Blossoms (dir. Wong Kar-wai)
Changed to a web series, yet to be released.
Brightburn (dir. David Yaorvesky)
Great concept, terrible execution. Check out my review.
Climax (dir. Gaspar Noe)
Some people love it, others despise it. I found it entertaining and wonderfully weird. Check out my review.
Star Trek: First Contact (1996)
Written by Brannon Braga and Ronald D. Moore
Directed by Jonathan Frakes
With a sleek new Enterprise, the Next Generation cast set out on their second film, fully realized as a big-screen product. While the budget is bigger and the stakes are higher, something is lost in the process. It’s that distinct sense of a family. The focus is narrowed to Picard and Data, while the rest of the crew become supporting to minor players in these characters’ stories.
Continue reading “Movie Review – Star Trek: First Contact”
Woman at War (Directed by Benedikt Erlingsson)
From my review: The war in the title is most definitely a cold one, and arguably a conflict Halla is fighting with herself. There is a group of inept police and drones that show up in the second act, but they never really feel like a threat. It’s Halla and the mistakes she makes that lead to the film’s finale. Part of what Halla is moving towards is an understanding that you cannot save the planet alone, and by the end of the movie, there is a small but growing number of supporters. We also see her framed against the immense challenge of repairing the environment, further emphasizing how much she needs help. There are no answers to the big questions in Woman at War; instead, it helps soothe those anxieties and remind us we’re not alone.
My Life as a Zucchini (Directed by Claude Barras)
From my review: Director Barras shows us the sorrow of these children and their instinct to be defensive when meeting new people. Simon could easily be framed as the bully trope as soon as he’s introduced. However, there’s an intent to develop him, and he gives up on his act about a day into Zucchini’s arrival. They swap “war stories,” Simon acting as though his background of parents who were drug abusers wasn’t a big deal. Simon casually remarks about himself and the other children that “there’s nobody left to love us.” In the third act, we see how much it pains Simon to lose friends and how standoffish he becomes. Thankfully, Zucchini is aware of what’s going on beneath Simon’s behavior and ensures his friend that he loves him.
Here are the things I have planned for the second half of the year on my blog.
I’ll start doing a bi-weekly short film review roundup on August 17th. I plan to feature quality short films that are available online so that readers can view them. I have the first eight posts planned with three short films on each post. The first post will feature reviews for the short films He Took His Skin Off For Me, Janciza Bravo’s Eat, and Ari Aster’s The Strange Thing About the Johnsons. I’ll be looking at films that come from all corners of media from classic French shorts (Le Jetee) to Adult Swim middle of the night surreality (the works of Alan Resnick).
Continue reading “State of the Blog – 2nd Half of 2019”
There’s a trope that has become infamous in recent years, especially with superhero movies: The Pillar of Light. You know the image, the villain is close to succeeding in their master plan, and the final step involves a device that fires a blue beam of light into the sky. The purpose of this light often doesn’t make sense and is always stopped before it does whatever it was intended to do. The trope has popped up in many Transformers movies as well as a handful of Marvel movies.
Most recently the blue pillar of light was seen in the trailer and on the poster for Godzilla: King of Monsters. I decided to list my five favorite pillars of light, regardless of how the movie ranks on my personal list.
Continue reading “The Best Pillar of Light Movies”
It’s Such a Beautiful Day (directed by Don Hertzfeldt)
From my review: Hertzfeldt can take us to heart-rending moments of illumination. There’s a memory Bill has of a time when he was staring out at the sea and contemplating “all the wonderful things he will do with his life.” That moment is led into with grace and empathy and never underlined by the filmmaker. It is the audience who will make the connections with the facts and emotions of the scene: Bill’s memories feeling like he’s living in them only to encounter a moment where he had all possibilities laid out before him. He’s snapped back to the present, his situation very dire and his whole self in a state of deterioration.
My Favorite Films of 2011
Monsieur Lazhar (directed by Philippe Falardeau)
From my review:
The film contains messages about multiculturalism and the themes of mentors & proteges, but it does this without feeling didactic. The way Lazhar adapts to the Quebecois culture and how his students learn from him is done organically without speeches or exposition. Offscreen events occur as we move through the winter and into the spring, but we are shown enough to get a sense of growth happening in Lazhar’s classroom. The performances by Mohammed Fellig (as Lazhar) and Sophie Nélisse (as Alice) are rich and layered, without being maudlin. As I watched the film, I kept thinking about how a Hollywood version of this would get so much wrong and essentially already has in so many other teaching centered movies.
Best of the 2010s: My Favorite Films of 2010
14.The Last Circus (directed by Alex de la Iglesia)
From my review:
If Michael Bay made films that have substance he would be Alex de la Iglesia. In this pic, a man is haunted by his father’s destruction at the hands of the fascist Franco government and attempts to honor his pop’s memory by continuing the family tradition of clowning. He ends up the “sad clown” to a masochist “happy clown,” and both vie for the affections of a beautiful acrobat. The violence gets pretty bad in this one as both men grow increasingly insane. One of the most fun, and still intellectually rich movies I’ve seen in a while. There’s also a lot of classic film references, particularly in the big finale which reminded me a lot of Tim Burton’s Batman work visually.
Blossoms (dir. Wong Kar-wai)
Wong Kar-wai, the master filmmaker behind so many great films with my favorite being In the Mood For Love, has a new movie due out this year. Blossoms is an adaptation of a short story collection by writer Jin Yucheng, whom the director is working with on the script. The stories alternate between the end of the Chinese Cultural Revolution and the modern Shanghai, emphasizing the changes to this place over the decade. It can be assured that Wong Kar-wai will produce something meditative and meticulous and I can’t wait to see what he gives us.
PopCult Reviews 