Directed by Maria Luisa Santos
This short begins with a sense of immediacy as live-in housekeeper Teresa discovers she is pregnant. We learn the father isn’t in the picture and that Ter spends her days caring for the young daughter of her employers. She truly loves this girl and manages to hold back her anxieties about the next steps of her life, until the finale. Good but a little slow for a short film, wish I knew more about Teresa.
Continue reading “SXSW Short Film Festival @ Home – Made in Texas”
Chicken of the Dead ***
Directed by Julien David
I was immediately struck by how much this animation style reminded me of the work that came out of the Klasky-Csupo studio in the 1990s (Rugrats, Wild Thornberrys, Duckman, etc.). In this short, chicken factory maven Bernard Lepique has come to a gala dinner in his honor. He uses this as an occasion to introduce his newest genetically modified delicacy, a melange of chicken and antibiotics. The result is a horror movie spoof that sees the effects of this new food creating hordes of monsters. It’s a fun and light satire on the factory farming industry that is animated quite well.
Continue reading “SXSW Short Film Festival @ Home – Animated”
Directed by Thessa Meijer
This short is visually and technically fantastic, however, that’s about it. Heat is a joke with a set-up and a punchline. It definitely doesn’t overstay its welcome but I don’t particularly enjoy it. It happened and then it ended. I can imagine director Thessa Meijer doing a great job on music videos but I look for short stories when I watch a short film.
Continue reading “SXSW Short Film Festival @ Home – Midnight”
Father of the Bride ****
Directed by Rhys Marc Jones
Right off the bat, I loved how this short film looks. It has the color textures of a David Fincher film, those sorts of browns and yellows he heightens in things like Benjamin Button. The story is nuanced and ambiguous in fantastic ways. It’s told from the perspective of a young best man who is getting ready to give a speech at his brother’s wedding. He’s in the bathroom when the father of the bride enters, also about to give a speech. There is a very tense confrontation that frames the rest of the story, leaving us questioning what the father of the bride’s intents are in this setting. The ending leaves us wondering and it’s really great moody stuff.
Continue reading “SXSW Short Film Festival @Home – Narratives Part 3”
The Voice in Your Head ****
Directed by Graham Parkes
A man wakes up to the living embodiment of his anxiety standing over his bed, berating him. This continues through his shower, breakfast, the commute to work, and throughout his workday. A man in a green suit standing over him, reminding him of all the things he does wrong. A very interesting twist happens after you think you’ve figured out the premise, and depending on how you feel about that moment, it will color how you feel about this whole short. I personally found it pretty funny.
Continue reading “SXSW Short Film Festival @Home – Narratives Part 2”
Still Wylde ***
Directed by Ingrid Haas
Gertie finds out she’s pregnant and breaks the news to her boyfriend, Sam. They go through the typical fears and excitements of parents to be. The short is an emotional roller coaster that veers between both comedic and dramatic. These are definitely late Gen X/Millennial people, and the comedy comes out of the social signaling of those demographics. The ending, however, suddenly shakes off those tropes and reminds us how some experiences are universal, no matter when you are born. It’s a fine short film, but a little light sitcom-y for my tastes.
Continue reading “SXSW Short Film Festival @ Home – Narratives Part 1”
Quilt Fever ***
Directed by Olivia Loomis Merrion
Here’s something I never knew, Paducah is like the quilt capital of America. The short doc Quilt Fever feels like the seed of a feature-length documentary following women who have taken the annual pilgrimage to the quilt show in said town. We get just the smallest hint of these women’s backgrounds but never the depth I would have liked. This is also a case of a documentary built in post-production. Merrion went out and shot as much footage and interviews as she could and assembled a narrative in editing. This is a very conventional doc, nothing is challenging about the structure. It’s all about the subjects being interviewed and their own natural sweetness and charm.
Continue reading “SXSW Short Film Festival @ Home – Documentaries Part 2”
SXSW (or South by Southwest) is an annual gathering of film, music, interactive media, and other creative fields that has been going on since 1986. Because of COVID-19’s spread, this year’s SXSW gathering has been canceled. But one way the organizers are bringing the festival to our homes is through MailChimp hosting over fifty of the short films that were to be screened there. I will be spending April watching and reviewing every short film by category. Our first two screenings will be devoted to documentary shorts.
Continue reading “SXSW Short Film Festival @ Home – Documentaries Part 1”