PopCult Reviews

Glengarry Glen Ross (1992)
Written by David Mamet
Directed by James Foley

Capitalism. What a nightmare. We don’t talk enough about avarice in America. That frenzied, hateful greed fuels some people’s minds & souls. They can never find fulfillment in contentment, being happy and appreciative of what they have, spurred on by institutions that depend on this hunger to never be satiated. Playwright David Mamet does an incredible job of depicting this inhumanity in Glengarry Glen Ross. His characters are trapped on a broken hamster wheel, given expectations they cannot possibly meet, and punished for trying to find a loophole in the system to avoid the inevitable outcome. Unemployment is not an accidental byproduct of capitalism but an intended outcome. It makes people live in terror that they will fall to the bottom of the ladder, and they learn to treat everyone else around them with hatred as they see them as competitors for the same crumbs.

The Glass Menagerie (1987)
Written by Tennessee Williams
Directed by Paul Newman

“Write what you know” is some advice often given to writers struggling to know where to start. Tennessee Williams was an artist who often practiced this, sometimes literally but also metaphorically. In the case of The Glass Menagerie, it was a very personal play that touched on his relationship with his mother and sister. He kept coming back to it in different forms until he found the way that worked, even writing a screenplay (The Gentleman Caller) that would be repurposed for the play. The result is a moving story of a family displaced from the American South struggling to find their way in an increasingly cold, cruel world.

True West (1984)
Written by Sam Shepard
Directed by Allan A. Goldstein

Sam Shepard was a playwright that seemed to know what to say about the time he was living in perfectly. He was particularly interested in the transformation of the American West from a mythic landscape used to feed the imaginations of Americans to its incorporation as just another part of the urban & suburban sprawl that took over the country. In his screenplay for Paris, Texas, his protagonist emerges from the desert only to disappear back into it at the story’s conclusion, in a parallel to John Ford’s The Searchers. People who cannot change their perspectives and, at minimum, understand the times they live in will be left on the sidelines, drifting away until forgotten. 

The Iceman Cometh (1973)
Written by Eugene O’Neill
Directed by John Frankenheimer

You are not alone if you’ve felt increasing anxiety over world events in the last few years. Additionally, this is not the first time in human history that societal shifts have led people to become fixated on watching it unfold, standing on the sidelines, unsure of what to do. Eugene O’Neill wrote The Iceman Cometh between June and November 1939 while living in Danville, California. During this time, the Nazis invaded Poland, the Great Depression ravaged American workers’ lives, and Southeast Asia became fertile ground for the next salvo of the coming world war. O’Neill, in a letter to his daughter Oona said about this period, “The war news has affected my ability to concentrate on my job. With so much tragic drama happening in the world, it is hard to take theater seriously.” O’Neill had an understanding that he’d written something personal with The Iceman Cometh but also touched on universal anxieties of the era. He delayed production of the play until World War II ended because the playwright understood he had written something that spoke to people living in the wake of devastation.