Movie Review – Three Colors Trilogy: Red

Three Colors: Red (1994)
Written by Krzysztof Kieślowski & Krzysztof Piesiewicz
Directed by Krzysztof Kieślowski

In the excellent documentary short Krzysztof Kieślowski: I’m So-So… (available to view on The Criterion Channel), we get a small glimpse into the mind of this complex filmmaker. Kieślowski defines himself in this way: “I am a pessimist. I always imagine the worst. To me, the future is a black hole.” He further clarifies that he sees this as a good trait. I cannot disagree with him, as many of his thoughts in this short film felt like someone putting into perfect words a lot of what I have felt and have felt more intensely since 2020. (A side note, this comment on his visit to the United States made me feel like I have found yet another kindred soul in cinema: “the pursuit of empty talk combined with a very high degree of self-satisfaction.”) How does this kind of director make a movie centered on the theme of fraternity/brotherhood? He does it by focusing on how people communicate in the late 20th century.

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Movie Review – Three Colors: White

Three Colors: White (1994)
Written by Krzysztof Kieślowski & Krzysztof Piesiewicz
Directed by Krzysztof Kieślowski

There are multiple ways to look at the structure & its relation to the themes of the Three Colors trilogy. One of those is, of course, the three ideals of the French Revolution: liberté, égalité, fraternité. However, Krzysztof Kieślowski is intent on subverting our expectations about these concepts. Another is through the lens of a Europe that was in the process of being partially unified. Blue is about Western Europe, White is about Eastern Europe, and Red is set in the “neutral” nation of Switzerland. There are also mood associations with color. Blue tells the story of a woman who has lost her family (she feels “blue”). Red is about passion & love, which that color regularly symbolizes.

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Movie Review – Three Colors: Blue

Three Colors: Blue (1993)
Written by Krzysztof Kieślowski & Krzysztof Piesiewicz
Directed by Krzysztof Kieślowski

My first thought when I decided to watch Krzysztof Kieślowski’s Three Colors trilogy was why this Polish filmmaker chose to make a series centered around the three political ideals of France: liberty, equality, fraternity. His explanation reveals a lot about how the director approaches his work. Kieślowski said he chose these themes because the funding he received to make the pictures were in francs which bear these three ideals as France’s motto. Kieślowski had no interest in making nationalistic propaganda for France, and instead, these ideas are often presented with a sense of irony in the trilogy, exploring them in ways that feel antithetical but ultimately uphold their meaning. Even stranger is that only one of these movies takes place in France; White is set mainly in Poland, while Red is about people living in Switzerland. While The Three Colors trilogy isn’t attempting to be overtly political, it is set against the backdrop of the most significant change to Europe since World War II, the formal treaties signed to create the European Union, a political body that has reshaped life in the continent. 

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