December 2021 – Page 3 – PopCult Reviews

Movie Review – Spider-Man 3

Spider-Man 3 (2007)
Written by Sam Raimi, Ivan Raimi, and Alvin Sargent
Directed by Sam Raimi

By 2007, Sam Raimi’s Spider-Man film series had been a massive success. The following year would see Marvel’s first production of Iron Man, which, as we all know, would kickstart the Marvel Cinematic Universe. Audiences were incredibly hyped for this third installment. Through the marketing, it made it clear that we’d finally be seeing the Spider black suit and Venom in the movie. However, we were also told the conflict with Harry would be resolved, and there’d be a third villain in Sandman. Pretty crowded movie, but Spider-Man comics are often filled with subplots and supporting characters. So when I went to see the picture, I didn’t have any apprehensions about going into the theater.

Movie Review – Spider-Man: No Way Home

Spider-Man: No Way Home (2021)
Written by Chris McKenna and Erik Sommers
Directed by Jon Watts

This is the second time I’ve written a review for Spider-Man: No Way Home this year, the first being an April Fool’s joke which let me imagine what might happen in the picture. Using leaked details, I pieced together a completely over-the-top film which ended up not being too far off from the actual film. If you are someone for whom Spider-Man films mean a lot too, if they are linked to your childhoods, etc., then you are going to love No Way Home. But I am not reviewing it from that perspective; I want to look at this as a movie and as a reflection on the fundamental elements of the iconic character. When we look at No Way Home in this manner, it really falls apart as a cohesive film.

Movie Review – Spider-Man 2

Spider-Man 2 (2004)
Written by Alfred Gough, Miles Millar, and Michael Chabon
Directed by Sam Raimi

How do you follow up Spider-Man? With what is undoubtedly one of the best superhero films ever made. So many unplanned franchises/trilogies often suffer in their second installments. They seem to follow a playbook that bloats their cast and overcomplicates their plot. The result ranges from disappointing to middling. Even Superman 2, a sequel that was planned at the same time as the first movie, is a mess both in its theatrical and director’s cut forms. I think the key to Spider-Man 2’s success is Sam Raimi and Sony Pictures choosing to step away and let the filmmaker continue his love letters to the comic books he grew up with.

Movie Review – The Power of The Dog

The Power of The Dog (2021)
Written & Directed by Jane Campion

Jane Campion is a shameful blindspot in my personal film viewing. I’ve only previously seen her brilliant television mini-series Top of the Lake. My expectations for this one were on the positive to neutral side of things. I strongly dislike Benedict Cumberbatch in most things, and so his prominent presence in the marketing made me a tad wary. But I saw it popping up on so many best-of-the-year lists that I knew I should sit down and watch it. I had absolutely zero idea what the plot was and even who the other actors in the film were. That absence of knowledge benefited me greatly because this is one of the most deceptively chilling movies I’ve seen in a long time, a Western noir that completely floored me in its third act.

Movie Review – Spider-Man

Spider-Man (2002)
Written by David Koepp
Directed by Sam Raimi

Superhero movies are by design intended for children. The audience they should aim for are kids who are just waiting to be awe-inspired by seeing amazing feats and colorful characters. The modern superhero movie began with Richard Donner’s Superman (1978), the first production to attempt to balance the sillier aspects of the genre with more grounded, emotional weight. Due to how successful this movie was financially and narratively, Superman: The Movie became a template for other films. 1989’s Batman played with the formula by presenting a world where the hero was already established and revealed their origin throughout the picture. Both movies adhered to the structure of pitting the hero against their chief nemesis, a clearly defined battle of good versus evil. Sam Raimi came along in the early 2000s to create his vision of Spider-Man, obviously influenced by these previous genre-defining entries but also intent on bringing to life what he saw as a child on those pages illustrated by Steve Ditko.

Movie Review – Nightmare Alley

Nightmare Alley (1947)
Written by Jules Furthman
Directed by Edmund Goulding

When I sat down to watch the original Nightmare Alley, I wasn’t prepared to be hit with such a spectacular film. I expected it would be a decent, pulpy sort of tale but the performances, cinematography, and music were far beyond the bar I’d set in my head. I turned to Ariana during our viewing to make sure I didn’t imagine how amazing this movie is, and she confirmed that she, too, was blown away. For just two years post-WWII, this movie looks ahead of its time. The plot is incredibly complex and can’t simply be boiled down to a single sentence. There are so many supporting characters who are given the type of nuance and complexity we often associate with modern cinema. But here it is, punching far above the weight of most movies and delivering one of the darkest endings I’ve seen from a film of this era.

Movie Review – MacGruber

MacGruber (2010)
Written by Will Forte, John Solomon, and Jorma Taccone
Directed by Jorma Taccone

Saturday Night Live has a decades-long legacy of adapting characters from the sketch comedy series into feature films. It started with The Blue Brothers and has given us such varied movies as Wayne’s World, The Coneheads, and It’s Pat, to name just a few. More often than not, these movies are not very good, with Wayne’s World and The Blues Brothers being the rare exceptions. These days you see films designed more as vehicles for the actors rather than recurring characters they played. MacGruber is a hybrid of both an extended version of a sketch character and a spotlight on Will Forte and his collaborator’s personal comedic aesthetics. That means if you don’t gel with what they find funny, this will likely be a tough one to get through.

Movie Review – Venom: Let There Be Carnage

Venom: Let There Be Carnage (2021)
Written by Kelly Marcel
Directed by Andy Serkis

I never could have predicted this would be the movie we got with Venom in the lead role. I want to be upfront here and say I did not enjoy watching this movie. Yet, I appreciate the final product’s entirely off the rails insanity. It is certainly nothing like your standard MCU movie; it doesn’t seem interested in cutesy quippy dialogue. For the most part, it feels like a hurriedly edited mess that doesn’t have any lulls. It follows some tropes of the superhero sequel, and the main antagonist is yet another evil symbiote. That said, this is one of those head-scratching movies that is so strange in its presentation that you have to wonder if executives spoke up at any point during the production.

Comic Book Review – Rorschach

Rorschach (2021)
Reprints Rorschach #1-12
Written by Tom King
Art by Jorge Fornes

I approached this with some trepidation, not because I’m in the camp that thinks Watchmen should be left untouched, but because it’s always hard to see how someone will be able to live up to the original. I also believe Damon Lindeloff’s Watchmen sequel series on HBO has been the best continuation of the material we’ve ever had, and with that being so recent, it felt odd to go back to the well so soon. Yet, Tom King, despite his flubs (see Heroes in Crisis), is still an intriguing comic book writer, and I knew he’d give readers an unexpected twist on something they likely thought they could predict. This isn’t about Rorschach, the character from the original Watchmen comic, but about people trying to further the ideology of someone like him. It’s a dark political story that remains enigmatic even after concluding.

Movie Review – Petite Maman

Petite Maman (2021)
Written & Directed by Céline Sciamma

Céline Sciamma truly wowed me and many others with Portrait of a Lady on Fire. It was a complex romantic film about two women unable to have the sort of love they wanted under the social constraints of their time. The premise could have been played so bland, but Sciamma injected it with life and energy few films have. That led to a heart-breaking finale that lingers with the viewer long after. I was excited when I learned of her newest film, Petite Maman. She had been such a fantastic filmmaker I was curious to see what she did next. When I discovered the movie was about the rocky relationship between mother and daughter, something ripe to be explored with a lot of emotional depth, I needed to see it. Sadly, what we got was a complete waste of time.