Seth Harris

Short Film Showcase #1

He Took His Skin Off For Me (2014)
Written by Maria Hummer and Ben Ashton
Directed by Ben Ashton

He Took His Skin Off For Me walks that line between grotesque and beautiful, a contemporary fairy tale with relationship dysfunctions working underneath. The story is told entirely in voice-over from the unnamed female protagonist. She explains that she asked her male partner to take his skin off for her, a move that is never questioned and makes sense in the magical realist logic of the narrative. He does so but immediately encounters problems. There are bloodstains everywhere, sanguine footprints and crimson smears on the floors and furniture. His job is public-facing, and he tells her clients are pulling their business because of their discomfort with the man’s appearance. The woman tries to look on the bright side of all these setbacks, but her partner is withdrawing. During a dinner party, he answers in monosyllabic single word responses, a behavior that is very unlike him.

TV Review – Best of All in the Family Part 2

Edith’s Accident (Original airdate: November 6, 1971)
Written by Tom & Helen August, Michael Ross, and Bernie West
Directed by Tom Rich

On the surface, this doesn’t seem like a very significant episode and feels more like your typical sitcom fare. Edith is late getting home from the grocery store, and when she finally does arrive, she reveals her responsibility for causing damage to another customer’s car with her cart. It’s only when Archie learns that she left a slip of paper with an apology and their home address that he blows his lid. It continues the portrayal of Archie as an old skinflint. Archie explains his frustration and paranoia as an expectation that whoever the owner is will show up asking for an inflated estimate on repairs. Edith holds fast in her view that humanity is inherently good and that they will not be taken advantage of.

Movie Review – Foxtrot

Foxtrot (2017)
Written & Directed by Samuel Maoz

The foxtrot is a dance where you’re always coming back to where you started, walking a rectangular path. This cyclical movement can be seen in our contemporary history as the once thought dead specter of fascism has frighteningly reared its head. One of the great foxtrots of our time has been the Israel-Palestine conflict that has been going on since the late 1940s. After decades of war, it seemed in the 1970s that there might be some movement towards positive progress only for the Netanyahu regime to make this strife a key platform. The Israelis still send their young men and women into compulsory service as part of this conflict and, like so many cultures in the West, find a way to justify spilling gallons of their children’s blood for the demands of old men.

Movie Review – Ash is Purest White

Ash is Purest White (2018)
Written & Directed by Zhangke Jia

To have a love that is so devoted, you would give up your freedom for your partner to be free is rare. Qiao has that love for Bin, her boyfriend, and the organized crime boss of rural Datong, a small industrial town in northern China. Qiao takes full advantage of her place of power, thoroughly enjoying the nightlife of Datong and making sure people know who her man is. It becomes clear there is another faction making a move, and Qiao tries to persuade Bin to leave this place and start over somewhere with more opportunity. They don’t get a chance as one night their car is surrounded by motorcyclists out to kill Bin.

Movie Review – The Souvenir

The Souvenir (2019)
Written & Directed by Joanna Hogg

She meets him during a party. He works for the foreign office, is older, and exudes that overwhelming sense of mystery and sophistication. They stumble through the first steps of a thing they haven’t entirely defined yet. She’s caught up in developing her first feature film, a story about a declining English city. He’s always bounding about for work. Then his secret comes out, divulged by a dinner guest and every single thing in her life goes spiraling. This is a semi-autobiographical film from Joanna Hogg which follows the character of Julie in the early 1980s as she sinks into the quicksand of a destructive relationship.

TV Review – The Best of All in the Family Part 1

Meet the Bunkers (Original Airdate: January 12, 1971)
Written by Norman Lear
Directed by John Rich

It began as Til Death Do Us Part, a British sitcom. The premise is nearly identical with the main difference being moving the setting from the East End of London to the borough of Queens in New York City. Norman Lear came across an article on the British series, and he was reminded of the relationship between his own mother and father. The arrival of All in the Family on CBS marked a significant shift in the tone of programming. Previously the network was peppered with shows like Andy Griffith and The Beverly Hillbillies. All in the Family was not a show that made you feel cozy, and it intentionally challenged small-minded viewers confronting them with a different side of the argument than they were used to being exposed to.

M. Night Ranked

Never before have I experience the type of drastic shift from confidence to disdain for a director as I have for M. Night Shyamalan over the last twenty years. It was twenty years ago this week, on August 6th of 1999 that his third feature film, The Sixth Sense, opened in theaters. I haven’t watched his first two films and am saving those for a later date because from all accounts The Sixth Sense was a significant sea change for the creator. It was the movie that made him into the household name he’s become, for better or worse. In honor of this twentieth anniversary, I decided to rank M. Night’s pictures.

Movie Review – After Earth

After Earth (2013)
Written by Will Smith, Gary Whitta, and M. Night Shyamalan
Directed by M. Night Shyamalan

The best movies are conceived while watching Discovery Channel docudramas. This is apparently what went through the heads of the creators involved because After Earth was inspired by a show Will Smith watched on that basic cable channel. From this humble roots came a story about a father and son lost in a remote region after a car crash with only the son able to travel out and search for help before his father died. Then Smith decided to set the story a thousand years in the future and make it a science fiction venture. Also, this was supposed to be the first of a trilogy. The basic skeleton of this film isn’t horrible, but the individual decisions made about its presentation turned it into an awful mess.

Movie Review – Fast & Furious Presents: Hobbs & Shaw

Fast & Furious Presents: Hobbs & Shaw (2019)
Written by Drew Pearce
Directed by David Leitch

You might be asking, “PopCult, it’s not July now, it’s August,” and to you, I say it’s always July when I’m reviewing Fast & Furious content. This is the ninth official installment in the Fast & Furious film franchise, the Rogue One to The Fate & The Furious’ Force Awakens. This first spin-off features the famous characters of Luke Hobbs (Dwayne Johnson) and Deckard Shaw (Jason Statham), but you can almost imagine other spin-offs starring Roman Pearce, Tej, or maybe a prison film about Magdelene Shaw. Yes, Dame Helen Mirren reprises her role as the matriarch of the Shaw family for one all too brief scene. That is Academy Award winner Helen Mirren…in a Fast & Furious spin-off movie.

Movie Review – The Farewell

The Farewell (2019)
Written & Directed by Lulu Wang

In 2013, Lulu Wang found out her grandmother was dying of cancer. Lulu knew this, but her grandmother did not. Wang’s parents, following a Chinese tradition, decided to refrain from telling the matriarch this until she was on her deathbed in order not to drive her into depression and ruin her otherwise upbeat demeanor. Finding this decision to be downright bizarre, Lulu conferred with her American friends and they assured her this was not the norm in the West. The experience caused Wang to contemplate her status as both a Chinese and American person, reflecting on her transition as an immigrant and return to mainland China. Out of this came a story for This American Life and now a feature film.