Seth Harris

Movie Review – I, Daniel Blake

I, Daniel Blake (2016)
Written by Paul Laverty
Directed by Ken Loach

Western civilization is nearing its end. Now it could be around for another 100 years or more. I don’t think we’ll see any Roland Emmrich-style explosive finale or Mad Max-ian wastelands ruled by marauders. It’s a sad, pathetic decline where the poor and working people will just be stepped on harder and harder. Cruelty will be further normalized, and society will be conditioned to accept less than crumbs as acceptable. Anyone speaking out who might bring out even a modicum of change will be pilloried and labeled a “hater,” a “traitor,” etc. And you’ll still be expected to keep going to work and paying bills during this collapse. They won’t let a day go by that you aren’t being squeezed like a sponge for all possible labor at the lowest possible wages. The slavery model in American prisons has been quite lucrative.

Comic Book Review – Ultimate Spider-Man Volumes 7 & 8

Ultimate Spider-Man: Irresponsible (2019)
Reprints Ultimate Spider-Man #40-45
Written by Brian Michael Bendis
Art by Mark Bagley

Ultimate Spider-Man: Cats & Kings (2019)
Reprints Ultimate Spider-Man #46-53
Written by Brian Michael Bendis
Art by Mark Bagley

Ultimate Spider-Man goes back into the daily struggle of Peter Parker’s life. He’s still searching for a costume replacement as his last one was shredded. It’s a great reminder that Spider-Man always works best when facing realistic challenges to balance out the fantastic villains that come his way. His relationship with Mary Jane is on the rocks, and he reacts with the sort of demeanor one would expect from a teenage boy, with a lot of immaturity and anger. Despite bearing the moniker Spider-MAN, Peter is still very much a child. That anger translates into an inability to listen to others, such as when Flash Thompson tries to make a connection with Peter, mend fences, and our protagonist blows him off.

Movie Review – Office Space

Office Space (1999)
Written & Directed by Mike Judge

Somewhere between the toil of blue-collar factory workers and the plush offices of Wall Street investment bros lies the mind-numbing drudgery of office work. Cubicles compose a physical and psychological labyrinth of corporate buzz speak. Inane conversations happen in the breakroom while tiny wars pop up between cubicle neighbors over the music volume or the prevalence of personal decor. Mike Judge was inspired by his time as a temp worker and then some time working in Silicon Valley as an engineer. This led to his Milton short films being featured on MTV’s Liquid Television. The success of Beavis & Butthead opened up new opportunities for the filmmaker, and he took this seed of an idea and transformed it into the cult hit Office Space.

Movie Review – Wall Street

Wall Street (1987)
Written by Oliver Stone & Stanley Weiser
Directed by Oliver Stone

Oliver Stone is one of those filmmakers I’ve seen many films from but don’t feel I’ve ever dived deep into his work. I remember being hyper-aware of JFK when it was released and then subsequently referenced in comedy across the contemporary landscape of the time. Riding high off the success of Platoon, Stone wanted to write a script with his film school friend Stanley Weiser about the 1950s quiz show scandal. As ideas were tossed back and forth, the film evolved into focusing on Wall Street and the investment boom of the 1980s. The two writers spent weeks observing at a brokerage firm and pulled on their own connections within the tribe of stock bros. Citing inspirations like Upton Sinclair, Sinclair Lewis, and the satire of Paddy Chayefsky, they ended up with a script titled Greed, later changed to Wall Street.

Movie Review – Blue Collar

Blue Collar (1978)
Written by Paul Schrader & Leonard Schrader
Directed by Paul Schrader

The American automotive industry was once a significant piece of the national mythos. It was born out of the personal legend-making of Henry Ford and kept growing from there. The conflict between the companies and the unions dragged on for decades, a constant tension between workers & management that came to its fatal end with the election of Ronald Reagan, a nail in the coffin of American union power. This was Paul Schrader’s directorial debut, riding high off the acclaim from his screenplay for Taxi Driver. By the end of Blue Collar’s shoot, the filmmaker would have a nervous breakdown and reconsider his career choices. Fueled by a trio of actors with big egos and a strong dislike for each other, Schrader was at the center of a work that would prove chaotic on many fronts.

PopCult Podcast – The Irishman/Martin Scorsese discussion

Few living American film directors have the stature of Martin Scorsese.

Movie Review – L’Argent

L’Argent (1983)
Written & Directed by Robert Bresson

Money is essential for survival in our current system yet is the constant root of many problems. Theft is predicated on taking money from someone or stealing property that can later be sold for money. Homelessness results from not having enough money to afford rent/mortgages. Medical debt continues to explode across the United States. Inflation is driving up the prices of essential goods. As Max Bialystock once said, “Money is honey,” but it’s also a load of shit. Those with money essentially live in a different society from those who do not have it, able to transcend the Law and behave as they please. Those who must toil and labor are slaves to money, never able to take a break from working for more. Robert Bresson was a student of how humanity tortures itself and imposes strictures based on economic class. We saw this in Mouchette earlier this year, as a peasant girl is made to be the object of cruelty for so many.

Movie Review – I Am Cuba

I Am Cuba (1964)
Written by Enrique Pineda Barnet & Yevgeny Yevtushenko
Directed by Mikhail Kalatozov

Capitalism is everywhere. In the wake of the fall of the Soviet Union, capitalism became the dominant economic ideology on the planet. There are only four communist states: China, Cuba, Laos, and Vietnam (North Korea operates under a philosophy of Juche, which while similar in some ways to communism, is not a representation of that system). Capitalist realism became the term to define this post-Soviet era, a play on “socialist realism,” an art style popular during the USSR’s existence. It’s from this constant presence of capitalism in all aspects of life that the phrase “It is easier to imagine the end of the world than an end to capitalism” was coined (attributed to both Frederic Jameson and Slavoj Zizek). So, if capitalism is the all-encompassing economic system of our lives, how is it represented in the media?

Comic Book Review – Ultimate Spider-Man Volumes 5 & 6

Ultimate Spider-Man: Public Scrutiny (2012)
Reprints Ultimate Spider-Man #28-32
Written by Brian Michael Bendis
Art by Mark Bagley

Ultimate Spider-Man: Venom (2011)
Reprints Ultimate Spider-Man #33-39
Written by Brian Michael Bendis
Art by Mark Bagley

In the fifth volume of Ultimate Spider-Man, writer Brian Michael Bendis steps back to focus on Peter Parker even more. While the original Lee/Ditko Spider-Man stories spent much time on Peter’s personal life, Bendis has outdone them. He builds on the readership’s likely background knowledge of the characters to play with expectations and develop them beyond simple archetypes. The Daily Bugle becomes a key feature in this collection, and thus we get to see J. Jonah Jameson clashes with his staff, particularly Ben Urich, who challenges his boss’s view on Spider-Man. In addition, a bank robber is running around town dressed up like Spidey, which gets Jameson salivating over the tabloid possibilities.

Movie Review – Bob’s Burgers

Bob’s Burgers (2022)
Written by Loren Bouchard & Nora Smith
Directed by Loren Bouchard & Bernard Derriman

I was apparently one of the few viewers who watched Loren Bouchard’s Home Movies during its month-long run on UPN in 1999. At the time, I enjoyed the animated series and especially the contributions of H. Jon Benjamin as Coach McGurk. I also briefly remember seeing a few episodes of Science Court on ABC around 1997, also done in the trademark “squiggle vision” of Bouchard’s work at the time. However, when Bob’s Burgers came around, I wasn’t really watching many animated programs; I can’t exactly say why but it just doesn’t appeal to me much. While my wife loves Bob’s Burgers, I’ve watched a few episodes here and there and definitely found them to be funny, but nothing that had me coming back week after week. However, when the film was released, I was interested to see how it translated into a bigger format.