1980s – PopCult Reviews

Movie Review – Henry V (1989)

Henry V (1989)
Written by William Shakespeare & Kenneth Branagh
Directed by Kenneth Branagh

Many millennials’ earliest film experience with Shakespeare was probably Baz Luhrmann’s Romeo + Juliet, which we will review soon. However, that was not the start of the Shakespearean renaissance in film. While the Bard’s plays have always been popular in one form or another, Kenneth Branagh’s work produced several of the most complete film adaptations of the stage plays. Henry V was Branagh’s directorial debut, followed by four more pictures (Much Ado About Nothing, Hamlet, Love’s Labour’s Lost, and As You Like It).

PopCult Podcast – Eraserhead/Blue Velvet

In January we lost my favorite filmmaker, David Lynch. Today we pay tribute by talking about two of his best films. A young man wrestles with the horrors of adulthood. Another young man learns about the dark side of his small town.

Movie Review – Ariel

Ariel (1988)
Written and directed by Aki Kaurismäki

The more I watch Finnish director Aki Kaurismäki’s work, the more I warm up to him. I haven’t seen a considerable amount so far, only Le Havre, Fallen Leaves, and now Ariel. I found myself adjusting to his tone & style in Le Havre and would probably enjoy it even more if I rewatched it. I loved Fallen Leaves, and Ariel is my favorite of all the films I’ve seen. It is also Kaurismäki’s personal favorite of his films thus far, the middle of what he labeled his Proletarian Trilogy.

Movie Review – Stranger Than Paradise

Stranger Than Paradise (1984)
Written by Jim Jarmusch and John Lurie
Directed by Jim Jarmusch

Everywhere looks the same. This sentiment is shared by Eddie, one of three central characters in Stranger Than Paradise. He shares this as he and his friends stomp across a snow-covered railroad track, feeling down & out. If you are from the States or have spent much time in the vast middle of the continent, then you know how concrete blasted, copied & pasted so many communities are. Corporate stores and eateries pop up like seeds planted in the asphalt. As someone who grew up in a small town with a main street littered with McDonald’s, CVS, Domino’s Pizza, etc., you do start to feel that any personality the place you lived in once had has been systematically replaced with dull homogeny.

Movie Review – Landscape Suicide

Landscape Suicide (1987)
Written and directed by James Benning

You likely haven’t ever heard of James Benning. He’s never directed a film that ended up in a multi-screen Cineplex. He’s never been nominated for an Oscar or won the Palme d’Or at Cannes. On the most recent Sight & Sound filmmakers poll, Benning was sent a ballot and returned it with a list of his films. His reason when asked about this is that he just doesn’t watch movies, really. Benning makes them, but his influences are literary, and he simply observes the world around him. He’s considered a minimalist but has actually employed many methods & styles as he explores the form. At age 83, he’s still making movies, with almost all of them examining America and its people.

Comic Book Review – Daredevil by Frank Miller Part Two

Daredevil Visionaries: Frank Miller Volume Three (2021)
Reprints Daredevil #183-191 and What If? #28 & 35, and Bizarre Adventures #28
Written by Frank Miller (with Roger McKenzie & Mike W. Barr)
Art by Frank Miller & Klaus Janson (with Terry Austin)

Daredevil by Frank Miller Omnibus Companion (2024)
Reprints Peter Parker, the Spectacular Spider-Man #27-28, Daredevil #219 and 226-233, Daredevil: The Man Without Fear #1-5, and Daredevil: Love and War
Written by Frank Miller (with Bill Mantlo and Denny O’Neill)
Art by Frank Miller, John Buscema, David Mazzuchelli, Bill Sienkiewicz, Al Williamson and John Romita Jr.

The second Daredevil Visionaries volume concluded with the iconic Death of Elektra. I’d heard about that story since I was a kid and even seen it recreated in cinemas with the dreadful 2003 adaptation. Nothing could compare to reading the real thing, a wonderfully tense blend of art & writing that delivered an operatic tragedy into the life of the Man Without Fear. Having never read these books, I wondered where Miller would go now. Elektra was such a big part of the first half of his run. I also learned that his “Born Again” storyline wasn’t part of this initial run but a return to the book in 1987, riding high off the acclaim of The Dark Knight Returns at DC Comics, about to return to them for Batman: Year One.

Comic Book Review – Daredevil by Frank Miller Part One

Daredevil Visionaries: Frank Miller Volume One (2021)
Reprints Daredevil #158-167
Written by Roger McKenzie with Frank Miller
Art by Frank Miller and Klaus Janson

Daredevil Visionaries: Frank Miller Volume Two (2021)
Reprints Daredevil #168-182
Written by Frank Miller
Art by Frank Miller and Klaus Janson

I knew at some point I would read this seminal run of Daredevil. As a kid, I first heard about it on the pages of Wizard Magazine, piecing together a rough version of it in my head. One of my favorite things about finally reading a book or comic or seeing a film I’ve heard about for decades is that the preconceived idea about the piece is destroyed and replaced with what it actually is. The result is that I now understand why the thing had such a profound influence on a noticeable portion of the culture. I felt the same when reading Chris Claremont’s Uncanny X-Men or watching the films of Fellini. It’s the sense of “Now I get it,” which must release some dopamine or something because it feels pretty nice. Reading Miller’s Daredevil was one of those, where I could see how comics were being changed as I read through it.

PopCult Podcast – PopCult Christmas 2024 Special

Ghosts visiting a jaded television executive. A mad scientist’s creation hoping to find a home among the normies. A Japanese POW camp becoming the site of a clash between soldiers and honor.

Comic Book Review – Squadron Supreme

Squadron Supreme (2021)
Reprints Squadron Supreme #1-12 and Captain America #314
Written by Mark Gruenwald
Art by Bob Hall, Paul Ryan, John Buscema, and Paul Neary

In 1969, writer Roy Thomas and artist Sal Buscema pitted the Avengers against the Squadron Sinister, a team of slightly familiar villains created by the bigger baddie Grandmaster. The creators intended it to be a DC Comics’s Justice League pastiche. The characters and their counterparts were as follows: Hyperion/Superman, Nighthawk/Batman, Doctor Spectrum/Green Lantern, and The Whizzer/The Flash. The idea would stick around and be reworked by Mark Gruenwald with a retconned explanation that these villains were based on the Squadron Supreme, the premier hero team of another Earth in Marvel’s Multiverse. Nighthawk would eventually cross over to the main Marvel Earth and join the Defenders for a short time. In 1985, Gruenwald took the idea further and devoted a year-long mini-series to this team. It’s a story noted as a possible inspiration for Mark Waid & Alex Ross’s Kingdom Come.

Movie Review – Killer Klowns From Outer Space

Killer Klowns From Outer Space (1988)
Written and directed by the Chiodo Brothers

The Chiodo Brothers (Stephen, Charles, and Edward) had been absorbed by making movie special effects since they were kids. They had worked in the industry for a few years, selling their skills to productions like Critters, Faerie Tale Theater, and UHF. One of their most well-known works was the Large Marge effect in Pee-Wee’s Big Adventure. Puppets, stop motion, make-up, they loved it all. Ironically, in their first feature film, most of the special effects work was done by other artists they had befriended over the years. The Chiodos spent most of their time directing, producing, and playing some Killer Klowns. The result is that the film is less interested in the plot and more about the spectacle of the movies.