PopCult Reviews

Movie Review – Psycho II

Psycho II (1983)
Written by Tom Holland
Directed by Richard Franklin

In an era where every mildly successful film is spun out into a franchise, it might not seem strange for there to be a Psycho sequel, let alone three of them plus a shot-by-shot remake, a failed NBC pilot, and a prequel TV series. It should be strange, though. Psycho was such a singular event in American film, one that feels to me that there isn’t more to the story to tell, and I don’t need to know the fate of Norman Bates or how he got the way he is. Alfred Hitchcock is not my favorite director, but I respect the hell out of the boundaries he pushed during the 1960s, inspiring many filmmakers to come. The best way to show appreciation for him would be to make clever films about the human psyche, not regurgitate his established work.

Patron Pick – Like Crazy

This special reward is available to Patreon patrons who pledge at the $10 or $20 monthly levels. Each month, those patrons will pick a film for me to review. If they choose, they also get to include some of their thoughts about the movie. This Pick comes from Bekah Lindstrom.

Like Crazy (2011)
Written by Drake Doremus & Ben York Jones
Directed by Drake Doremus

Improvisation is a complicated skill. When you see performers who are incredible improvisers, they can make it look effortless. The Upright Citizens Brigade Comedy Improvisation Manual is a comprehensive textbook I’ve read through a couple times over the years, and it taught me a lot about what is happening during an improvised performance that the audience never sees and is likely not aware of. The performers operate at “the top of their intelligence,” meaning they act as a character while intellectually & emotionally analyzing the story and the relationships in a scene. This is immensely hard to do and makes it look so casual. I’ve come to look at improv through this lens, often impressed at how brilliant some performers are. Like Crazy is a film improvised off a 50-page outline. The problem here is the actors needed far more direction and structure for this to work.

Movie Review – The Vanishing

The Vanishing (1988)
Written by George Sluizer & Tim Krabbé
Directed by George Sluizer

Each life hurtles through time & space on a course that the person who bears it can never truly predict. These lives cross with each other, but more often than not, they make no impact, brief encounters that dissolve. We can feel trapped in these lives, a passenger unable to exert their own will on the trajectory. Look at how so many people will simply follow the path of a parent or choose an identity based on how they will be perceived by the society around them. Even many “expressing individuality” are working from blueprints created by others, a manufactured uniqueness. But then some collide with your life, upending the sedate normality. What if our intersection with them is another moment we cannot escape, pulled into the event horizon of chaos? What is it to see something evil coming over the horizon and be unable to fight against its pull?

TV Review – The Venture Brothers Season Four

The Venture Brothers Season Four (Adult Swim)
Written by Doc Hammer & Jackson Publick
Directed by Jackson Publick

The Venture Brothers is a show that still needs to improve its representation at the end of its fourth season (please stop using the r-word), but damn if this wasn’t the best run of episodes so far. The season finale clearly had more production value & time put into the animation, showcasing a level of craft that makes the pilot look like a parody. The cast has also bloomed this season, with Jackson Publick & Doc Hammer finally finding that perfect balance of the Venture family and their supporting players. I will even admit that the final moment at the boys’ homeschool prom got me teary-eyed as Brock looked at this found family. And this is just the halfway point in the overall series.

Movie Review – Insidious: The Red Door

Insidious: The Red Door (2023)
Written by Leigh Whannell and Scott Teems
Directed by Patrick Wilson

At one point (maybe still), we could have had an Insidious/Sinister crossover. I saw Sinister around the time it was initially released on DVD, and I remember really liking the vibe of the film, especially the bizarre films within the film. However, I can’t imagine a crossover would be any good. Insidious has really failed to live up to my already low expectations. Blumhouse got the old gang back together for a film that would serve as a direct sequel to Insidious: Chapter 2. This makes the Insidious chronology as follows: Insidious: Chapter 3, Insidious: The Last Key, Insidious, Insidious: Chapter 2, Insidious: The Red Door. It’s not as confusing as the Fast & Furious chronology, but it’s definitely up there.

PopCult Podcast – Phantasm/Phantasm II

It’s spooky season. This episode Ariana & Seth watched the first two installments of a cult horror franchise that delivers a lot of unexpected & unique terrors.

Movie Review – Insidious: The Last Key

Insidious: The Last Key (2018)
Written by Leigh Whanell
Directed by Adam Robitel

Much like the continuity of Saw or the Fast & Furious franchises, Insidious became a tangled-up non-linear film series. This particular film takes place after Insidious: Chapter 3 (the earliest film in the timeline), though The Last Key starts with a flashback that is the furthest point back in the timeline thus far. That honor used to belong to the prologue of Insidious: Chapter 2. The Last Key takes place around a year before the first film and focuses entirely on the backstory of Elise, the film’s somewhat main protagonist. As I have said in all these reviews, stating unequivocally who the main character or villain is in these films is utterly impossible as they flail around from picture to picture.

Movie Review – Insidious: Chapter 3

Insidious: Chapter 3 (2015)
Written and directed by Leigh Whanell

After the conclusion of the second film, the story of the Lamberts & their haunting seemed to be over. Yet, Blumhouse wanted another installment. Leigh Whanell returned to write this script, while James Wan moved on to direct Furious 7. A few months into production, it was decided that Whanell would make his directorial debut with Chapter 3, and I can tell you it didn’t inspire confidence in me to learn this fact. Whanell would go on to direct The Invisible Man remake in 2020, which, aside from some clever ideas, just failed in the execution. For a person who has devoted so much of his career to horror, you would think Whanell might just once pull off something actually scary instead of the same level of horror you find in your local seasonal haunted house attraction.

Movie Review – Insidious: Chapter 2

Insidious: Chapter 2 (2013)
Written by Leigh Whanell
Directed by James Wan

The first Insidious felt like it was always made with a sequel in mind. It makes sense that James Wan & Leigh Whanell had a lot of success with the Saw franchise, so they wanted to repeat it with something new. Insidious Chapter 2 picks up exactly where the first film ends and never feels like it’s creating a story where there is none. Loose ends from the first picture are continued and resolved, so the conclusion is an excellent place for the series to stop. Of course, that won’t happen, and three more movies will come later. I didn’t enjoy the first entry in this series, and it won’t surprise you that I enjoyed this picture even less.

TV Review – My Brilliant Friend Season Two

My Brilliant Friend Season Two (HBO)
Written by Elena Ferrante, Francesco Piccolo, Laura Paolucci and Saverio Costanzo
Directed by Saverio Costanzo and Alice Rohrwacher

The subtitle of this season and its source material that the story is derived from is The Story of a New Name. This reflects the changes in Lila Cerullo’s (Gaia Girace) life and how one makes a name for oneself in transitioning from childhood into adulthood. Lila goes from being a Cerullo to a Carracci, and economically, she moves from poverty to comfortable working-middle class. For Lenu Greco (Margherita Mazzucco), she can leave their Neapolitan neighborhood but finds her roots as a child of poverty evident to her new acquaintances, causing others to view her as perpetually unrefined enough to ever achieve a higher status. Season Two is about the child’s transformation, whether having their dreams snatched away or transformed into something new.