Love Streams (1984)
Starring John Cassavetes, Gena Rowlands, Seymour Cassel
As I’ve talked about before, Cassavetes focuses a lot on the psychological fragility of his characters. Often his main characters feel like Kerouac characters, they live life to self-destructive extremes, exploding like roman candles and inevitably fizzling when they can’t handle things. In Love Streams, he spends the first half of the film exploring two separate figures that fit this bill, then bringing them together for the last sad, heartbreaking hour. And, as with so many of his films, Gena Rowlands is the force of nature that powers things forward. Cassavetes also holds his own and looks much older than his appearance in 1977’s Opening Night. While I don’t know the details, it wouldn’t surprise me if this was when his health problems were starting.
Robert (Cassavetes) is an alcoholic writer who lives in a labrynthine mansion in the Hollywood Hills, populated with a parade of call girls. He finds women to obsess about, charms them, then reveals his true nature of drunken hopelessness and they leave. Sarah (Rowlands) is a women going through a divorce and trying to cling desperately to her teenage daughter, while her ex (Cassel) argues that Sarah’s history of mental illness makes her unfit to be the primary custody holder. These two figures come together and share an interesting connection that leads to a sad and rather bleak ending.
The film does wander as Cassavetes is wont to do, though it wanders into some interesting places. In particular is a segement of the film devoted to Robert’s meeting his son, now about 10 years old, and being pressured to take him for the weekend. Being the horrible figure that he is, he frightens the kid off with the bevy of women lounging around his house, chases the kid down and brings him back, then gets him drunk. Impulsively, Robert decides they are going to Vegas, where he drops the boy off to go carousing with women. When he shows up the next morning, the boy is weeping and saying he wants to go back to his mother, which pisses off the drunken Robert off and he berates the boy for not being a man. This is very interesting as we have seen what a grown up child Robert is for the majority of the film. Love Streams stands as one of the more captivating works by this director, with some strong artistic moments.
Next: we finish things up with the slapstick comedy Big Trouble (not the Tim Allen movie!)