Black Swan (2010)
Written by Mark Heyman, Andres Heinz, and John J. McLaughlin
Directed by Darren Aronofsky
Nina is a ballerina working in a New York ballet company with aspirations of maybe becoming the lead dancer one day. Her chances arrive sooner than she realizes when prima ballerina Beth, aging and bitter about what the director has made her do over the years, is pushed aside for Nina in the lead role of Swan Lake. Thomas, the company’s director, is growing increasingly frustrated with what he says is Nina’s constraining inhibitions. While technically perfect she lacks the passion he wants to see and uses new company member Lily as an example of real emotion in the work. Nina’s mother doesn’t help things by creating a perpetual childhood in their apartment, treating the young woman the same as she did when Nina was a girl. All of this pressure begins to show the cracks in Nina’s psyche as she glimpses a shadow-self, a doppelganger wandering the streets living a life parallel to our protagonist. What is real and what is in the life of the mind begin to blur and dissolve.
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The Wife (2018)
Written by Jane Anderson
Directed by Bjorn Runge
Elderly writer Joseph Castleman receives the call many artists dream about. He is being awarded the Nobel Prize in Literature, being told that he has made a significant contribution to the realm of writing in ways that will resound for generations beyond. His ever-loyal wife Joan listens on the phone extension and then prepares to care for and navigate her husband through the gauntlet of press and meetings to come. There is a secret behind her attentiveness to Joseph. They travel with their adult son to Stockholm where a week of formalities follows related to the prize. Tensions build when Nathaniel Bone, a journalist shows up and tells Joan he plans on writing an expose about Castleman, that he knows how Joan is tied to his success that he wants her to be the one to come forward first, on the record.
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Written by David Leslie, Johnson McGoldrick, Will Beall, Geoff Johns & James Wan
Directed by James Wan
Arthur Curry is the son of a lighthouse keeper and a runaway queen of Atlantis. When he was a toddler, his mother was taken back to her undersea homeworld, and so Arthur was raised by his father while learning about the strange new abilities he developed with each passing day. As an adult, Arthur has fought alongside the Justice League and has become a minor celebrity in his coastal town of Amnesty Bay. His profile increases when Mera, daughter of one of the seven kings of the ocean, implores him to help her stop a pending war with the surface. It seems, Arthur’s half-brother Orm is rallying the armies of the sea whether they like it or not. His end goal is to bring the land-dwellers to heel for the endless pollution of the ocean-realm. Arthur and Mera find themselves in a race to uncover the lost trident of Atlan, the one item that can only be wielded by the true king of Atlantis. With this weapon, they believe the war that will tear apart the planet can be avoided.
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Spider-Man: Into the Spider-Verse (2018)
Written by Phil Lord & Rodney Rothman
Directed by Bob Persichetti, Peter Ramsey, & Rodney Rothman
Spider-Man is the main hero of New York City and has been for decades. Meanwhile, Miles Morales is just a talented kid reluctantly attending a boarding school for the scientific minded. During a late excursion to tag a prime piece of real estate in the subway tunnels, Miles is bitten by a strange spider and begins to develop strange powers as a result. When Miles returns to the scene of the incident, he ends up dead center in a battle between Spider-Man and a host of villains in the employ of the Kingpin. The fight ends with Miles squarely set to inherit the mantle and in need of training. The result of Kingpin’s experiments is that the fabric of the multiverse is broken and a host of other Spider-people have found their way to Miles’ dimension. The clock is ticking as reality crumbles, and in a very short amount of time, our protagonist must learn to be the hero his universe needs him to be.
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Written by John Logan
Directed by Martin Scorsese
Hugo is a boy living in 1931 Paris, holed up in the clockwork behind the scenes of the Gare Montparnasse railway station. He has ended up in this strange place due to the death of his father and subsequent death by drunkenness of his uncle. The only thing Hugo has left to remember his father by is a broken automaton his parent recovered from the museum where he worked. Hugo swipes clockwork toys from a store in the station to use as spare parts in rebuilding the mysterious machine. Eventually, he’s caught by Mr. Georges (Sir Benjamin Kingsley), the toy store’s owner who is curious about the strange notebook of sketches in Hugo’s possession. Hugo befriends Mr. Georges’ goddaughter Isabelle (Chloe Grace Moretz) and the two work to uncover the secret behind the automaton. However, looming over our protagonist is the specter of the station inspector and being carted away to an orphanage.
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Certified Copy (2011)
Written & Directed by Abbas Kiarostami
James Miller, a British writer, travels to Tuscany to give a talk about his book “Certified Copy” wherein he argues that reproductions and forgeries of art are just as relevant to conversations of art as the originals. This is based on his idea that even the original is a reproduction of a model or an idea and therefore all art is a reproduction of something. He meets up with an unnamed French antique dealer who is incredibly enthusiastic about his book, and they discuss his ideas on art while on a drive to a village in the countryside. Miller excuses himself during a stop to get coffee and a barista mistakes Miller and the woman for a couple, and the woman plays along telling a whole story about her husband being so distant and never spending time with their son. Things take a turn for the strange because after the woman tells Miller about the employee’s assumption, they appear to take on the personas of a real husband and wife, devolving into an argument about long-simmering tensions. So what is the reality? Do we see a roleplay or are they a couple? Alternatively, does it even matter? Are two people who are feeling the genuine emotions associated with this type of relationship just as valid a real married couple?
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