drama – Page 13 – PopCult Reviews

Movie Review – All That Heaven Allows

All That Heaven Allows (1955)
Written by Peg Fenwick
Directed by Douglas Sirk

There is a way to use the tools laid out for you by fascism to strangle it. As mentioned in my Magnificent Obsession review, Douglas Sirk left Nazi Germany when it became intolerable. It was harder to protect his Jewish wife, and his ex had used the law to make it illegal for Sirk to see his son. Eventually, Sirk would find his way to “women’s pictures.” While not as strong a genre as it once was, these types of domestic slice-of-life stories still exist, mostly on television more than in movie theaters. There’s a wide variance in quality these days, with some being prestige cable dramas while others being formulaic churned-out Hallmark Movie trash. Sirk himself commented on this perceived schism in art: “This is the dialectic—there is a very short distance between high art and trash, and trash that contains an element of craziness is by this very quality nearer to art.”

Movie Review – Magnificent Obsession

Magnificent Obsession (1954)
Written by Robert Blees, Wells Root, Sarah Y. Mason, Victor Heerman, and Finley Peter Dunne
Directed by Douglas Sirk

Douglas Sirk discovered a love for the performing arts at a young age. While being born to Danish parents, the future director’s homeland would be Germany. In his teenage years, Sirk discovered Shakespeare and went to the cinema more often. He would speak about this period as introducing him to the intensity of emotion and the drama that comes with that. After that, Sirk studied the law and wrote for his father’s newspaper but kept wandering back to the arts. By the early 1920s, he would be directing stageplays, set on the path the rest of his professional life would follow. But, if you know anything of history, then you know Germany in the 1920s was a prelude to something terrible, and Sirk experienced it in a cruel & painful way.

Patron Pick – Eternal Summer

This special reward is available to Patreon patrons who pledge at the $10 or $20 monthly levels. Each month those patrons will pick a film for me to review. If they choose, they also get to include some of their thoughts about the movie. This Pick comes from Bekah Lindstrom.

Eternal Summer (2006)
Written by Leste Chen
Directed by Hsu Cheng-ping

I know this is likely several people’s favorite movie, if not that, at least something they watched as a teenager in the mid/late-2000s, and it shaped them in some way. However, this soap operatic melodrama is so corny. It’s harmless but not close to how real life and relationships play out. Oozing with broody teen angst and wallowing in the drama, Eternal Summer was certainly not a movie made for someone like me. That’s fine, but if this is a picture you enjoy, you probably won’t enjoy my review because I did not like this movie.

Movie Review – Three Colors: Blue

Three Colors: Blue (1993)
Written by Krzysztof Kieślowski & Krzysztof Piesiewicz
Directed by Krzysztof Kieślowski

My first thought when I decided to watch Krzysztof Kieślowski’s Three Colors trilogy was why this Polish filmmaker chose to make a series centered around the three political ideals of France: liberty, equality, fraternity. His explanation reveals a lot about how the director approaches his work. Kieślowski said he chose these themes because the funding he received to make the pictures were in francs which bear these three ideals as France’s motto. Kieślowski had no interest in making nationalistic propaganda for France, and instead, these ideas are often presented with a sense of irony in the trilogy, exploring them in ways that feel antithetical but ultimately uphold their meaning. Even stranger is that only one of these movies takes place in France; White is set mainly in Poland, while Red is about people living in Switzerland. While The Three Colors trilogy isn’t attempting to be overtly political, it is set against the backdrop of the most significant change to Europe since World War II, the formal treaties signed to create the European Union, a political body that has reshaped life in the continent.

Movie Review – Babylon

Babylon (2022)
Written & Directed by Damien Chazelle

Never before in the history of cinema have movies been so technically proficient. Cinematography is always reasonably strong when you come across a studio-produced film. The lighting is pitch-perfect. You cannot beat today’s sound design. All production design elements are spot on, from set dressing to costuming to make-up. The behind-the-scenes people deserve far more credit than they get. They are the laborers who make it feel effortless while putting their total energy into the job. I wish I could say the same about the directors & screenwriters of these big Hollywood pictures, though, but that would be a lie. From Black Adam to Don’t Worry Darling to the seemingly endless Marvel movies to the litany of reboots/sequels/reimaginings, there is a dearth of actual talent steering these movies. I have never been the biggest Damien Chazelle fan, but I enjoyed Whiplash, La La Land, and First Man. They were well-made movies with some strong performances. And then we have Babylon. This is where I get off the Chazelle train.

Movie Review – My Brother’s Wedding

My Brother’s Wedding (1983)
Written & Directed by Charles Burnett

The career of Charles Burnett has always been one plagued with obstacles. When he was coming up, you couldn’t be a Black filmmaker with deeply artistic inclinations and not have a ton of shit thrown in your path. Today, Black filmmakers benefit from how he carved out a way, and they routinely express their admiration & gratitude for what Burnett did. Killer of Sheep did incredible in the foreign film festival circuit, but when Burnett returned to the States, there wasn’t even a whisper about the movie. In his homeland, he would work in obscurity, a seeming refusal among the white film critic establishment to even acknowledge his work existed. In the 1980s, Burnett was still working, making movies that spoke to him with little focus on their bankability. He definitely would like to have been given the acclaim his white peers received, but that would never happen.

Patron Pick – The Wonder

This special reward is available to Patreon patrons who pledge at the $10 or $20 monthly levels. Each month those patrons will pick a film for me to review. If they choose, they also get to include some of their thoughts about the movie. This Pick comes from Matt Harris.

The Wonder (2022)
Written by Emma Donoghue, Sebastián Lelio, and Alice Birch
Directed by Sebastián Lelio

You will not be able to predict the opening shot of this movie if you haven’t heard about it already. But that first image immediately puts the viewer in a place where their expectations are gone. What you think this movie is and what it will be about are all flushed, creating an open canvas for your mind. Now you are just going with the picture, discovering it simultaneously as it happens before your eyes. We rarely get this sort of film anymore, especially from Netflix. By the end, you may not fully grasp what has happened, and that’s okay. The ideas in The Wonder are big & essential, but you need to sit with them for a while. That’s also not an experience many popular films are providing for their audiences, and we need it.

Seth’s Favorite Television of 2022

While we are in the midst of watching Better Call Saul, I decided to hold out on including it on a list until we finish in 2023. It would be on here if I didn’t. That said, there are some incredible shows I got to see in 2022. In a media landscape that is exploding like the universe after the Big Bang so many things get lost in the shuffle. Have you ever just browsed Netflix and found dozens of shows multiple seasons in that you have never heard of before. Warner Discovery started what could be a horrific trend this year, by shelving completed and close to finished projects for the sake of tax write-offs. I am guessing it is scary time to want to develop your own series, afraid to pursue you passion project as it might become someone’s tax loophole and your potential audience never sees it. In these instances, piracy is an ethical act, a form of curation & preservation that the major media conglomerates are blind to. There were animated series made by queer & BIPOC creators that got trash canned by Warner this year, even physical DVDs pulled off the shelves. Fuck that corporation and fuck the new owners. My hope is we can see creative people using the self-distribution models and smaller streaming platforms to get their passion projects out there. Let the big boys starve to death. They deserve it. On to my favorites.

Movie Review – The Banshees of Inisherin

The Banshees of Inisherin (2022)
Written & Directed by Martin McDonagh

The jury is still out for me on my feelings about Martin McDonagh’s films. I know they are great showcases of his sly storytelling and filmmaking skill. I just don’t know how much I like them or not. It’s a strange thing I haven’t encountered with many directors where I acknowledge that they make great films, but I feel passionately ambivalent about them. I can’t say I have loved his movies, but I have been entertained and impressed by some of them, including this one. Perhaps it’s something connected to his Irish sensibilities, a constant struggle between seeking approval while having a fiery determination to tell anyone giving it out to “feck off.” McDonagh makes movies that are distinctly Irish (even if they aren’t all set there) and very distinctly him.

Movie Review – Aftersun

Aftersun (2022)
Written & Directed by Charlotte Wells

Many people will never know their parents as real human beings. That could be because the parent puts up emotional barriers to hide their vulnerabilities. The parent may not want to overwhelm the child with adult emotions they are far too young to understand, which continues into their child’s adulthood. Or the parent could simply not respect the child as a person and think they couldn’t understand. I know for me, my parents will always be enigmas. Estranged from my dad for 14 years and counting and my mom for 3+. It’s better for me that way; they are both broken, toxic people who I don’t think will ever seek out the help they need. I don’t have the bandwidth to do it for them, and honestly, I was neglected in so many ways, so a relationship with them is nothing I desire. But, unfortunately, that’s how life can sometimes be. We don’t choose to be born, and we don’t choose who we are born to. Some people have parents that are grounded, open, and loving. Others have parents who are distant, closed off, and confusing. All we can do is try to make sense of the cards we are dealt.