patron’s pick – PopCult Reviews

Patron Pick – Hack Your Health

This special reward is available to Patreon patrons who pledge at the $10 or $20 monthly levels. Each month, those patrons will pick a film for me to review. If they choose, they also get to include some of their thoughts about the movie. This Pick comes from Matt Harris.

Hack Your Health: The Secrets of Your Gut (2024)
Directed by Anjali Nayar

In an ongoing battle to make me watch the oddest things we have, Hack Your Health is a Netflix documentary about the digestive system and its connection to the body. The educational film is hosted by Dr. Giulia Enders, MD, a German scientist studying digestive health and working towards her doctorate in gastroenterology. Enders and other talking heads in fields like neuropsychology, epidemiology, neuroscience, and microbiology share their perspective on how our diets affect our digestion, which has a domino effect on the rest of our health. There are some wild takes here coming after a first half that feels like basic elementary school science.

Patron Pick – Tell It To The Bees

Tell It To The Bees (2018)
Written by Henrietta Ashworth and Jessica Ashworth
Directed by Annabel Jankel

If you are looking for a passionate love story about two women, might I recommend two other, better films – Desert Hearts and A Portrait of a Lady on Fire. The reason why I promote those films over this one is because they are just simply much better made. From the writing to the directing of the actors to the cinematography, those movies don’t just deliver a lesbian love story; they are masterfully executed films. In discussions about representation in the media, I hate that there’s this rallying cry that groups which have been marginalized should be present in the utter shit that the cis white straight people make. I don’t know why anyone would want to set the bar so low. I want queer people, Black people, Indigenous people, disabled people, et al., to not just be in movies but to be in the best movies.

Patron Pick – Ernest Goes to Jail

This special reward is available to Patreon patrons who pledge at the $10 or $20 monthly levels. Each month, those patrons will pick a film for me to review. If they choose, they also get to include some of their thoughts about the movie. This Pick comes from Matt Harris.

Ernest Goes to Jail (1990)
Written by Charlie Cohen
Directed by John Cherry

Mocking the Ernest films would be easy because they never aspire to be anything more than silly, stupid fun. So, I’m not going to do that. I grew up watching the Ernest movies. I lived in Middle Tennessee, where many of these movies were filmed. The Ernest character had been a commercial mascot for our local Purity Dairy, one of many advertising gigs the classically trained actor picked up early in his career. That’s something I always loved about Jim Varney; he was a working-class actor in the truest sense, not the bullshit contemporary right-wing sense. Varney lived just a few miles from my childhood home, and we saw him once at our local Kroger supermarket. By the time Ernest Goes to Jail came along, Varney was quite established.

Patron Pick – Men in Black II

Men in Black II (2002)
Written by Robert Gordon and Barry Fanaro
Directed by Barry Sonnenfeld

Around this time, I began to viscerally feel that the popular fare I would see in theaters mainly was trash. I was in college when Men in Black II came out, and I remember going to the theater to see it. I spent August at a friend’s house, and one of their local friends had connections at the local theater. This meant we would get to enter without having to buy tickets. Men in Black II was one of those films. I couldn’t have been happier not to pay to see this thing. When this was requested as a Patron pick, I wondered if I would change my view. Maybe there was something good about it I missed back then. There wasn’t.

Patron Pick – Late Night With the Devil

Late Night With the Devil (2024)
Written and directed by Colin Cairnes and Cameron Cairnes

Horror changes with the times. One of those changes is centered around technology. Before television or film, horror was spread to the masses through radio broadcasts. Before the radio, horror was printed; even before that, it was part of the oral tradition. As technology changed, it didn’t just alter the medium through which people experienced horror but expanded what kind of horror could exist. Ghosts and demons were now able to use modern technology as a means to invade people’s lives. Orson Welles’ War of the Worlds worked as a horror artifact – a horror story told as if it was a piece of media. The found footage genre is a continuation of this, an ask of the audience to suspend their disbelief and fully invest in the reality of the horror. But it doesn’t often work, at least for me.

Patron Pick – Betty Blue

Betty Blue (1986)
Written and directed by Jean-Jacques Beineix

Certain movies don’t take long to reveal that they were written by a man who has difficulty seeing women as anything other than to make a man feel good about himself. Betty Blue is such a movie, rife with all the cliches of French cinema. That doesn’t make it a disposable, awful film. It comes across as more comical with how severe and melodramatic it sometimes takes itself. The film is also a great example of a very particular subgenre of cinema called Cinéma du look. The term was coined by critic Raphaël Bassan in 1989 and has been applied to the films of Luc Besson and Leos Carax. It’s style over substance, spectacle over narrative. It’s slick commercial aesthetics with a focus on the alienated in society. It’s also very male-gaze-y.

Patreon Pick – Gaza mon amour

Gaza mon amour (2020)
Written and directed by Tarzan Nasser and Arab Nasser

The popular image of something and reality are often oceans apart, especially when we in the West conceptualize something. At the time of this writing, Gaza is something beyond decency, brutally ravaged by a genocide that just keeps going in broad daylight. That doesn’t mean life has always been like this for the Palestinians. They have had a persistent resiliency, even while walled off and treated in the most subhuman manner. The human spirit is a tough thing to extinguish. It isn’t impossible, but it can happen. Gaza mon amour is a film about the persistence of the heart in the latter years of a person’s life and how the desire for love lives on.

Patron Pick – Ferngully: The Last Rainforest

Ferngully: The Last Rainforest (1992)
Written by Jim Cox
Directed by Bill Kroyer

The 1990s was a strange time for the environmentalist movement. My perspective was shaped at the time by hyper-conservative Christian fundie parents who, fed by their own propaganda sewer, insisted that anything about protecting nature from corporate greed was “new age, pagan filth.” We didn’t watch Captain Planet in my house for that very reason. Not that I was really missing anything. Upon visiting that show for the first time as an adult, I was very unimpressed, but I can now see also the stuff I did like at the time as very pandering, shallow commercialism. My parents didn’t have a problem with the mass marketing to children part of things; they loved capitalism. All this to say, I never watched Ferngully until this Patron request. Without the rose-colored nostalgia of my childhood to lean on for this one, it is pretty bad as far as kids’ movies go.

Patron Pick – Monster (2023)

Monster (2023)
Written by Yuji Sakamoto
Directed by Hirokazu Kore-eda

After seeing Hirokazu Kore-eda’s 2017 masterpiece Shoplifters, I was in awe. Watching his follow-up, Broker, was less moving of an experience. It’s a good movie, but it wasn’t as good as the first one I saw. While there is a body of work going back to the 1990s that I want to explore, for now, we move forward to the director’s latest film, Monster. I made sure I went into this film knowing very little other than that the plot focused on two middle-school-age boys. I’m so glad I didn’t know the story’s details because with each loop the narrative made back to its start, I was left wondering where we were being led.

Patron Pick – Wonka

Wonka (2023)
Written by Simon Farnaby and Paul King
Directed by Paul King

Why? Why was this movie? Yes, I know it was made because a series of corporations made legal acquisitions of the film rights to Roald Dahl’s writings, and so they made the movie to recoup the costs spent on purchasing the rights with the idea of also turning a profit. What I am asking is why, from a creative perspective, does this film exist? What does this add to one’s appreciation of Dahl’s original novel or the character of Willy Wonka? Nothing about this film feels like it has anything to do with Charlie and the Chocolate Factory besides Wonka and Oompa-Loompas. I would go so far as to argue that not one of the three live-action appearances of Wonka on film does the book character justice, as much as I love Gene Wilder.