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Solo Tabletop RPG Review & Actual Play – CY_Borg Part One

CY_Borg (Free League Publishing)
Written and designed by Christian Sahlén and Johan Nohr

You can download the CY_litary De.file_ment solo rules here

Cyberpunk is a broader genre than I typically give it credit for. In literature, you can see cyberpunk’s roots form with authors like Phillip K. Dick and J.G. Ballard, and it came to fruition in the early 1990s with Neal Stephenson’s Snow Crash. Within film, some of the earliest examples are movies like Escape From New York, Tron, and Blade Runner – all wildly different takes on the idea of humanity, technology, and dystopian futures. This would eventually lead to movies like Robocop, Hackers, The Matrix, and more – again, such diverse takes on the same base genre. Cyberpunk has a strong presence in anime and manga. Akira, Ghost in the Shell, and Battle Angel Alita are prominent examples. While cyberpunk is considered a subgenre of science fiction, it is even blended with other diverse subgenres. From my perspective, and I think this is the consensus, the cyberpunk element that puts it over the edge is a dystopian future world where capitalism has become an immensely oppressive force, where debt is used to make people into a new kind of slave.

Movie Review – Collateral

Collateral (2004)
Written by Stuart Beattie
Directed by Michael Mann

We end our brief survey of neo-noir films with this crime flick from Michael Mann. I wouldn’t say I adore all of Mann’s work, but I would never question how gorgeous his movies look. He invented an aesthetic we mainly associate with the 1980s yet kept with it for the next few decades. Whether the scripts work or not, Mann will deliver a moody, atmospheric experience, and that is half of what most noir stories are. You need to feel the seediness and grime for the story to work its magic. Mann accomplishes something even more impressive here, he got Tom Cruise to play the villain.

Movie Review – Jackie Brown

Jackie Brown (1997)
Written and directed by Quentin Tarantino

Saying a lot has been written about Quentin Tarantino’s films would be an understatement. I think it would be safe to say that Jackie Brown is the film the least written about or regarded with the least awe. It was the filmmaker’s follow-up to Pulp Fiction, and such “next movies” can fail to live up to eager fans’ expectations. Brown is a far more muted picture than we have come to expect from Tarantino. There are a few loud stylistic flourishes, but for the most part, the picture is entirely character-driven. The result is something that still feels very fresh despite being made twenty-five years ago. Other movies will age poorly, but Tarantino’s work always feels like it could have been made today.

Movie Review – The French Connection

The French Connection (1971)
Written by Ernest Tidyman
Directed by William Friedkin

It’s not the story that compels you to keep watching. It’s the lead performance by Gene Hackman. It’s the bleak atmosphere of a decaying New York City. It’s the sense that no matter how this turns out, no one really wins. The rot will just keep spreading. Reactionary cinema had its Golden Age in the 1970s. Most of those depicted the rogue cop or the street vigilante as a bastion of “real justice,” pushing aside those pesky civil rights laws to “get the job done.” You might lump The French Connection in with something like Dirty Harry, but that would be a mistake. Dirty Harry revels in Callahan’s sadism and hatred of pretty much all humanity. Popeye Doyle is not someone we’re meant to admire. He’s an animal we’re observing who stalks and hunts vulnerable prey, invoking the Law as his justification. He doesn’t care about the Law, though. This is about ego.

PopCult Podcast – All That Jazz/Mikey and Nicky

The new movies we want to see just aren’t available to us yet. So we dipped into the ol’ Letterboxd watchlist and pulled out two classics from the 1970s we’ve needed to watch.

Patron Pick – All Good Things

This special reward is available to Patreon patrons who pledge at the $10 or $20 monthly levels. Each month, those patrons will pick a film for me to review. If they choose, they also get to include some of their thoughts about the movie. This Pick comes from Bekah Lindstrom.

All Good Things (2010)
Written by Marcus Hinchey and Marc Smerling
Directed by Andrew Jarecki

Just because a recipe looks good on paper does not mean the final dish will be a masterpiece. Let us peruse the ingredients list for All Good Things. The cast is stacked: Ryan Gosling, Kirstin Dunst, Frank Langella, Philip Baker Hall, Nick Offerman, Kristen Wiig, Lily Rabe. Not a bad line-up at all. The cinematographer worked on Alfonso Cuaron’s Harry Potter and the Prisoner of Azkaban, among many other films. The director, Andrew Jarecki, had wowed audiences with his documentary Capturing the Friedmans seven years earlier. But it is in this last ingredient we have identified the problem. Jarecki made a fantastic documentary, but that is different from a narrative feature, and this film stands as a great example of how success in one does not translate into the other.

Solo Tabletop RPG Review & Actual Play – Blades in the Dark Solo Part Two

Read Part One Here.

Inspector Benjamin de Winter stands in the middle of his basement, looking up at the perfect hole cut into the ceiling, a path directly into what had been, until this evening, his secure vault. He crouches down and lifts the gate on the box at his feet. Matte black objects, each a handful, dart out and skitter across the basement floor.

PopCult Podcast – Earth Mama/Eileen

The end of the year is approaching fast & with it come some fantastic films. In our first feature, we follow a young woman attempting to navigate an near impossible system to get her kids back. In the second, we see the world through the eyes of a disturbed young woman desperately in need of connection.

Movie Review – Pain & Gain

Pain & Gain (2013)
Written by Christopher Markus & Stephen McFeely
Directed by Michael Bay

We started with Kelly Reichardt’s Wendy and Lucy but have taken a sharp left turn in our “This Is America” series with this film. I am not a fan of Michael Bay’s movies. I can’t name one I have ever enjoyed. His maximalist style of filmmaking is the kind that bores me really fast: a hyperactive editor who makes constant cuts so that the entire picture resembles one extended lumbering trailer. However, if we are looking for films that capture an aspect of what America is, Mr. Bay clearly has his finger on the country’s pulse. His early Transformers movies were glorified ads for the U.S. military. There are lots of American flags waving in the wind. However, this veneer of post-9/11 jingoistic patriotism hides a deep contempt Bay has for his audience. This film, in particular, is dripping with scorn.

PopCult Podcast – The Beasts/Anatomy of a Fall

Two new European films make up our double feature this week. In one a French transplant to northern Spain comes into conflict with the locals. In the second, a German woman living in France is accused of murdering her husband and must go through a harrowing courtroom trial, the only witness her blind son.