Best of the 2010s – My Favorite Television Part 4

555 (2017)
John Early and Kate Berlant became two of my favorite comedic talents during the 2010s. They met while doing stand up in New York and shared the same sensibilities. That leads to some of the best videos on YouTube and eventually, this limited series on Vimeo. 555 is five episodes centered around people who work in the entertainment industry. They are at different levels from a child actor to two self-centered executives to actors in a class. The other common thread is that these people are insanely self-absorbed and will passively-aggressively try to one-up each other to the point of absurdity. There is a beautiful line that gets crossed in every episode where it goes from awkward to the stupidest people in the world trying to impress each other. No one else can hit this type of comedy as well as Early & Berlant, and I want more.

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Movie Review – Little Women (2019)

Little Women (2019)
Written & Directed by Greta Gerwig

There is a moment early in Greta Gerwig’s adaptation of Little Women, where aspiring author Jo and her new friend Laurie are dancing on the front porch of the house where a party is taking place. The characters are lost in the silly joy of the evening in a way that is entirely genuine. The music is playful alongside them, and I couldn’t help but find myself smiling, totally absorbed in that piece of the story. This is how it feels throughout this version of Louisa May Alcott’s novel, a celebration of life that doesn’t hide the fact that bad things still happen. How we use those tragedies to inform our understanding of ourselves is what matters.

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Best of the 2010s – My Favorite Television Part 3

Over the Garden Wall (2014)
Born out of the inspiration that Adventure Time brought to Cartoon Network, Over the Garden Wall is a mini-series following two brothers wandering through a mysterious forest and encountering strange people. The series was created by Patrick McCale, who had previously worked on Adventure Time and The Marvelous Misadventures of Flapjack. Over the Garden Wall is a deep dive into the Americana aesthetic of the 19th & early 20th centuries. Many musical numbers consist of pre-1950s phonograph recordings. You’ll be reminded of early animation from the 1920s & 30s in many of these episodes. There’s such a remarkable charm to this show that few animated series possess. It’s funny while being genuinely terrifying at moments, enigmatic and wistful. It’s a program that understands what nostalgia actually is and how that feeling is different from reality. Our protagonists drift through abstract forest landscapes emerging into the dreams and fantasies of others, interacting for a while before being pulled into another story.

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Movie Review – An Elephant Sitting Still

An Elephant Sitting Still (2019)
Written & Directed by Hu Bo

For four hours, we follow a quartet of people through the bleak, washed-out industrial landscape of northern China. Their stories are not exclusively experienced by the Chinese people but are suffering humanity feels across the globe, particularly those living in the husk of communities hollowed out of unfeeling powers that exist in an abstraction that leads to ennui. How can you do anything about inter-generational pain that comes from a source so distant and seems so endless? This is what our four protagonists struggle with as their lives intersect and converge.

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Movie Review – Luce

Luce (2019)
Written by J.C. Lee and Julius Onah
Directed by Julius Onah

Luce is a difficult movie to wrap my head around. In some moments, it reminds me of the tense ping-pong of dialogue in David Mamet’s work. In others, it is very close to being a cheesy Netflix original. The film brings up troublesome topics that are worth examination, like how black young people navigate the constant sea of labels being tossed their way. But then it will go down a dark road, implying that young women who say they were sexually assaulted might be lying and have a duplicitous agenda. Helping to elevate Luce even in the worst moments is an S-tier cast: Octavia Spencer, Naomi Watts, Tim Roth, and Kelvin Harrison, Jr.

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Movie Review – Diane

Diane (2019)
Written & Directed by Kent Jones

We all know someone like Diane. From the moment they wake up to the moment they go to bed, these women are shuttling friends & family to and from the doctor, dropping off casseroles, and volunteering at their church. They live in a perpetual state of being a servant but neglect their own self-care at a substantial cost. There’s a lot about Diane that could be depressing if you refuse to look beyond the surface. The film exudes communal warmth despite its icy rural Massachusetts setting.

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Movie Review – Portrait of a Lady on Fire

Portrait of a Lady on Fire (2019)
Written & Directed by Céline Sciamma

For the majority of the film’s runtime, we do not see a single male character on screen. In the third act, when a man is found eating breakfast in the kitchen, it is a jolt to the system, signaling that whatever has come before is over. The expectations and duties of these women must be resumed, and the life they were able to experience for a brief time is over. Portrait of a Lady on Fire is a subdued and even unsentimental look at a relationship between two women in a time where they had no future where they could stay together.

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Movie Review – Waves

Waves (2019)
Written & Directed by Trey Edward Shults

From the dizzying opening to the serene closing, Waves is an emotional rollercoaster that exists in two clear halves. Director Trey Edward Shults has explained that he wanted the first section to feel like a building anxiety attack and that the second piece would be a reassuring hug that things will get better. The result is one of the most beautiful and human films of 2019. It’s clear Shults has drawn inspiration from sources as varied as Moonlight, Punch-Drunk Love, and Chungking Express, managing to paint his dynamic style of filmmaking across the screen.

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Movie Review – Ad Astra

Ad Astra (2019)
Written by James Gray and Ethan Gross
Directed by James Gray

Ad Astra is like Apocalypse Now mixed with 2001 and directed by Terrence Malick. That is a very loaded statement, but it’s the most accurate way I can sum up this film in a single line. Is it as good as those individual parts? No, but it is still one of the best science fiction films I’ve seen in years. The story is kept centered on the characters while allowing space for awe & wonder over the cosmic landscape. There are brief moments of action & peril that help to punctuate how empty and cold the solar system feels. This is an odyssey in a not too distant future that feels like the most likely bland extrapolation of what humanity would do with a conquered solar system.

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Movie Review – Marriage Story

Marriage Story (2019)
Written & Directed by Noah Baumbach

I have never been divorced and have no plans to ever be. Noah Baumbach explores the time that makes up the dissolution of a relationship in his latest film, Marriage Story, and it feels real and painful. As Adam Driver’s Charlie says at one point, “It feels like I’m in a dream.” Even if we haven’t been divorced, we can relate to those moments in life that are so massive and painful that your brain goes hazy and disconnects from reality, simply to save your sanity. Yes, this is a film that features a couple getting divorced, yet it is so brimming over with love and sentiment.

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