Ant-Man & The Wasp (2018)
Written by Chris McKenna & Erik Sommers, Paul Rudd & Andrew Barrer & Gabriel Ferrari
Directed by Peyton Reed
Scott Lang has been under house arrest for two years, captured and extradited back to the United States after his role in Captain America’s insurrection. Lang only has a couple days left in his sentence when he is hit with visions of Janet van Dyne, the presumed dead wife of the original Ant-Man, Hank Pym. Before he knows it Lang is sneaking out of his home aiding Pym and his daughter Hope. They are trying to keep ahead of the pursuing FBI, a criminal cartel, and the mysterious phasing villain Ghost.
Ant-Man & The Wasp is not a terrible film, it’s a perfectly middle of the road, formulaic forgettable fare. What keeps the movie somewhat engaging is the always charismatic Paul Rudd and the film’s willingness to acknowledge some of the absurd tropes of the superhero genre. These elements were present in the first film but here there are moments where the director allows them to run wild. There are some short improvisational moments involving the trio of fellow ex-cons that work alongside Lang. The humor feels strained to say the least near the end of the picture.
If you step back and look at the picture as a whole, you find there is very little there other than an extremely stretched out plot that amounts to about 90 mins worth of material made to work for over two hours. There’s a car chase that is prolonged by playing with the shrinking and growing powers of our title characters but after a few iterations you sort of get the point and wonder what else there is to offer. I wasn’t an overjoyed fan of Black Panther or Avengers: Infinity War however both of those films do a much better job of creating emotional investment in characters because the stakes feel genuinely high. I never once felt that Lang and his cohorts were actually in peril. Maybe this is by design, but after seeing how wide in scope Infinity War reached it causes Ant-Man to feel diminished.
All of this said, Ant-Man highlights one of the problems in the ongoing DC V Marvel film debate. Ant-Man & The Wasp has much more in common with Richard Donner’s classic Superman film than a single picture released by Warner Brothers in the last six years. Donner managed to balance humor and more serious material which is what makes Superman a very charming film. While Peyton Reed doesn’t ascend to those heights he does remember something Mr. Snyder has forgotten: These movies should be fun.