PopCult Reviews

Movie Review – She-Devil

She-Devil (1989)
Written by Barry Strugatz & Mark R. Burns
Directed by Susan Seidelman

In watching films in this series, my hope is always to come across a maligned picture that’s actually better than people make it out to be. I’d love to be surprised and discover some lost gem that was misunderstood in its time. The movies are chosen based on either the status of the performers or the franchise being adapted. I picked She-Devil because the names on the marquee are Meryl Streep and Roseanne Barr. Barr was particularly huge at the time with a hit tv series, and this film was seen as a stepping stone into big-screen work. What happened was that the film flopped, and Barr stuck with her television gig. But is the movie as bad as audiences and critics believed at the time?

Short Film Showcase #7

Detour (2017)
Written & Directed by Michel Gondry

There is nothing wholly unique about this short compared to Gondry’s other work, its another foray into whimsy and visually comedy. A little girl and her family go on vacation to the countryside. Her favorite tricycle falls off the back of the van and begins an odyssey to return to the child. Gondry plays with expectations and perspectives in little bits here & there, resulting in a heartwarming story. This feels very much like a Pixar-style tale, in particular, the Toy Story films.

TV Review – Best of Star Trek: The Next Generation Part 9

Descent Parts 1 & 2 (original airdates: June 21st, 1993, September 20th, 1993)
Written by Jeri Taylor, Ronald D. Moore, and René Echevarria
Directed by Alexander Singer

I’ve always liked the idea of Data’s brother Lore more than the execution. I think that is due in part to Brent Spiner’s decisions as an actor when he plays Lore. He’s not merely doing a more human Data or an evil version of the android. Spiner chooses to be a mustache-twirling embarrassment. Lore never feels like a genuine threat to the Enterprise, always a momentary annoyance they have to deal with. That continues in this two-parter that I wish was better because it does hold one crucial aspect, it features the return of Hugh the Borg.

TV Review – The Mandalorian Season One, Episode Six

The Mandalorian (Disney+)
Season One, Episode Six – “Chapter Six: The Prisoner”
Written by Christopher L. Yost & Rick Famuyiwa
Directed by Rick Famuyiwa

The first three episodes of The Mandalorian now reveal themselves as a 90 minute pilot for what the actual series will be. The show is nothing but a formulaic procedural set in the Star Wars universe. We are three episodes away from the “pilot,” and it’s clear that we will be getting nothing but one-offs where Dyn Jarren moves on to a new location, worries about getting caught with Baby Yoda, gets involved in a problem in the area, then moves on. This is the same plot used by several television Westerns, The Incredible Hulk, Highway to Heaven, wash rinse repeat. There will be some moderately well-known faces along the way, but this is just a guest appearance.

Movie Review – Hagazussa

Hagazussa (2017)
Written & Directed by Lukas Feigelfeld

The first film most viewers will compare Hagazussa to is Robert Eggers’ The Witch. While both pictures do tell period stories about witches, they are very different when it comes to their tone & pacing. The Witch is a tightly structured film with clear character development and themes about family. Hagasuzza is more akin to the work of Panos Cosmatos (Beyond the Black Rainbow, Mandy) with its creeping crawl and slow psychedelic horror burn. Ultimately, I found myself often frustrated with Hagazussa because its narrative is so fluid and ill-defined. It’s all mood without a compelling main character with a clear arc.

TV Review – Watchmen Season One, Episode Eight

Watchmen (HBO)
Season One, Episode Eight – “A God Walks into Abar”
Written by Jeff Jensen & Damon Lindelof
Directed by Nicole Kassell

Doctor Manhattan has always been my favorite character in the Watchmen story due to his tragic nature. He’s a man transformed into a god through a horrific scientific mistake. The result is he has omnipotence and omniscience and a disconnect from his fellow humans. Manhattan exists in multiple points in space & time simultaneously and knows everything that will ever happen to him. This leads to frustration from the people he has relationships with because he will be completely open about knowing when they will split or tragedy will strike. Intimacy crumbles and the shared history between these people begin to feel like a series of steps in a procedure, the discovery and mystery of love are gone.

Comic Book Review – House of X/Powers of X

House of X/Powers of X
Reprints House of X #1-6 & Powers of X #1-6
Written by Jonathan Hickman
Art by Pepe Larraz and R.B. Silva

Forty-four years ago, writer Chris Claremont was tasked with reviving the middling X-Men title for Marvel. Compared to books like Spider-Man, Fantastic Four, and Captain America, X-Men was never a marquee hit for the company. Its characters were often operating in their own mutant pocket within the larger universe, occasionally being a part of the larger world. Claremont embraced the marginalization of mutants and expanded the mythos farther than it ever had been. At the end of his sixteen-year run on Uncanny X-Men, spinning off titles like Excalibur and New Mutants, Claremont left the book due to clashes with a new editorial staff. What remained was the template for what X-Men could be that every writer has clung to tightly since. The adherence to Claremont’s characterizations and plots have been so rigid that X-Men was a moribund franchise within Marvel for the last five years. Characters died only to be resurrected months later, and there never seemed to be real growth & change save for a small handful of heroes & villains. Then came Jonathan Hickman.

TV Review – The Mandalorian Season One, Episode Five

The Mandalorian (Disney+)
Season One, Episode Five – “Chapter Five: The Gunslinger”
Written & Directed by Dave Filoni

The opening of this episode delivers a promise that we are in for something a little more exciting than the last chapter. Dyn Jarren is pursued by one of the bounty hunters following the Guild’s call to arms. It’s a fun short dogfight in space that ends with Jarren’s ship broken down and seeking repairs on a familiar planet, Tatooine. The Mandalorian needs to seek out money to pay for the repairs and skulks through Mos Eisley for something under the table. The result is a decent episode, but still, one lacking the forward momentum of the core story. The ending does hint at a more significant arc happening here, but it’s very procedural.

TV Review – Best of Star Trek: The Next Generation Part 8

Ship in a Bottle (original airdate: January 25th, 1993)
Written by René Echevarria
Directed by Alexander Singer

This episode returns to a storyline first introduced in season two. In “Elementary, Dear Data,” the holodeck program for Professor Moriarity in a Sherlock Holmes simulation becomes self-aware. That incident ended with a promise that one day, a permanent form for Moriarity would be developed. Now the program is accidentally released with Lt. Barclay is doing work on the holodeck. This time around, Moriarty appears to have created a way for himself to exist the boundaries of the holodeck and move about the ship. Picard and Data must try to puzzle out if a new form of life has been created or have they been tricked through Moriarity’s cunning.

Movie Review – Waves

Waves (2019)
Written & Directed by Trey Edward Shults

From the dizzying opening to the serene closing, Waves is an emotional rollercoaster that exists in two clear halves. Director Trey Edward Shults has explained that he wanted the first section to feel like a building anxiety attack and that the second piece would be a reassuring hug that things will get better. The result is one of the most beautiful and human films of 2019. It’s clear Shults has drawn inspiration from sources as varied as Moonlight, Punch-Drunk Love, and Chungking Express, managing to paint his dynamic style of filmmaking across the screen.