PopCult Reviews

Movie Review – Memoria

Memoria (2021)
Written & Directed by Apichatpong Weerasethakul

Memoria is difficult to talk about because it really isn’t a movie in how we typically define such things. It’s filmed on a camera, there are actors and a script, but in terms of narrative, it’s glacially slow. Memoria is a filmed meditation, and because of that, it can be frustrating at times. I know I didn’t enjoy my entire time with the picture, yet some moments took my breath away. I have to assume this is the desired outcome from the director, Apichatpong Weerasethakul. This is a movie about creeping existential dread that never allows its protagonist to fully define or name what is causing this feeling inside them.

Movie Review – Azor

Azor (2021)
Written by Andreas Fontana and Mariano Llinás
Directed by Andreas Fontana

Something is wrong in Argentina. From the moment Azor begins, you feel disturbing things; the music and images hint at more sinister machinations at work. But on the surface, it seems…okay? The filmmakers have put their audience in the shoes of people attempting to navigate life under a dictatorship in Latin America. Azor is set in 1980 during the Dirty War when right-wing death squads scoured the country of anyone suspected of supporting socialism or other left-wing movements. This military junta killed between 9,000 to 30,000 people. Hard numbers are hard to get because so many of these people were disappeared overnight and never seen again, with no formal record of what happened to them.

Comic Book Review – Suicide Squad Volumes Seven and Eight

Suicide Squad: The Dragon’s Hoard (2017)
Reprints Suicide Squad #50-58
Written by John Ostrander and Kim Yale
Art by Robert Campanella, Jim Fern, Geof Isherwood, Karl Kesel, Tom Mandrake, Luke McDonnell, and Grant Miehm

Suicide Squad: The Final Mission (2019)
Reprints Suicide Squad #59-68
Written by John Ostrander and Kim Yale
Art by Geof Isherwood, Robert Campanella, and Andrew Pepoy

The opening chapter of The Dragon’s Hoard sees Amanda Waller’s Suicide Squad fully operating as mercenaries for hire, breaking most ties with the US government. It was the 50th issue of the series. It’s an oversized affair that interweaves the history of Task Force X with a fight against the undead. Rick Flag is revealed to have a son that the Squad never knew about, and the child is in danger. Waller feels compelled to honor her fallen friend and protect his child. That means putting together a crew of mainstays from the run. The team ends up facing zombie-fied versions of foes they’ve encountered along the way.

Movie Review – Mildred Pierce (1945)

Mildred Pierce (1945)
Written by Ranald MacDougall
Directed by Michael Curtiz

I’ve come to realize Joan Crawford is a far more complicated person than pop culture has made her out to be. Most people think of “No wire hangers!” or some other element of Mommie Dearest. I wouldn’t doubt Crawford wasn’t a great mother, but she certainly feels like someone ahead of her time as an actress. The role of Mildred Pierce is not a glamorous one. She’s an older woman whose daughter steals the spotlight, but Pierce is also so complex and layered, making choices that can’t be seen as operating inside your standard binary thinking. It’s the rich nuance and texture you’d expect from a story written by James M. Cain, a predominately noir-leaning author.

Movie Review – Casablanca

Casablanca (1942)
Written by Julius J. Epstein, Philip G. Epstein, and Howard Koch
Directed by Michael Curtiz

Few American films have ever been held in such universally high regard as Casablanca. I have to admit that the movie was a blind spot in my education on cinema until this viewing. I have certainly been hearing about Casablanca my whole life as it has been referenced, parodied, and paid homage to across film & television. It’s full of witty, memorable lines (“Here’s looking at you kid,” “Of all the gin joints in all the world…”) and a brilliant cast who are perfect for their parts. Humphrey Bogart was cemented as a film icon with this picture, and he will always be remembered for the role of Rick Blaine. I wasn’t sure how I’d feel about the picture after watching it, a bit worried it had been overhyped since its release, but I was pleasantly surprised with what a fantastic film is it.

Movie Review – Angels With Dirty Faces

Angels With Dirty Faces (1938)
Written by John Wexley and Warren Duff
Directed by Michael Curtiz

Recently, American conservatives voiced faux outrage over a relatively tame Super Bowl Halftime performance. Their reasoning was that elderly rappers with criminal records were the focus and encouraged moral decline. While race clearly played a part in the current blast of hot air from the right, moral outrage has existed in America since its founding. You can always count on some subgroup of people in the United States to find something to clutch their pearls over and blame it for “juvenile delinquency.” In the 1930s, gangsters were one of these cultural touchstones. For some, the criminals were seen as folk heroes fighting against the banks & powerful, while for others, they were harbingers of chaos bringing destruction to innocent lives in their wake.

Movie Review – Mass

Mass (2021)
Written & Directed by Fran Kranz

In complete honesty, no one should be surprised with how America has diminished COVID deaths. All we had to do was look at how this country reacted to the continuing brutal murder of its most vulnerable citizens. There are numerous mass shootings and school shootings every year, with no changes ever made on a legislative level to stop it. Sandy Hook Elementary was the site of the most chilling shooting, small primary school-age children, and even then, not one leader took material action to prevent another one. Instead, the parents of these victims were struck across the face with conspiratorial accusations that they were false flag actors from the Right, and from the liberals, they received empty wishes of thoughts & prayers. If you still have hope that this epidemic of mass murder will ever end, you have a much more optimistic view of the future than most.

Comic Book Review – Suicide Squad Volumes Five and Six

Suicide Squad: Apokolips Now (2016)
Reprints Suicide Squad v1 #31-39
Written by John Ostrander, Kim Yale, and Robert Greenberger
Art by John K. Snyder III, Luke McDonnell, Grant Miehm, and Geof Isherwood

Suicide Squad: The Phoenix Gambit (2017)
Reprints Suicide Squad v1 #40-49
Written by John Ostrander, Kim Yale, and David M. DeVries
Art by Geof Isherwood, Luke McDonnell, and Mark Badger

Suicide Squad had an interesting conceit that allowed it to shift the narrative focus every few issues. It was also easy to drop new characters into the book and toss them out when needed, as they were primarily supervillains going through Belle Reve’s revolving door or getting killed on the missions. For the first two and half years of the title, that was how things were, but in the wake of The Janus Directive, it appeared John Ostrander was interested in dramatically shifting what the Suicide Squad would be. Before he can head off in a new direction, though, he has to wrap up loose ends from previous years.

Movie Brain – February 18th, 2022

In 2021, I started getting back into writing fiction again, but I wouldn’t say I produced much. I thought a lot; I revisited LiveJournal and found some ideas I’d shared for stories and never done anything with. The problem with trying to revive my writing was that I was doing it in a vacuum, and so without feedback of any kind, I didn’t have the fuel to keep me going. So in 2022, Ariana and I have made a solid attempt to carve out an hour-a-day minimum to just sit quietly and write. At the end of each month, we’ll pick three things we wrote during that period and share them with each other for critique and workshopping. I think it’s pretty essential to have an audience of some kind when you write. For some people, themselves are good enough, but I just need an external source to give me notes.

Movie Review – The Adventures of Robin Hood (1938)

The Adventures of Robin Hood (1938)
Written by Norman Reilly Raine, Seton I. Miller, and Rowland Leigh
Directed by Michael Curtiz and William Keighley

The Adventures of Robin Hood was unlike anything that had come before and would shape the type of films to come, even today. It was Warner Brothers’ most expensive movie with a $2 million budget. Additionally, it was shot using the first three-strip Technicolor process, a piece of technology that made it stand out against its box office competition. This film used all 11 Technicolor cameras that existed in 1938, which had never been attempted before. At the time, Warner had garnered a reputation for its social issue and low-budget gangster flicks, so something like Robin Hood felt incredibly ambitious for the studio. Once again, the film mimics a Douglas Fairbanks film from the silent era, continuing Errol Flynn’s track of reprising the roles of that actor.