comedy – Page 24 – PopCult Reviews

Movie Review – Female Trouble

Female Trouble (1974)
Written & Directed by John Waters

Divine was a god damn movie star. Annoyingly he was born Harris Milstead to conservative middle-class parents in the 1940s. The indoctrination into their mundane cult of straight boringness didn’t take, and after being introduced to drag while working as a hairdresser, destiny called. Watching Divine perform feels like an assault and a command performance wrapped up in one. He is so abrasive and confident that I understand why most people were turned off. They aren’t used to experiencing that much glory in a single person. Here we get a mash-up of Divine’s own backstory and a narrative inspired by John Waters’ friendship with incarcerated Manson family member “Tex” Watson. In the world of Waters, things get really wild real fast.

Movie Review – The Souvenir Part II

The Souvenir Part II (2021)
Written & Directed by Joanna Hogg

The Souvenir was not the sort of film we expect sequels for anymore. It’s an intimate, funny & poignant story about a young woman coming into her own and dealing with her first tragic love. The second film is about the ripples in that relationship and the death that ended up rippling through a young filmmaker’s life. It became a significant influence on her art. All of this is directly autobiographical, based on Hogg’s own experiences coming into her own as a filmmaker and the effects her ill-fated relationship had on that work.

Movie Review – Blazing Saddles

Blazing Saddles (1974)
Written by Mel Brooks, Norman Steinberg, Andrew Bergman, Richard Pryor, and Al Uger
Directed by Mel Brooks

There is a statement on Twitter from right-wing ideologies that due to the fabricated idea of “cancel culture,” a film like Blazing Saddles couldn’t be made today. I am confident that anyone saying that hasn’t ever watched the movie or their viewing was when they were a child, and they’ve forgotten most of it. Blazing Saddles may not be able to be made today, not because we are more sensitive to racism, but rather because the system responsible for making movies doesn’t want to produce anything that will elicit genuine emotion from their audiences anymore. Blazing Saddles is one of the strongest anti-racist films I’ve ever seen, one that centers on the experiences of its Black protagonist and doesn’t pull punches on showing the white establishment as complete assholes.

Movie Review – Enough Said

Enough Said (2013)
Written & Directed by Nicole Holofcener

James Gandolfini was often typecast as a tough guy, but that wasn’t really who he was outside of The Sopranos. He was an accomplished stage actor who performed in various roles, so moviegoers never quite got to see the full extent of what Gandolfini was capable of. Enough Said was released posthumously and acts as a hint of the directions his career could have gone had he not passed away. There’s not much similar to Tony Soprano beyond the actor and the character’s relationship issues. However, they are nowhere near as volatile as what Tony got up to. Instead, this is a sensitive, nuanced, character dramedy intended for a mature audience that wants a little more out of their movies.

Movie Review – Romance & Cigarettes

Romance & Cigarettes (2005)
Written & Directed by John Turturro

When an actor turns to directing, it is always a risk. They could be pretty talented like Bo Burnham or Jordan Peele. Or they might not. I think that is sadly the case with John Turturro. This was the actor’s third film in the director’s chair and his first written solo. My takeaway is that directing isn’t a strength of the storied actor. I love seeing him in the movies of talented filmmakers, but he doesn’t seem to have the chops to make something that isn’t totally muddled and embarrassingly poor. Romance & Cigarettes has some pieces that would make for a great film. Yet there is a lot here that would inevitably ruin any movie, and as the director, it was Turturro’s job to make sure everything worked.

Movie Review – True Romance

True Romance (1993)
Written by Quentin Tarantino
Directed by Tony Scott

While this is a James Gandolfini-centric film series, I acknowledge he has such a minuscule part in True Romance. However, that two-scene appearance managed to stand toe to toe with seasoned film veterans like Dennis Hopper, Christopher Walken, and others. The film itself has not aged well, in my opinion. There’s a tasteless trans joke and multiple uses of racial slurs. The worst part is that the protagonist is a complete male Mary Sue, able to pull off some of the riskiest maneuvers despite having zero credibility in the criminal element. It’s also a film with big names in minor roles, many of whom get a single scene or just a handful. The fact that Gandolfini could stand out in a movie like this is proof of what an acting talent he was and how he was capable of such great things.

Movie Review – The Greasy Strangler

The Greasy Strangler (2016)
Written by Toby Harvard and Jim Hosking
Directed by Jim Hosking

What makes a film successful? The most common metric we use to measure success would be box office returns. However, there are plenty of movies that we consider works of art that were not tremendously financially successful. It doesn’t matter because we value them for artistic merits rather than economic ones. So, where do you place a movie like The Greasy Strangler? I had to give it five stars on Letterboxd because it does accomplish what the director set out to do. From that perspective, it unsettles and provokes shocked laughter, precisely what Jim Hosking is going for. Your specific taste in art may not mesh with Hosking’s, it likely will not, but you can’t say his film failed to deliver on his goals in the making.

Patron Pick – Good On Paper

This is a special reward available to Patreon patrons who pledge at the $10 or $20 a month levels. Each month those patrons will pick a film for me to review. They also get to include some of their own thoughts about the movie, if they choose. This Pick comes from Bekah Lindstrom.

Good on Paper (2021)
Written by Iliza Shlesinger
Directed by Kimmy Gatewood

I want to welcome Bekah as our newest patron even though her first pick was…this movie. I can’t say I’ve ever listened to much of stand-up Iliza Shlesinger’s comedy, so I felt neutral about her going into this viewing. In the last decade, I’ve shifted to listening to podcasts hosted by comedians more than listening to their stand-up, so unless someone appears as a guest on one of those, I don’t really know much about their comedic perspective. Good on Paper opens with Ilza playing a version of herself doing stand-up. I found myself chuckling at the bit, a bit of deception as the film would probably have been better as just a comedy special. Instead, we get a tonal mess in its place.

TV Review – Veep Revisited

Veep (HBO)
Seasons 1 thru 7
Created by Armando Iannucci

If you follow this blog, you know one of my interests is examining how media is used to prop up the legitimacy of institutions in America. Since the early days of film, people have been rewriting history or portraying offices like the President with this sense of eternal nobility. This type of writing, present in the works of filmmakers like Aaron Sorkin, turns my stomach. It ultimately serves as propaganda to admonish activism that pushes for material change and instead pivot the American mindset into being satisfied with shallow sentiment and hollow platitudes. For example, the West Wing constantly presents those who populate the White House as flawed but virtuous, centrists who are always right and debate themselves into wins against conservatives and leftists. When The West Wing was originally airing, I remember someone I knew who liked the show admitting that it was ultimately “porn for liberals.” It provided a comforting fantasy with little to no connection to what happens in reality. Veep is the antithesis of this.

Movie Review – Fresh

Fresh (2022)
Written by Lauryn Kahn
Directed by Mimi Cave

I got married in 2011, so I just missed the era of ubiquitous dating apps and how these programs have restructured dating in the 21st century. I remember the website OkCupid and Match.com, but apps like Tinder and Bumble are just beyond my dating experiences. The people who have engaged with these apps have gone on to pen stories by “Cat Person” or films like Promising Young Woman. While I have not seen that film, reviews I’ve read expressed some disappointment with how the premise was executed, not sure if it wanted to be serious or a dark comedy. Fresh is much more confident in its tone but still not perfect. This is comedic but has many moments where I couldn’t quite understand what the director was going for because it clashed with other moments.