crime – Page 3 – PopCult Reviews

PopCult Podcast – The Wonderful Story of Henry Sugar/The Killer

Two new releases are the focus of the latest episode. In one, Wes Anderson adapts four short stories by the legendary author Roald Dahl. The second is the latest from the meticulous director David Fincher.

PopCult Podcast – Bottoms/Killers of the Flower Moon

These films couldn’t be more different. One is a comedy based on a series of Comedy Central shorts about two horny lesbian losers. The second is the true story of a series of killings at an Osage reservation in the early 20th century.

Patron Pick – The Pledge

This special reward is available to Patreon patrons who pledge at the $10 or $20 monthly levels. Each month, those patrons will pick a film for me to review. If they choose, they also get to include some of their thoughts about the movie. This Pick comes from Matt Harris.

The Pledge (2001)
Written by Jerzy Kromolowski & Mary Olson-Kromolowski
Directed by Sean Penn

I remember liking this movie more when I saw it in college. It’s not a bad film, but The Pledge is incredibly messy. There’s a clear sense of director Sean Penn getting a day with an actor he likes and shoehorning a scene in with them. The film drips with the essence of being a picture directed by an actor. It’s more interested in being a character study that plays in the tropes of the crime thriller; that’s one of its strongest aspects. However, the script demands a plot, so throughout the entire runtime, we experience tension between Penn’s desire to play with his performers and the genre tropes indicating specific plot beats to the audience. It doesn’t surprise me that The Pledge is a movie that split critics & audiences on its release. And despite all its many flaws, it is one of Jack Nicholson’s great late-career performances.

Movie Review – The Silence of the Lambs

The Silence of the Lambs (1991)
Written by Ted Tally
Directed by Jonathan Demme

There are many glaring omissions in my film-viewing life, and this was one of them. I’d seen bits & pieces of The Silence of the Lambs over the years. Channel surfing in my twenties led me to see Clarice & Hannibal’s chats in prison, Mr. Lecter’s fantastic escape, and Clarice’s showdown in the labyrinth of Buffalo Bill. Yet, I had never seen the picture from start to finish while having seen the sequel Hannibal, 1984’s Manhunter, and the second version of that in Red Dragon. I’d also watched the first season of Bryan Fuller’s Hannibal. It seems silly that I’d never managed Lambs in total, so I decided to amend that for the horror season. Was it good? Of course, it was. It was also a reminder of how much this film impacted the crime/thriller genre for the rest of the 1990s and into the 2000s.

Movie Review – Touch of Evil

Touch of Evil (1958)
Written & Directed by Orson Welles

None of his peers could come close to touching the natural filmmaking genius of Orson Welles. Sometimes, you hear film people overhype a filmmaker or actor, but in this case, believe the hype. Welles delivers a film that looks like nothing else that was out at the time, pushing the boundaries of American cinema once again. Charlton Heston was cast after the release of The Ten Commandments and was curious who would direct. Welles was already in the cast, and Heston suggested the film legend helm the picture. Universal said they would get back to him. He got the picture, rewrote it, and staged one of the most visually exciting film noirs ever made.

Movie Review – Kiss Me Deadly

Kiss Me Deadly (1955)
Written by A.I. Bezzerides & Robert Aldrich
Directed by Robert Aldrich

At one point, around the halfway mark, I turned to Ariana and said, “This main character… he’s a real scumbag, right?” She agreed. The screenwriter A.I. Bezzerides said, “I wrote it fast because I had contempt for it… I tell you, Spillane didn’t like what I did with his book. I ran into him at a restaurant, and, boy, he didn’t like me.” I haven’t read Spillane’s novel or any of his Mike Hammer work, but I liked how nasty the investigator was. It felt in tune with the world of film noir, where everyone seems to be simmering with misanthropy and taking their anger out on the world. Hammer is no exception to this. Kiss Me Deadly is also a film that has influenced many other pictures as varied as Alex Cox’s Repo Man, Raiders of the Lost Ark, and Pulp Fiction. This is by far the most cynical of all the noir pictures we’ve watched.

Movie Review – The Big Heat

The Big Heat (1953)
Written by Sydney Boehm
Directed by Fritz Lang

What is the Law? Who does it exist to protect? It’s becoming more evident to me, maybe to you too, that the Law as an institution in the States (as that is where I grew up) does not exist to protect me. If I benefit from it, that is an unintended benefit. The Law is in place to protect & serve the wealthy ownership class. The main prerogative of the police as an institution is to protect the rich & their property. If that means cracking the skulls of the plebs, they don’t shed a tear over that. The noir genre is full of characters who find themselves on the receiving end of these systems, and over the years, one subgenre has emerged: the rogue cop. It probably didn’t start here, but The Big Heat was likely one of the significant sparks to see this subgenre grow in popularity. It’s a very reactionary response to social injustice, continuing the fixation on hyper-individualist solutions.

Movie Review – The Third Man

The Third Man (1949)
Written by Graham Greene
Directed by Carol Reed

The film noir was an international hit. In our last review, we saw how Akira Kurosawa interpreted the genre in Japan. This time around, we look at a British application of noir. After watching this movie, I had a question: are Cold War/spy films a subgenre of film noir? There is undoubtedly some shared DNA. Look at a book/film like John Le Carre’s The Spy Who Came in From the Cold, which has all the tropes of a film noir, most importantly, a doomed protagonist who faces the consequences of his past actions despite trying to do better. Over time, the spy novel/movie became its own thing, but it was born out of the noir.

Movie Review – Stray Dog

Stray Dog (1949)
Written by Akira Kurosawa & Ryūzō Kikushima
Directed by Akira Kurosawa

When we think about Japanese filmmaker Akira Kurosawa, we typically think of samurai films, his earlier work like Rashomon & the Yojimbo films, or his later epics like Ran or Throne of Blood. But Kurosawa was a far more diverse filmmaker than that. He directed four noir movies in the post-war era of Japan, and Stray Dog served as the way forward for the genre in Japan. Watching Stray Dog today, you can see its influence spread beyond Japan. Noir from China and South Korea show their roots in this earlier picture, its unique mixture of comedy and crime stories. Where American noir was restrained by the morals of the Hays Code, particularly that crime can’t pay and the police cannot be mocked, Japanese cinema had no such restraints. As a result, Stray Dog feels ahead of its time compared to the noir of the States in the 1940s.

Movie Review – Out of the Past

Out of the Past (1947)
Written by Daniel Mainwaring
Directed by Jacques Tourneur

RKO Pictures was once one of the big Hollywood studios, and now it’s gone. Radio businessman David Sarnoff and his company RCA merged with a theater chain and film booking company to form this all-in-one studio. They were always considered makers of low-budget fare, but that didn’t stop RKO from making its mark on cinema. Fred Astaire & Ginger Rogers’ song and dance career bloomed at the studio, and Katharine Hepburn saw her first screen success at RKO. The studio was the home of Val Lewton’s innovative horror experiments like Cat People. RKO’s most well-known productions are still King Kong and Citizen Kane, pictures that have created ripples through world cinema today. They produced It’s A Wonderful Life and even much of Walt Disney’s early work. After a series of takeovers and buyouts, the company’s body of work lies mainly under the control of Warner Discovery. Out of the Past is a standout of their many influential pictures due to its perfect encapsulation of so much of the film noir tropes.