biographical – Page 4 – PopCult Reviews

Movie Review – Postcards From the Edge

Postcards From the Edge (1990)
Written by Carrie Fisher
Directed by Mike Nichols

Before her passing, actress Carrie Fisher had become well-known for her blunt, take no shit demeanor. After decades of growing up and living in Hollywood, Fisher was numb to the nonsense of her profession. She has a rare experience that not many actors have, to be a part of a film franchise that becomes so iconic it reshapes the planet. Add in her rough childhood, and you can see why Fisher ended being a substance abuser. The movie industry is the only thing Fisher knew, and it can take a toll on someone who can’t always be “on.”

Movie Review – The Times of Harvey Milk

The Times of Harvey Milk (1984)
Directed by Rob Epstein

Intersectionality is a word you might hear going around these days. This is the concept of recognizing how people represent multiple identities or how a political issue intersects with various communities and identities. In the United States right now, it’s become time to look at how issues like climate change and a lack of health care have become intersectional issues. The people first affected and most dramatically traumatized by climate change are and will continue to be low income and non-white people. Climate change becomes an intersectional issue, not just merely about cleaning up pollution but acknowledging that our society has allowed groups to become more vulnerable than others.

Movie Review – Honey Boy

Honey Boy (2019)
Written by Shia LaBeouf
Directed by Alma Har’el

Filmmaking as therapy is a common theme in autobiographical movies. Just recently, I reviewed Pedro Almodovar’s Pain and Glory, which served as an outlet for the director to talk about aging and his physical ailments. Actor Shia LaBeouf similarly uses film as confession & therapy, though more intimate and raw than Almodovar. LaBeouf, if you don’t know, was a child actor on the Disney Channel before he reached higher levels of fame in Michael Bay’s Transformers films. The film jumps between these two periods, fictionalizing or obscuring the details, so it’s not about LaBeouf specifically.

Movie Review – Pain and Glory

Pain and Glory (2019)
Written & Directed by Pedro Almodovar

Pedro Almodovar is no strange to autofiction in his cinema, that doesn’t mean he’s always factually honest with us. Almodovar is very much an impressionist, more interested in the emotions and underlying psychology of events in our lives. Pain and Glory is the most obviously autobiographical, Antonio Banderas playing a version of the aging director. This is a meditation on the physical changes that come with time, how our bodies are both vessels of pleasure and suffering during our lives. The structure is that of interconnected short stories, vignettes centered around the protagonist that allow him to reflect and reconnect with people from his past.

Movie Review – Bound for Glory

Bound for Glory (1976)
Written by Robert Getchell
Directed by Hal Ashby

The details are all a lie, but the experience is authentic. The time and place look just like it would have during the Great Depression. The trials and travails of the Okies are just as it would have been. The film is engaging in myth-making, building episodes, and lore to capture the essence of someone who exists as an icon. There’s nothing wrong with myths, they served a fundamental purpose in the ancient times, informing humans about their world and how to be in it. I would think most music biopics weave stories about their protagonists to get across some sense of the themes in their music. To do that some times you have to make those stories up.

Movie Review – Don’t Worry, He Won’t Get Far on Foot

Don’t Worry, He Won’t Get Far on Foot (2018)
Written & Directed by Gus Van Sant

The film about cartoonist John Callahan begins the same way his life is composed, a series of fragments, time scrambled around. We see him recovered and then back at the bottom again, sneaking bottles of tequila in the alley behind a liquor store. His body lies motionless on the pavement, his Volkswagen Beetle totaled, all glimpsed before he meets Dexter and goes on the drinking binge that will change his life forever. We see him whipping at high speed in his wheelchair, cars screeching to a halt before we know the circumstances that put him in that chair.

Movie Review – My Left Foot

My Left Foot (1989)
Written by Shane Connaughton and Jim Sheridan
Directed by Jim Sheridan

Christy Brown was born in Dublin, Ireland, in 1932. Shortly after his birth, doctors determined that Christy had severe cerebral palsy, which left his limbs spastic and constricted. Even his throat muscles were challenging to move, which limited his speech, causing people to see him as cognitively impaired. The one limb that Christy seemed to have control over was his left leg, so he taught himself to write and draw using this appendage. He never received formal schooling save a short stint at a clinic for the mentally and physically disabled. As a youth, Christy became a quite talented painter and writer.

Movie Review – The Souvenir

The Souvenir (2019)
Written & Directed by Joanna Hogg

She meets him during a party. He works for the foreign office, is older, and exudes that overwhelming sense of mystery and sophistication. They stumble through the first steps of a thing they haven’t entirely defined yet. She’s caught up in developing her first feature film, a story about a declining English city. He’s always bounding about for work. Then his secret comes out, divulged by a dinner guest and every single thing in her life goes spiraling. This is a semi-autobiographical film from Joanna Hogg which follows the character of Julie in the early 1980s as she sinks into the quicksand of a destructive relationship.

Movie Review – Mr. Turner

Mr. Turner (2014)
Written & Directed by Mike Leigh

I loved Mr. Turner! We’re in an age of the most cookie cutter formulaic biopic. Look at films like Bohemian Rhapsody, which follows a rigorous plot structure that doesn’t provide insight into its central figure. It’s not a new problem; it’s just so prevalent. Mr. Turner has no interest in exploring the early years of the English painter J.M.W. Turner, there’s no scene which shows him picking up a paintbrush for the first time as if guided by a divine hand. When we meet the main character, he’s in the last 25 years of his life, past a broken marriage where he doesn’t claim his two daughters, and whose only human connections are with his manager/father and an occasional tryst with his psoriasis riddled maid Hannah. This is not a pretty story but an honest one.

Movie Review – steve jobs

steve jobs (2015)
Written by Aaron Sorkin
Directed by Danny Boyle

Heroes can often be rotten people behind the scenes. Steve Jobs, while often canonized as a saint of American industry and technology, was not a very nice person, especially to the daughter he denied for decades. When making a film about the creator of the revolutionary Macintosh computer, it would be easy to go the usual biopic route that displays all sorts of corny and cliched foreshadowing that can make the audience think themselves clever. Instead, writer Aaron Sorkin structures this film like a three-act stage play with each act being the minutes before one of Jobs famous unveilings. 1984’s Macintosh reveal, 1988’s embarrassing NeXT launch, and 1998’s glorious return to glory iMac announcement. There are repetitious refrains, almost like a piece of music, characters as themes returning in variation. All of this adds up to a brutally honest portrayal of Steve Jobs that doesn’t seek to frame him as a “great man” but a flawed man with some great ideas.