comedy – Page 37 – PopCult Reviews

Movie Review – The Jewel of the Nile

The Jewel of the Nile (1985)
Written by Mark Rosenthal & Lawrence Konner
Directed by Lewis Teague

You don’t hear too many people talk about the 1984 comedy-action film Romancing the Stone. It was the film that set director Robert Zemeckis on his path to helming the Back to the Future series. It was expected to flop and got Zemeckis fired as director of Cocoon, but as we can see, it all turned out in his favor. Romancing the Stone was a box office success, and he proved the studio doubters wrong. Studios want to exploit movies that do well and will always push for a sequel. Romancing the Stone is the type of film that could be a franchise, so on the surface, the idea isn’t bad. However, when all the director has moved on to a more significant project, and the writer dies tragically in a car accident after her career has just begun, it becomes murkier waters.

Movie Review – Better Off Dead

Better Off Dead (1985)
Written & Directed by Savage Steve Holland

I turned four years old in the summer of 1985, so my memory of the year is foggy at best. What I know about this mid-point in the decade came from retrospectively consuming media when I was older. Back to the Future is probably the most prominent touchpoint for movies. I watched that picture over and over and over. I had a Matchbox car that resembled the Delorean enough that it became a stand-in for the iconic vehicle during my imaginative play. This was also the year that saw the release of The Goonies, The Breakfast Club, Clue, Rocky IV, Weird Science, and so many more films. Only one of those movies will come up in my individual reviews the next few weeks, though others will likely find a spot on my favorites list when we wrap up. To begin things, we’re going to look at a film you may have caught on its numerous showings on Comedy Central in the early 2000s, the teen comedy Better Off Dead.

Movie Review – To Sleep With Anger

To Sleep With Anger (1990)
Written & Directed by Charles Burnett

To Sleep With Anger is a mixture of things. It’s a meditation on modern urban family dynamics. It is a retelling of the Biblical stories all mashed together. The film is an extension of fears about nostalgia, especially in black communities who have lots of moments in history that they reasonably should fear. It’s ultimately hard to classify this picture into a single genre, which is a benefit and a flaw at times.

SXSW Short Film Festival @ Home – Midnight

Heat **
Directed by Thessa Meijer

This short is visually and technically fantastic, however, that’s about it. Heat is a joke with a set-up and a punchline. It definitely doesn’t overstay its welcome but I don’t particularly enjoy it. It happened and then it ended. I can imagine director Thessa Meijer doing a great job on music videos but I look for short stories when I watch a short film.

Movie Review – A Night at the Opera

A Night at the Opera (1935)
Written by George S. Kaufman, Morrie Ryskind, Al Boasberg, and James Kevin McGuinness
Directed by Irving Thalberg

With this film, many changes happened to the Marx Brothers going forward. It was their first picture at MGM, having left Paramount on reasonably bad terms. Their contract expired, and they had no interest in renewing it with Paramount. Zeppo left the pictures and joined brother Gummo in working on the business side of things, forming a talent agency that would take on clients like Jack Benny and Lana Turner. Irving Thalberg played cards with Chico and worked as a producer at MGM. During their games, he began discussing the Brothers make a move to MGM but had some terms and conditions.

Movie Review – Extra Ordinary

Extra Ordinary (2020)
Written and Directed by Enda Loughman & Mike Ahern

The Conjuring meets Edgar Wright would be one of the best ways to describe this hilarious horror-comedy. Wright has such a distinct visual style, and it’s clear these filmmakers are great fans of his, putting those little touches without becoming a knock off. There is still enough of a distinct comedic voice that it differentiates itself but remains firmly in the same subgenre where these two types of films meet. There are some missteps along the way and some underused cast members, but overall it’s a refreshing break from the typical comedic pablum seen in theaters most weekends.

Movie Review – Horse Feathers

Horse Feathers (1932)
Written by S. J. Perelman, Bert Kalmar, Harry Ruby, Will B. Johnstone, and Arthur Sheekman
Directed by Norman Z. MacLeod

College comedies have been a staple of motion picture since the silent era with Harold Lloyd’s The Freshman and Buster Keaton’s College being the most memorable. It made sense for the Marx Brothers to follow in those footsteps because, at the end of the day, their movies were often a vehicle to get them on screen doing routines and gags. They take advantage of the setting by using the pending football game as the crux of the plot and a finale set-piece. Some anachronistic elements could confuse contemporary viewers, but it’s not enough to make the movie unwatchable, just demanding a little more attention from the audience.

Movie Reviews – Animal Crackers

Animal Crackers (1930)
Written by Bert Kalmar, Harry Ruby, George S. Kaufman, and Morrie Ryskind
Directed by Victor Heerman

Who were the Marx Brothers? Zeppo. Chico. Harpo. Groucho. Gummo. They were the children of French/German Jewish immigrants born into a family of artists and performers. Each brother mastered multiple instruments, and Groucho and Zeppo became accomplished singers. They became a Vaudeville act thanks to their uncle and began traveling the circuit, making money, and laughs. As time went on each brother honed their stage persona, Groucho became the de facto leader with his sharp, caustic comedy. When World War I struck, the Marx mother learned that farmers were exempt from the draft, so she bought a chicken farm in Illinois, but the boys found agrarian life was not their style.

Movie Review – Cooties

Cooties (2014)
Written by Ian Brennan, Leigh Whannell, and Josh C. Waller
Directed by Jonathan Milott and Cary Murnion

Genre movies can have problems. When a filmmaker loves a genre so much, and they make a film under that umbrella, they often become derivative without bringing anything new to the table. No kind of film is guilty of this more, in my opinion than zombie movies. American zombie movies look to Night of the Living Dead and now in the 21st century, 28 Days Later, and just mimic what they see there. Each film has some sort of unique hook but inevitably breaks down into predictable pablum that we’ve seen playing out dozens of times before. Cooties starts with promise but does down that same disappointing path.

Movie Review – School of Rock

School of Rock (2003)
Written by Mike White
Directed by Richard Linklater

School of Rock is a film I’ve always found okay. I saw it in the theater during its theatrical run, amid Jack Black’s golden era in movies. He’s still around, but this was back when Tenacious D was being played on repeat in dorm rooms, and High Fidelity was oft-quoted. This marks a transition moment for the actor, going from raunchier fare (Orange County, Shallow Hal) to more family-friendly pictures. It’s a very smart career move, and the script seems tailor-made for Black’s specific persona.