From my review: There are some genuinely despairing moments, highlighting how a woman like Moll, coping with social-emotional issues can be used and beaten up by a society that just wants her to conform. She is pursued romantically by a local police officer whom Moll shuns when she ends with Pascal. Later, she needs this man’s help, and when she goes to him, he tosses her out on the street knowing her pleas are real and she is potentially going to be harmed. It’s a harsh moment and a significant turning point for Moll to come to the realization that she is by herself. The night that follows is transformative, including a metaphorical and literal self-burial. Moll emerges in the daylight with a plan to bring all this madness to an end.
The Omega Men by Tom King (2015) The latter half of 2015 could be considered the Tom King period for me. I’ve consistently enjoyed almost everything he’s put out, even the stuff that seems to have a significant fan backlash. This 12 issue series for DC Comics takes the Omega Men concept (aliens united as the result of an oppressive force) and revamped it thirty years after its original conception. The Omega Men fight against The Citadel, an interplanetary corporation that uses the destruction of Krypton as a means to sell their services, stabilizing the cores of worlds. The rare metal needed to fix these planetary cores is only found in planets within the Vega System; thus, the inhabitants of those worlds have been enslaved, and in some circumstances, wiped out by genocide to ensure the resources can be harvested. The Omega Men kidnaps former Green Lantern Kyle Rayner so that they might have a witness to the atrocities done to their people and to see their retribution.
These are the comic books that I enjoyed reading the most that were published in the last decade. You’ll definitely see some recurring authors and characters, signifying my personal bias. I know there are a ton of great books I haven’t read from this period and as time goes on I plan on reading some (look for a huge Image Comics read-through in early 2020). Please let me know of any titles not on my list as I may have not read them and always appreciate recommendations.
Fantastic Four by Jonathan Hickman (2010) Jonathan Hickman came onboard Fantastic Four at the start of the decade with big plans for not just this series but Marvel as well. He adhered to that original Stan Lee/Jack Kirby of exploring the unknown and created an optimistic, diverse possible future. The best thing Hickman gave us, and what has been criminally underused since, is the Future Foundation. The Future Foundation was Reed Richards’ effort to cultivate the next generation of scientists, and it played with reader expectations. Of course, Franklin and Valeria Richards are part of the team, but Hickman also includes some adolescent Moloids, the android Dragon Man, and a clone of Reed’s foil The Wizard. Not only is this a great read, one of the best Fantastic Four runs we’ve ever gotten, but it’s also almost essential reading to understand this last decade of Marvel comics.
From my review: Director Barras shows us the sorrow of these children and their instinct to be defensive when meeting new people. Simon could easily be framed as the bully trope as soon as he’s introduced. However, there’s an intent to develop him, and he gives up on his act about a day into Zucchini’s arrival. They swap “war stories,” Simon acting as though his background of parents who were drug abusers wasn’t a big deal. Simon casually remarks about himself and the other children that “there’s nobody left to love us.” In the third act, we see how much it pains Simon to lose friends and how standoffish he becomes. Thankfully, Zucchini is aware of what’s going on beneath Simon’s behavior and ensures his friend that he loves him.
Mustang (Directed by Deniz Gamze Ergüven) From my review: Filled with humor and joy, Mustang is a timeless story. It transcends any particular religious or geographic specifics and conveys an experience that is felt by women across the globe at varying levels of intensity. Societies seem to have a preoccupation with controlling the will of their female citizens, based on a fear of loss of control. Director Erguven states firmly that this type of energy is impossible to contain, and through Lale, she tells a story that gives hope to those who may feel like they have no more freedom.
Big Hero 6 (Directed by Don Hall & Chris Williams) From my review: Every element of Big Hero 6 feels like a classic Marvel comic. The teenage hero struck by tragedy, using his own wits and intelligence to build what he needs to make things right. A powerful masked villain with personal ties to the hero. Like Brad Bird, the creators of this film understand those fundamental principles of what makes superhero media appealing to kids. One place where Marvel has been lacking was in the musical score of their movies. Big Hero 6 has a beautifully triumphant and classical superhero sound, big heroic themes to highlight Hiro & company swinging into action and sweeping notes to underscore the tragedy. There are genuinely touching moments in the story, and this is not an animated film where everything gets tied up nicely with everyone turning out safe. People die in this story, and the villain is more complicated than the audience will initially realize. Much like the comic books that inspired this movie, the creators respect the intelligence of children and know that, with a well-written script and strong creative choices, a “kids’ film” can be something powerful.
Snowpiercer (Directed by Bong Joon-ho) South Korean filmmaker Bong Joon-ho delivers a unique take on the class struggle by putting the remainder of humanity on a train that is speeding around the globe. A climate crisis occurred resulting in an ice age but Wilford, a forward-thinking billionaire industrialist, had a train constructed that contains all the amenities needed to keep a relatively small population of humans alive. Over time, the underclass passengers in the back of the train develop a plan to break out of their ghetto and get access to the privileges of the front car passengers. What follows is a bizarre odyssey that examines a lot of contemporary social and economic issues through this filter of a visually absurd high paced action film. Captain America Chris Evans is the protagonist, but even that gets subverted by the end of the film. There’s plenty of great twists and an impressive action sequence involving masked men wielding shiny silver axes. What Snowpiercer does right is balancing the somber and relevant themes with a fast-paced plot and intriguing characters.