PopCult Reviews

TV Review – Homecoming Season 2

Homecoming Season 2 (2020)
Directed by Kyle Patrick Alvarez
Written by Micah Bloomberg, Eli Horowitz, Zachary Wigon, Sarah Carbiener, Erica Rosbe, Casallina Kisakye, Evan Wright, and Patrick Macmanus

Choosing the perspective of a story is incredibly important. Deciding who will unroll the narrative for us affects how we perceive every character and each plot beat. Who ends up being seen as a hero or villain can subtly shift. The showrunners behind Homecoming decided to make the central character in their second season someone we had never met before. On top of that, she has amnesia and can’t even remember her name. By doing this, we are immediately sympathetic to her because we have no idea what is going on. By the end of the season, we know everything while she is still stumbling in the dark.

Movie Review – Ordinary People

Ordinary People (1980)
Written by Alvin Sargent
Directed by Robert Redford

American culture still has problems talking about mental health, but it was considerably more complicated when Ordinary People came out. This was also the directorial debut of actor Robert Redford, who founded the Sundance Institute, a non-profit dedicated to helping independent filmmakers create their work. Redford always stood out as an actor who physically appeared as the atypical Hollywood glamor star but who chose work that didn’t always focus on his looks. Throughout the 1970s, he picked smartly written work closely tied to his political and philosophical views. With his first gig as a director, he managed to make a film that would never be a crowd-pleaser but focused on essential issues that movies often sidestepped.

Comic Book Review – Booster Gold: The Big Fall

Booster Gold: The Big Fall (2019)
Reprints Booster Gold V1 #1-12
Written by Dan Jurgens
Art by Dan Jurgens & Mike DeCarlo

The 1980s are remembered as a decade of gross corporate excess in the United States. Ronald Reagan became president and opened the doors to deregulating the financial sector. American Psycho is a great satirical take on the results of letting Wall Street run wild on American wealth. In DC Comics, they indulged in the excess with the most massive comic book crossover to date, Crisis on Infinite Earths. This featured heroes from across the multiverse in a battle beyond time and space. The result was a condensed timeline where they managed (or in some cases failed to accomplish) populating the single remaining Earth with legions of heroes. The character considered to be the first post-Crisis one is Booster Gold, a mystery man who encompasses all the corporate greed.

Movie Review – Little Woods

Little Woods (2018)
Written & Directed by Nia DaCosta

Some people live on the fringes, always one lay off, or one missed payment away from complete devastation. They can live anywhere, big cities, or barren rural landscapes, a forgotten class perpetually kept in poverty because the system demands someone to populate the very bottom. For these people, affordable health care and full stomachs are about as real as the Tooth Fairy and Santa Claus. Those luxuries are something other people have, the forgotten bottom sit in waiting rooms for eight-plus hours only to be handed a bottle of opioids and told to move on.

Media Moment (08/14/20)

Against all logic & reason, AMC Theaters are reopening 100 locations on August 20th. For that one day, tickets will be sold at 15 cents advertised as a “1920s price”. It’s clear the dirt cheap ticket price is an experiment to see who is willing to go out in the pandemic to watch a movie in a theater. Prices after will be $5 as the chain shows old films like Black Panther, Back to the Future, and The Empire Strikes Back. Disney is still adamant they will open The New Mutants in whatever theaters are open on August 28th.

Movie Review – The Changeling

The Changeling (1980)
Written by William Gray & Diana Maddox
Directed by Peter Medak

Does tragedy make a person more open to other planes of existence? If we come close to death or experience, profound loss, are we then able to brief make out the shades of another world that exists within our own? The Changeling explores these ideas in a tightly crafted and well made haunted house picture. Long before the days of Blumhouse, this was a movie that trafficked in many of the same tropes and themes but didn’t need to lean into empty jumpscares or tired formulas to keep audiences interested. That isn’t to say this is a perfect film, but it is made by people who understand what is genuinely horrific about existence.

Movie Review – She Dies Tomorrow

She Dies Tomorrow (2020)
Written & Directed by Amy Seimetz

The world is a scary place right now, fueled by a mix of real horrors and a general sense of growing uneasiness with modern life. People seem to be inching towards a collective mass mental breakdown that is playing out on viral videos peppered across social media. The American population is being confronted with its mortality in a stark manner that you can see is not setting well. Some people are in outright denial and become unhinged, encountering others who very proactively try to keep themselves and others healthy. These anxieties and contemplations of death are what make up the nightmarish ground She Dies Tomorrow covers.

Movie Review – Somewhere in Time

Somewhere in Time (1980)
Written by Richard Matheson
Directed by Jeannot Szwarc

I approached this film with moderate expectations but found myself enjoying it quite a bit. Somewhere in Time is a melodrama dripping with maudlin sentimentality. But it’s a well crafted one, so those excesses and silly bits can easily be ignored or enjoyed. The film is based on the novel Bid Time Return, also written by Richard Matheson. Between this film and my Twilight Zone series, I have enjoyed Matheson’s work this year. I’d only previously read I Am Legend, but I think I may need to do a deeper dive into his work. Somewhere in Time feels like a Matheson episode of Twilight Zone, which is stretched out a little longer and gives us a relatively decent tragic love story.

Comic Book Review – Young Justice Book Three

Young Justice Book Three (2018)
Reprints Young Justice #18-19, Young Justice: Sins of Youth #1-2, Young Justice: Sins of Youth Secret Files and Origins #1, Superboy #74, Sins of Youth: JLA Jr. #1, Sins of Youth: Aquababy/Lagoon Man #1, Sins of Youth: Batboy and Robin #1, Sins of Youth: Kid Flash/Impulse #1, Sins of Youth: Starwoman and the JSA Jr. #1, Sins of Youth: Superman Jr/Superboy Sr #1, Sins of Youth: Wonder Girls #1, and Sins of Youth: The Secret/Deadboy #1
Written by Peter David, Todd Dezago, Chuck Dixon, Geoff Johns, D. Curtis Johnson, Karl Kesel, Dwayne McDuffie, Ben Raab, Brian K. Vaughn, Jay Faerber, Lary Stucker, Scotty Beatty, and Jim Alexander
Art by Todd Nauck, Carlo Barberi, Sunny Lee, Tom Grummett, Rob Haynes, Drew Johnson, Scott Kolins, Cary Nord, Michael Avon Oeming, Angel Unzueta, Mike S. Miller, Norm Breyfogle, Pasqual Ferry, and Cully Hamner

It all started with making Superman a weekly character. In the 1990s, the Man of Steel had four monthly series making it so that you could pick up the next chapter in the Superman saga every week of the month. This led to DC Comics shaping their publishing schedule around this four-week model. However, this ran into a problem when you had a month with a fifth Wednesday (traditionally New Comic Book Day). In 1997, DC introduced fifth-week events, a filler week where a collection of themed one-shots would be published. That grew into a space to have a mini-event, nothing world-shattering but a longer story, the type you might typically have seen in the summer annuals. This is how we got Sins of Youth.

Movie Review – The Fog

The Fog (1980)
Written by John Carpenter & Debra Hill
Directed by John Carpenter

John Carpenter is a well-known master of horror & the fantastic and in the early 1980s he was doing the best work of his career. By 1980 he’d directed Dark Dark, Assault of Precinct 13, and the film that propelled him to greater heights, Halloween. Two years later, he would make one movie a year for five consecutive years. It began with The Fog. The idea for The Fog came over several years dating back to the early 1970s as Carpenter recalled a British horror film he saw from a child about monsters in the clouds. While visiting Stonehenge while filming in the UK, he noticed the eerieness of a fog that crept over the site. After hearing about a tragic shipwreck off the northern California coast, Carpenter sat down with then-girlfriend Debra Hill and worked out the screenplay.