February 2021 – Page 2 – PopCult Reviews

Movie Review – Casino

Casino (1995)
Written by Martin Scorsese & Nicholas Pileggi
Directed by Martin Scorsese

After the success of Goodfellas, both with audiences and critics, it was reasonably sure Scorsese & author Nicholas Pileggi would collaborate again on something. Five years later, they told another true story of organized crime and its deleterious effects on people’s lives in Casino. Like Goodfellas, the movie focuses on an outsider to the Italian Cosa Nostra, a Jewish man with a remarkable ability to gamble and win big. Unlike Goodfellas, Casino feels more epic in scope. These people deal with amounts of money that are far beyond what Henry Hill ever got his hands on. The story is also more balanced with its three central cast members in a way that Goodfellas never really did.

Movie Review – The Age of Innocence

The Age of Innocence (1993)
Written by Jay Cocks & Martin Scorsese
Directed by Martin Scorsese

New York City has played a central role in almost every Scorsese film. I think Alice Doesn’t Live Here Anymore, The Last Temptation of Christ, and Cape Fear were the only movies at this point that didn’t take place in and around NYC. Mainstream perceptions about Scorsese probably think he’s most concerned with a specific NYC era, but I’ve found he’s interested in the city at all stages of its development. Other than Temptation, this is the film that had occurred the furthest in the past in the director’s filmography. The movie adapts Edith Wharton’s novel The Age of Innocence, set when New York City had a very prevalent aristocracy with its own subculture of ritual & performance in public. This creates tension between our characters’ relationships and their inner thoughts, and it’s on that tightrope the whole film rests.

Weekly Wonderings – February 22nd

It has been an interesting week since my last wondering—ups and downs with quite a bit of snow for this area on the ground in the meantime. Yesterday we had a big melt, so it’s almost as if it never happened at all. Feeling my writing brain working again but still taking it slowly, I feel the ideas percolating, which is the first step. I’m taking David Lynch’s advice to write everything down. He does a convincing job conveying what it feels like to have had an idea and then lose it. Before we get into all that, here’s the playlist for the week:

TV Review – Moonbase 8

Moonbase 8 (Showtime)
Written by Fred Armisen, Tim Heidecker, Jonathan Krisel, & John C. Reilly
Directed by Jonathan Krisel

On the surface, I should love this show. I’ve been a big fan of Tim Heidecker’s whole career, John C. Reilly is terrific, and I have enjoyed all the Armisen/Krisle collabs (Portlandia, Documentary Now). Krisel has also directed episodes of Tim & Eric Awesome Show, Great Job!, Check It Out! with Dr. Steve Brule and Baskets. All of this is precisely in my comedy wheelhouse, mainly through the 2000s and 2010s. Ultimately, I enjoyed Moonbase 8 but didn’t necessarily love it.

TV Review – Wandavision Episode 7

Wandavision Episode 7 (Disney+)
Written by Cameron Squires
Directed by Matt Shakman

Episode seven of Wandavision reveals many things, but I would argue it is not one of the best-written episodes in the bunch we’ve seen. It’s honestly a little clunky and awkward at moments and clearly was flagged as one to push the plot forward without doing much character development. These sorts of episodes are likely to be the standard from now on in the MCU shows because I doubt they will spend much time letting characters sit around and talk. While I love the reveals we got, it also felt like The Vision’s delay was as much a part of the in-universe mechanisms around Wanda as it was the writers padding out the show to hit nine episodes.

Movie Review – Sator

Sator (2021)
Written & Directed by Jordan Graham

This film is utterly uninterested in hand-holding you through the experience and explaining every little detail through exposition. In that way, it is a perfect example of what cinema does best, telling stories through images. But, it certainly helps to understand the behind-the-scenes story of the production. Knowing those details enhances the experience so that you can understand why it was made this way. I still think there are plenty of mysteries hidden here, but a little history can go a long way when a film is as cryptic as this one is.

Superhero Spotlight – Hawkman

One of D.C. Comics’ most notoriously confusing characters since the 1990s has been Hawkman. He wasn’t always this way, but some decisions during the Silver Age and the wake of Crisis on Infinite Earths convoluted his history to the point editorial banned him from use in the late 1990s. Hawkman recently ended a run written by Robert Venditti that delved headfirst into his backstory, trying to iron out the wrinkles. More on that when I review the series next week. For now, let’s look at Hawkman’s evolution over the years and how he became such a confusing character.

TV Review – The Best of Batman: The Animated Series Part 3

Shadow of the Bat (Season 1, Episodes 57 & 58)
Original airdates: September 13 & 14, 1993
Written by Brynne Stephens
Directed by Frank Paur

Shadow of the Bat does many things and feels like a movie boiled down into weekday afternoon animation. It’s the best modern presentation of Batgirl we’ve ever gotten outside of the comic book, and it really showed how poor she was brought into the films with Batman & Robin. What’s interesting here is how separate & independent Batgirl is from Batman & Robin, the characters. Her origins are born out of a story centered around her, and the established heroes play supporting roles in this two-parter, with Robin being the more prominent of the two, in my opinion.

Movie Review – Cape Fear (1991)

Cape Fear (1991)
Written by Wesley Strick
Directed by Martin Scorsese

Cape Fear came to Martin Scorsese on a trade. Scorsese had been working on Schindler’s List after Steven Spielberg had walked away at first. Spielberg was offered Cape Fear but found the story too violent for his personal filmmaking style. In turn, he offered it to Scorsese, who realized he wasn’t the right fit for Schindler’s List. The result of this switch is that we got a gorgeous remake of the 1961 Cape Fear that leans heavily into the filmmaking territory of Alfred Hitchcock.

Movie Review – Goodfellas

Goodfellas (1990)
Written by Nicholas Pileggi & Martin Scorsese
Directed by Martin Scorsese

Goodfellas is without a doubt one of the most influential films of the last 50 years. I would argue this movie has influenced East Coast Italian Americans’ portrayal far more than Francis Ford Coppola’s Godfather films. While Coppola’s work is concerned with the mythic figures at the top, Scorsese explores the regular working class wise guys who have to hustle every day to make money and stay alive. This makes them incredibly relatable. Audiences will always relate to the guy who’s just trying to get by, then the mafia kingpin at the top. I would say Goodfellas is the best gangster film ever made.