flashback to 1983 – Page 2

Movie Review – A Nos Amours

A Nos Amours (1983)
Written & Directed by Maurice Pialat

People often seem to forget that a vast ocean of thought exists within each person’s mind. Society does its best to halt our exploration of these complex inner worlds, but they remain a part of who we are, always waiting to be uncovered and mapped. You likely have noticed the same disturbing trend I have among mostly white conservative men, an aggressive push against women’s agency over their lives and bodies. They want the population to see women as nothing about vessels for men’s pleasure and laborers to provide men with their every need. But this denies that inner world, the complicated web of desires, needs, emotions, beliefs, and more that exists in women just as much as they do in men. A Nos Amours is a brief peek into that world, a film that also shaped the life of its star.

Movie Review – Terms of Endearment

Terms of Endearment (1983)
Written & Directed by James L. Brooks

Television was where creator James L. Brooks started, and that influence can be seen in his second feature film, Terms of Endearment. The production looks like a movie, but the plot points and character types feel similar to characters that would populate one of his many sitcoms. The difference is that Brooks was able to touch on the subject matter no network censor would have allowed on the air. Terms of Endearment is pretty frank about female sexuality (heteronormative, of course), and we even have a central character die of cancer. It is rare to have a beloved character pass away on a sitcom, but in the world of movies, it is easier to get away with those things. In this way, Terms feels like Brooks is translating the story structures and character beats he knows into a new format.

Movie Review – San Soleil

San Soleil (1983)
Written & Directed by Chris Marker

I can’t tell you much biographical information about filmmaker Chris Marker. I can tell you he directed one of the best short films ever made, La Jetée, and he is French. I like it that way. Holding Marker as an enigma does more to imbue his work with meaning than finding out where he was born, his upbringing, his beliefs, etc. I can extrapolate all of these things in generalities through his work. San Soleil (trans. Sunless) is a documentary & a video essay that tells us a lot about this often-forgotten figure in mid-late 20th-century cinema. Marker is concerned with things on the micro and macro levels; he finds connections between his complex inner world and the diverse external one he travels through, particularly in the people and their faces.

Movie Review – The Dead Zone

The Dead Zone (1983)
Written by Jeffrey Boam
Directed by David Cronenberg

By 1983, Stephen King already had much of his work adapted for film and television. This year alone, there were three Hollywood movies: The Dead Zone, Cujo, and Christine, with more coming as the decade progressed. The Dead Zone is typical of King in that our protagonist is experiencing extrasensory perception, as many King main characters do. This ability to perceive things beyond average human senses opens him up to horrors, but now how you might expect. Where other King stories allow this breach of the barrier between life & death to create ghoulish supernatural monsters, the evil in The Dead Zone are the privileged. No zombies or ghosts here, just powerful, wealthy white men who don’t care what happens to everyone else.