With the remake of Wes Craven’s A Nightmare on Elm Street there is yet another horror film being “re-imagined” in theaters. But remaking horror flicks has been a mainstream trend since the 1960s and Hammer Studios buying up the Universal monsters. Here’s a film festival devoted to movies I think are the best among horror remakes.
Nosferatu the Vampyre (1979, dir. Werner Herzog)
Starring Klaus Kinski, Isabelle Adjani, Bruno Ganz
Acclaimed German filmmaker Herzog decided to remake F.W. Murnau’s vampire film, believing it to be the best film ever produced by a German director. The original silent Nosferatu was made as a result of the inability to get the right to the Dracula novel. Murnau makes a few tweaks, such a dehumanizing the title vampire lord even more. When Herzog’s version came long Dracula was now in the public domain so he was able to absorb more elements of it into the story. Certain scenes are exact recreations of the original silent picture but Herzog also develops the title vampire’s personality further, causing him to become a sad, pathetic figure more than a completely menacing inhuman monster. Also, there are few actors who were as prepared to play a ghoul as Klaus Kinski.
The Thing (1981, dir. John Carpenter)
Starring Kurt Russell, Keith David, Wilford Brimley, Richard Dysart, Richard Masur
The original The Thing From Another World (1951) was directed by genre jumping master filmmaker Howard Hawks and reflected a post-Hiroshima fear of science. Carpenter’s remake was much more faithful to the source novel and included the element of the alien’s ability to mimic the cellular structure and appearance of living matter. Kurt Russell plays a member of an Antarctic science crew who encounter a husky running loose and its Norwegian science expedition owners trying to kill it. They learn quickly that the dog is a microbacterial alien species bent on wiping out all life on earth to appease its evolutionary directive. The film has some of gnarliest special effects ever put to film and creates a pitch perfect tone of paranoia.
Little Shop of Horrors (1986, dir. Frank Oz)
Starring Rick Moranis, Steve Martin, Ellen Greene, Vincent Gardenia, Levi Stubbs
Director/producer Roger Corman is known by the loving term of “shlockmeister”, meaning he makes cheap, exploitative genre pictures that have total cult followings. His 1960 flick The Little Shop of Horrors was turned in to a stage musical in the 1980s and that was how we got this wonderful horror-musical-comedy. Moranis is Seymour, a plant store employee who discovers a strange plant that feeds on blood and flesh. He’s able to satiate with pin prick from his finger until the creature grows larger and he must resort to murder. The picture balances the right level of black comedy with a satirical commentary on early 1960’s America. Ellen Green is definitely the musical highlight of the film, reprising her role on the stage as Audrey. The special effects for the evil man-eating plant Audrey II are also wonderful, particularly its final “adult” form.
Evil Dead II (1987, dir. Sam Raimi)
Starring Bruce Campbell, Ted Raimi
In 1981, Sam Raimi released cult favorite The Evil Dead and it opened doors for him to work on some slightly higher budget crime pictures. As the 80s came to close he accrued enough funding to remake this first great film. I know I was confused when I started watching this and realized it functioned as both a remake and a sequel to the first picture. The events of the original movie are retold in the first 20 mins while a new parallel story involving archaeologists is introduced. But all you really need to know about this one is that it has Bruce Campbell in it. And he gets a chainsaw hand. I mean the entire Spider-Man trilogy has nothing on that. This picture ends on a cliffhanger that leads into 1993’s Army of Darkness.
The Ring (2002, dir. Gore Verbinski)
Starring Naomi Watts, Daveigh Chase, Brian Cox, Amber Tamblyn
This remake is much better than its 1998 Japanese original. Here the city and atmosphere of Seattle are used to perfection without ever naming the city or making a spectacle of its skyline. Instead, the soaked, rainy, bleak tone of the region underscores the looming horror. A videotape is passed around and comes with the warning that anyone who watches it will die seven days later. It ends up in the hands of a Ruth, a woman working in the media. She watches the tape and is now in a race against time to figure out the origins of this phenomenon and possibly how to stop it. The picture is full of incredibly disturbing imagery and is able to use CG effects without feeling like we’re staring at a green screen. It also has one of the best twist endings and earns every second of it. They rarely make horror this enjoyable these days.