PopCult Reviews

TV Review – Star Trek: Picard Season One, Episode Four

Star Trek: Picard (CBS All Access)
Season One, Episode Four – “Absolute Candor”
Written by Michael Chabon
Directed by Jonathan Frakes

At first, I have been annoyed with the lack of Next Generation characters in Picard. But after doing the math, he was captain of the Enterprise for twenty-one years, which is almost the same number of years he’s been retired. I expect he’d drifted apart from his original crew as they received promotions and new assignments. These new people are lower on the totem pole and thus have less to lose. They lack extended family and therefore, can hop on a ship and journey out into space, not knowing exactly where they are headed and what they are in for.

Movie Review – Taste of Cherry

Taste of Cherry (1997)
Written & Directed by Abbas Kiarostami

For a film about such an intimately emotional experience, Taste of Cherry chooses to distance itself, placing the whole of the movie in an almost purely rhetorical realm. We learn very little about the personal life of our main character and not much about the people he encounters during his journey. Conversations orbit around significant existential questions, yet the movie is very much about the beauty of human existence and frailty. This is also a movie that Roger Ebert gave a single star to because he said it lacked any forward momentum, which I think was sort of the point. This is a piece of ambient cinema, and it defies Western expectations.

Movie Review – Birds of Prey (and the Fantabulous Emancipation of Harley Quinn)

Birds of Prey (And The Fantabulous Emancipation of One Harley Quinn) (2020)
Written by Christina Hodson
Directed by Cathy Yan

I am not going to pretend I was excited in any way to see this movie. With the foul taste of Suicide Squad in my mouth and my opinion that Harley Quinn is not nearly as interesting a character as DC Comics is trying to make her, I knew I was going to dislike most of Birds of Prey, and I did. I won’t even go with the statement that “this movie wasn’t made for me” because it sort of was. I have loved DC Comics since I was a kid, especially the B-tier or lower obscure characters. Birds of Prey is chock full of them, and seeing a version of those characters on screen was mildly amusing.

Movie Review – Stalag 17

Stalag 17 (1953)
Written by Edwin Blum & Billy Wilder
Directed by Billy Wilder

It’s strange to say that Billy Wilder’s film about Americans in a Nazi prisoner of war camp is the most light-hearted of his movies I’ve watched so far. But that is most definitely the case. I almost wonder if Wilder took a step back from the bleak tone of his previous work, especially after Ace in the Hole was received so poorly by American audiences. Stalag 17 is much more of a “cheer for the heroes” type of film, but Wilder still manages to make the main protagonist buck conventions.

My Favorite Films About Love

It’s Valentine’s Weekend, so that means people are buying cheap chocolate and flowers en masse to profess their love for one another. Love is an emotion that’s been present in cinema since its inception. In 1896, William Heise released the short film The Kiss, one of the first publicly viewable movies. Since then, many stories have been told about people falling in and out of love, both comedic and tragic. Even some horrific. Here are my favorite movies about Love.

A Woman Under the Influence (1974, directed by John Cassavettes)
John Cassavettes paved the way for independent film in America and made a name for himself as an iconoclastic director. His muse & wife was Gena Rowlands, who he cast as Mabel, the titular woman. Nick (Peter Falk) is her devoted husband, who notices Mabel’s behavior becoming erratic. While the film never labels Mabel’s condition, it’s clear she’s somewhere in the realm of bipolar disorder. Mabel ends up in an institution after attempting self-harm, and Nick thinks life can just go back to normal when she returns home. Cassavettes understood that true love could endure the most trying of circumstances, that people who really love each other can do so even when the one they care about doesn’t appear to love them back.

Media Moment (02/15/20)

So I don’t really care about the Oscars. I think it was 2005 when they gave Best Picture to Crash that I realized the whole thing was pointless. As I’ve gotten into Film more, I’ve learned that the best films often get ignored by the Academy, so whatever. However, it was quite lovely that Parasite won Best Original Screenplay, Best International Feature, Best Director, and Best Picture. It was my favorite film of 2019, so I’m that Bong Joon-ho and his work are getting more recognition. I wish the actors had gotten some nominations.

Movie Review – Bashu, The Little Stranger

Bashu, The Little Stranger (1986)
Written & Directed by Bahram Beyzai

There is an emphasis on homogenizing foreign cultures into a monolith. This does a disservice to the broad diversity that exists inside these borders. We sometimes forget that national borders are artificial things, and people are often corraled inside sovereignties they have no direct connection with. Bashu, the Little Stranger, chooses to displace a Southern Iranian from the Khuzestan province due to the Iraq-Iran War. By moving this person into the Caspian north, we see how prejudices and cultural dissonance affect how we treat our fellow citizens.

Movie Review – Oldboy

Oldboy (2003)
Written by Hwang Jo-yun, Lim Jun-hyung, and Park Chan-wook
Directed by Park Chan-wook

It’s hard to pinpoint just when exactly American audiences got turned on to South Korean cinema. This year’s Parasite did wonders in spotlighting the great working coming out of that country. But back in the early 2000s, Oldboy was a film that seemed to grab the attention of audiences and not let go. Seventeen years later, it is still a harrowing experience, a combination of fantastic fight choreography and a nightmarish baroque plot of betrayal and other terrible things.

Comic Book Review – Venom: Rex

Venom: Rex
Reprints Venom v4 #1-6
Written by Donny Cates
Art by Ryan Stegman

I’ve previously delved into the world of Venom via Rick Remender’s run on the series. I always admit upfront that I am not a fan of the character. Venom came about right as Marvel was being dominated by the future Image Comics founders, most artists, where grimy & complicated design overshadowed proper character development. Venom is essentially “evil Spider-Man” and has become an anti-hero with an apparently large fanbase, comparable to The Punisher or Deadpool (two more characters I don’t really like). I had heard extremely positive buzz about Donny Cates’s current run and decided to put aside my personal biases and give this one a look.

Movie Review – Ace in the Hole

Ace in the Hole (1951)
Written by Billy Wilder, Lesser Samuels, and Walter Newman
Directed by Billy Wilder

Billy Wilder was wildly prescient when it came to the worst of mankind. Long before 24-hour news cycles became a thing, Wilder was already foreseeing a time where a small incident could be exploited by the media into something more substantial. The forces of entertainment would find ways to prolong human suffering because it makes such a compelling narrative to the public. Wilder makes no bones about how he believes humans often succumb to their worst impulses and delivers a noir film that doesn’t need Los Angeles to give it atmosphere.