Seth Harris

Movie Review – Into the Woods (1991)

Into the Woods (1991)
Written by Stephen Sondheim and James Lapine
Directed by James Lapine

For a minute, I thought about rewatching the Frank Marshall-directed version of this musical, but the idea of watching James Corden turned my stomach enough to find an alternative. So I decided to finally check out this film of the original Broadway cast’s performance. It may not have the digital effects and “star power” of the 2014 motion picture, but it is the complete musical being done by highly talented people, and I loved it. I was able to see the entire story, all the scenes and songs deleted from the Disney movie, and the result was a story with much more cohesive themes and a maturity the film ultimately lacks.

Comic Book Review – Batman: The Caped Crusader Volume One

Batman: The Caped Crusader Volume 1 (2018)
Reprints Batman #417-425, 430-431, Annual #12
Written by Jim Starlin, Mike Baron, Robert Greenberger, and Christopher Priest (as James Owsley)
Art by Jim Aparo, Ross Andru, Norm Breyfogle, Mark Bright, Dave Cockrum, Dick Giordano, and Pablo Marcos

Jim Starlin had established himself as the new main writer for the Batman title by this point following a spotty run by Max Allan Collins. While Collins chose to play loose with the timeline, setting some stories earlier and others closer to present day, Starlin shrugs all that off and firmly plants his feet in the present. Robin (Jason Todd) is about 15/16 and Batman has an established lengthy history. If you compare this to John Byrne’s work on Superman that series feels like it is starting fresh with the hero, reintroducing his villains. Starlin came from a place that all of Batman’s rogues’ gallery is well-known already. That didn’t mean he was just going to play with the toys he was given and this collection begins with the introduction of a villain who is still around today.

Movie Review – Sweeney Todd: The Demon Barber of Fleet Street

Sweeney Todd: The Demon Barber of Fleet Street (2007)
Written by John Logan, Stephen Sondheim, and Hugh Wheeler
Directed by Tim Burton

Sweeney Todd is arguably Stephen Sondheim’s best work. It’s a transgressive, bleak Broadway musical that goes against everything the art form had built itself up to. Most audiences are familiar with Rodgers & Hammerstein or Andrew Lloyd Weber and other popular composers within the modern musical. As a result, there’s a certain expectation from these productions that they will have lavish sets, present memorable songs, and provide thought-provoking but ultimately cheerful endings. Oklahoma dips its toes in darkness via Judd Fry but makes sure it ends things on an upbeat note. Sweeney Todd embraces violence and a dark worldview to deliver a story that stays with you, like a haunting.

Movie Review – Gypsy

Gypsy (1962)
Written by Leonard Spiegelgass, Arthur Laurents, Jule Styne, Stephen Sondheim, and Gypsy Rose Lee
Directed by Mervyn LeRoy

Stephen Sondheim died at the age of 91 in 2021. He left behind 16 full-length stage musicals and penned songs for both film & television. I can’t say I was ever a theater kid, but I did grow to have a deep appreciation for Sondheim’s work as just a fan. While I do not have the musical vocabulary to talk about the complexity of his work, I can address it as an appreciator of his clever lyrics and stories centered on people. His work has such maturity compared with many popular Broadway shows, particularly his writing in the 1980s when the industry was leaning into spectacle over quality. His stories refused to end on “Happily Ever After” sentiments and instead made audiences confront the nuance of being alive in the modern world. I don’t think someone like Sondheim would ever happen in today’s corporate Broadway musical landscape.

Movie Review – Apocalypse Now

Apocalypse Now (1979)
Written by John Milius and Francis Ford Coppola
Directed by Francis Ford Coppola

Francis Ford Coppola’s final film of the 1970s was yet another brilliant piece of cinema. I first saw Apocalypse Now in college (the early 2000s) and was immediately blown away. I had never seen anything like this before in my life. It probably didn’t help that I was homeschooled, and there was pretty much a zero-tolerance policy on R-rated movies in my home. College opened my eyes to so many great films. While other movies have faded in their appeal in the time that’s passed, Apocalypse Now is still up there for me as one of the great pictures. With this recent rewatch, I was discovering connections I hadn’t made before, enriching my experience. I will note I went with the original theatrical cut as I am not a fan of the Redux. I don’t really think the additional material adds much to the spectacular experience of the original.

Movie Review – The Godfather Part II

The Godfather Part II (1974)
Written by Francis Ford Coppola and Mario Puzo
Directed by Francis Ford Coppola

It’s not a big surprise to say The Godfather Part II is a masterpiece of American cinema. It just simply is. This is a director doing the best work of his life surrounded by magnificent performers and working with a very literate & polished script. When you have these sorts of elements, you will end up with a movie that resonates with audiences. I don’t think it can be understated how thoroughly Coppola reshaped American film with his work in the 1970s. This is a template for movies still coming out today and the precursor to the prestige television that is so common on streaming platforms.

PopCult Podcast – What We’ve Been Reading/Oscar Picks 2022

It’s all about books and the big awards for this podcast episode.

Comic Book Review – Batman: Second Chances

Batman: Second Chances (2015)
Reprints Batman #402, 403, 408-416 & Batman Annual #11
Written by Max Allan Collins, Jo Duffy, and Jim Starlin
Art by Jim Starlin, Denys Cowan, Chris Warner, Ross Andru, Dick Giordano, Dave Cockrum, Kieron Dwyer, Mike DeCarlo, and Jim Aparo

Batman: Second Chances collects the issues just before and following Frank Miller’s iconic Year One arc. The stories here focus mainly on establishing a grittier tone for the post-Crisis Batman while developing Jason Todd, who served as Robin. The result is a jumble of small arcs and one-offs that aren’t brought together for any thematic purpose. Instead, this is just a means to collect some stories that would never have a place otherwise. Nevertheless, I enjoyed it as a historical artifact, a record of what Batman comics felt like in the late 1980s before other creators like Alan Grant and Chuck Dixon became the architects of a new Batman mythos.

TV Review – Raised by Wolves Season Two

Raised by Wolves Season Two (HBO Max)
Written by Aaron Guzikowski, Julian Meiojas, and Karen Campbell,
Directed by Ernest Dickerson, Sunu Gonera, Alex Gabassi, and Lukas Ettlin

Few shows being made today are as a pretty wild trip as Raised By Wolves. While watching the season two finale, I think my emotions could be described as confused & stunned, but all in a good way. I think I’ve reached the point where I do not see the show as doing anything important or trying to make a serious point, but the intensity that the showrunners have who think they are makes it such an entertaining experience. Going into the second season, my expectations were reasonably lukewarm. The first season concluded on an odd note that had me wondering where the narrative would go next. Instead of bringing things back down and being grounded to a degree, Raised by Wolves ramped it all up.

Movie Review – The Conversation

The Conversation (1974)
Written & Directed by Francis Ford Coppola

Privacy has become an essential topic of discussion in recent years. This is partly due to the profoundly invasive Patriot Act, passed under “fighting terrorism,” and how social media has convinced users to give up information and involuntarily spy on them as they use the internet. Some people have leaned into the seeming dissolution of privacy in modern life, becoming incredibly open about all aspects of their lives or creating a manufactured public face to create a particular narrative. Others have worked obsessively to “get off the grid” by refraining from using any internet connections they believe aren’t secure and certainly never joining social media. In the 1970s, privacy was not as big a concern among the majority of the population as it is now, but through his research, Francis Ford Coppola could see that it would be one day and was curious about how one of the voyeurs would handle the gaze of others on him.