loudQUIETloud (2006, dir. Steven Cantor, Matthew Galkin)
Featuring The Pixies (Charles Thompson, Kim Deal, David Lovering, Joey Santiago)
Kelly Deal, sister of Pixies’ bassist Kim Deal, sums up the nature of the band in very simple terms. She tells her sister, “You are four of the worst communicators I have ever seen!” And she is most definitely correct in this summation of the group. Throughout their 2004 Pixies Sell Out tour, the bandmates communicate with each other the barest minimum, retreating into their individual solo projects when not on stage in front of fans. What the documentary confirms is that there is no new Pixies material coming any time soon, and that the band simply got back together because, like most of us, they have bills to pay.
The Pixies were formed in the late 80s and fell apart in the early 90s, particularly from in-fighting between Charles Thompson and Kim Deal. As the film opens, Deal has recently come off a rehab stint for alcoholism and is accompanied by Kelly on the tour. They travel in a separate buses from the guys in the band because Kim must stay away from alcohol. Drummer David Lovering is also dealing with issues of substance abuse, though he hasn’t come to that realization. The rest of the band is visibly uncomfortable in his presence and eventually confront him about his constant cocktail of booze and Valium. The film is a meditation on what happens when a group of people who produce great art end up absolutely hating each other.
The most telling aspect of the picture is Kim Deal and her sister in this separate bus, following the guys. Even on the guys’ bus, Charles is caught up in negotiation a switch to a new recording label, Joey is working on the soundtrack for his documentary film, and David is unnatural chipper from the drugs in his system. These were the twentysomethings of the 1990s, now in their late thirties and completely self absorbed. Kim plucks away on demos for the new Breeders album, writing songs for it, never once thinking about new songs for the Pixies. At one point a reporter from Rolling Stone interviews Charles and asks about new material. Charles says he’s been keeping his solo demos around and letting the band hear them to hint about getting some new stuff together, but from seeing the rest of the film he seems disinterested, and often times annoyed to work with these people.
It’s interesting to see the enthusiasm of the high school and college aged fans who became aware of the Pixies years after the band fell apart. In their eyes the Pixies are a single unit and unreal. One girl brings a sign reading “Kim Deal is God”. She manages to slip Kim a copy of Brave New Girl, a novel whose protagonist is an obsessive fan of the Pixies. The camera is on Kim later in her bus as she thumbs through the book. Her reaction is one of distress, she quickly puts the book down and lights a cigarette. These people are simply that, people. Nothing more. They are in the middle of divorces, struggling with addictions, and trying to get by.