elevated than the material could be. The Black Hole is a film for no one, yet it has fascinated me years after first seeing it on a library VHS tape borrowed when I was eight years old. It is essential to understand the landscape The Black Hole was released in, and how out of touch with contemporary cinema is feels at moments. It’s also an exploitation flick in that it cribs from Star Wars, Alien, and 2001: A Space Odyssey, but never in a good way.

Movie Review – Pain and Glory

Pain and Glory (2019)
Written & Directed by Pedro Almodovar

Pedro Almodovar is no strange to autofiction in his cinema, that doesn’t mean he’s always factually honest with us. Almodovar is very much an impressionist, more interested in the emotions and underlying psychology of events in our lives. Pain and Glory is the most obviously autobiographical, Antonio Banderas playing a version of the aging director. This is a meditation on the physical changes that come with time, how our bodies are both vessels of pleasure and suffering during our lives. The structure is that of interconnected short stories, vignettes centered around the protagonist that allow him to reflect and reconnect with people from his past.

TV Review – Servant Season 1

Servant Season 1 (Apple TV+)
Written by Tony Basgallop
Directed by M. Night Shyamalan, Daniel Sackheim, Nimrod Antal, Alexis Ostrander, Lisa Bruhlmann, and John Dahl

A few months ago, I posted reviews of the first episodes of a handful of Apple TV+ shows, and overall I wasn’t very impressed. The entire slew seemed very derivative of already popular shows from the past (The Newsroom, Game of Thrones, etc.). I was intrigued by Servant, a horror series produced by M. Night Shyamalan. Despite my intense disappointment with that director’s recent output, I figured he was producing so he couldn’t screw the show up too badly. The first couple episodes were a little rough going, it took some time to get a feel for the tone the series was going for. By the end of the season, they had me hooked, and I am ready for season two to get here.

Comic Book Review – Miracleman Volume 3

Miracleman Volume 3: Olympus
Reprints Miracleman #11-16, Annual 1
Written by Alan Moore
Art by John Totleben

After the first six issues of Miracleman published in the United States by Eclipse, they got Alan Moore to return to continue the story. This was happening right as Moore was breaking out as the writer on the critically beloved Swamp Thing and Watchmen. Because so much time had passed between the events of the original UK Marvelman short comics and these reprints, the writer decided to use a framing device, jumping a few years ahead. Now Miracleman is reflecting on what happened while flying through a palatial tower. The reader would immediately wonder where he is and what led to this place, creating an evocative narrative hook.

Movie Review – Second-Hand Hearts

Second-Hand Hearts (1981)
Written by Charles Eastman
Directed by Hal Ashby

Second-Hand Hearts represents what might be the most baffling decline in a director’s output that I have ever seen. The blame for this disaster of the film is spread out based on online conjecture, ranging from Ashby’s developing cocaine habit to studio interference in the final project to the two lead actors refusing to take any direction. Second-Hand Hearts is a second attempt to capture the quirky love story of Harold & Maude that fails spectacularly and embarrassingly. In fact, the film was so bad it disappeared from circulation, never receiving a home video release and only becoming available in 2013 as produce on-demand DVD from Warner Brothers’ archive program.

Media Moment – 01/18/20

The Batman (2021)

So Warner Brothers are making another iteration of Batman because the Affleck version sucked. I am all for new interpretations of characters as long as the latest version brings something creatively rich to the table and isn’t merely a retread of things we’ve seen before. I am not a fan of most Batman films, and I definitely try to read them through a critical lens that is least favorable to the Batman character. Batman is a wealthy white man who is allowed to transcend the justice system and inflict violence on criminals, with the readers/audience being given the excuse that he had a lousy childhood. I think there is an excellent argument to be made that the same compulsive gimmicks present in the Rogues Gallery are just as present in Bruce Wayne’s psyche, but I digress.