PopCult Reviews

Most Anticipated Films of 2021 – Part 1

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So many of these movies were set to come out in 2020 but got pushed back and who knows what will happen if COVID-19 still lingers by the spring. I expect we won’t be seeing an end to the virus anytime soon so the virtual distribution model may be how many of these come to be watched.

Minari (directed by Lee Isaac Chung) – January 26

A year ago at Sundance, Minari premiered and won the two major awards of the festival. The plot follows a South Korean-American family that moves to Arkansas to pursue success. The grandmother of the family arrives a little after and her presence upends life for some but improves circumstances for others. Expect to see a review of this film on the blog extremely soon.

Superhero Spotlight – Adam Strange

In 1957, superheroes were not the dominant subgenre of comic books. You had horror titles, humor books, and lots of science fiction. The editorial director of DC Comics, Irwin Donenfeld, called his editors Jack Schiff & Julius Schwartz together and wanted pitches for science fiction protagonists. Schwartz’s idea was a play on Edgar Rice Burrough’s classic Jon Carter of Mars character. This would be an Earthman struck by a beam of strange energy that transported him to a distant alien world. Because he was the first human on this planet, Schwartz named him Adam. The protagonists debuted in the pages of Showcase #17; the series was a tryout book for new characters before given them their own titles.

Movie Review – Rear Window

Rear Window (1954)
Written by John Michael Hayes
Directed by Alfred Hitchcock

I first saw Rear Window when I was a child on our local unaffiliated network that aired whatever they could get their hands on. I was probably 10 or 11, but I remember being absolutely caught up in the way Hitchcock told the neighbors’ stories without much dialogue and even illuminated our protagonist in the way the images cut between these other people. This is a genuinely tense & thrilling murder mystery that uses its setting to its fullest. I think Rear Window is an excellent example for filmmakers with limited budgets and filming spaces to take advantage of every facet of that room or building to create a truly suspenseful story.

Movie Review – Dial M for Murder

Dial M for Murder (1954)
Written by Frederick Knott
Directed by Alfred Hitchcock

1954 was a big year for director Alfred Hitchcock and marked what critics refer to as his “peak years.” This is the period most people think of when they hear the filmmaker’s name. His television series, Alfred Hitchcock Presents, would start in 1955 and run for a decade. He’d helm pictures like Rear Window, Vertigo, North by Northwest, Psycho, The Birds, and more. In 1955 Hitch became an American citizen and began making his pictures for Paramount. He would work with some of his best actors like Jimmy Stewart, Cary Grant, and Grace Kelly. He’d also infamously terrorize actress Tippi Hedren in The Birds & Marnie, revealing some genuinely dark and disturbing psycho-sexual issues of his own. Hitchcock was a very problematic guy but at the same tapping into the depths of the human psyche.

PopCult’s State of the Blog 2021 (January – June)

For the next two months, I will be doing a big push for my Patreon. If you enjoy the things you read here on PopCult and are financially able to donate something I would greatly appreciate it. Click here to check it out and I hope to have some special opportunities for my patrons as we grow.

Looking back

2020 was a bitch of a year, and that is an understatement. One of the least exciting U.S. presidential elections managed to bring out more voters than ever before. The guy we wanted to win did but there isn’t much jubilation as the American economy appears to be on the verge of a major collapse. If that wasn’t bad enough, a pandemic rages through the country while the newly approved vaccine trickles out at a rate that experts say will take us a decade to administer to 80% of the population. The summer saw an eruption of civil unrest over police brutality and deeply entrenched systemic racism. All of this is still roiling on as the U.S government now refuses to help out its citizens while COVID kills, leave people with permanent health problems, and destroys multiple industries. So let’s look at how my blog did!

December 2020 Digest

Features
Superhero Spotlight – The Atom
Favorite Books I Read in 2020
Favorite Television of 2020
Favorite Film Discoveries of 2020
Favorite Films of 2020
2020 Most Anticipated Films Review

My Favorite Films of 2020

She Dies Tomorrow (directed by Amy Seimetz)

From my review: She Dies Tomorrow is a profoundly impressionistic film, and writer-director Amy Seimetz is disinterested in conventional explanations or standard narrative structures. This is a mood piece that seeks to explore the ways people process a direct confrontation with their own mortality. Part of what Seimetz is doing is looking at how people choose to spend their time when they know they are going to die. Amy loses all sense of direction or priorities and just wastes away. She mentions being sober for a considerable amount of time but has given it all up now that she believes her life is over.

Most Anticipated of 2020 Review

Every year I post the films I am most anticipating in the coming year and then at the end I look back on what I thought of them

Movie Review – Education

Education (2020)
Written by Steve McQueen & Alistair Siddons
Directed by Steve McQueen

During the 1970s, it was discovered that some London councils were secretly following an unwritten policy to push Black children out of mainstream schools and into “subnormal” schools that were underfunded and poorly staffed. This practice was exposed by Bernard Coard, an education activist from Grenada who worked as a teacher in England. He found that this policy had a long-term effect of making children “neurotic about their race and culture.” This was yet another in a long line of exposure of systemic racism in Western culture directed at Black minds & bodies.

My Favorite Film Discoveries of 2020

These are movies that were new to me in 2020. This year was the first time I watched them and they stuck out as pictures that were my favorites, ones I highly recommend and would revisit myself.

Neighbors (1981, directed by John G. Avildsen)

From my review: In the same way that Kubrick played with distorted space in The Shining to subconsciously unsettling the audience, there’s play with time going on in Neighbors. Earl eventually becomes disoriented and has to ask his wife what it is after so many starts and stops on his way to finally settle down for the night. She tells him it’s two in the morning, but soon after, he ends up paying Vic a visit. When he emerges from that bizarre conversation, the birds are chirping & it’s sunny outside. These are not continuity errors but intentional distortions […]

Neighbors is a bizarre, disturbing film, and it’s a shame that so many production elements weren’t there to make it something better. I could easily see Tim & Eric remaking this novel and doing it right. If you’ve seen their Bedtime Stories horror anthology, it traffics in the same territory. The difference is that those comedians understand how comedy works, and Avildsen seems entirely out of his element. I would say Neighbors is most definitely worth a watch because it is unlike most films. It has piqued my interest in the novel, which I’ve heard is much better than what was adapted on film.