Seth Harris

Comic Book Review – Suicide Squad Volumes Five and Six

Suicide Squad: Apokolips Now (2016)
Reprints Suicide Squad v1 #31-39
Written by John Ostrander, Kim Yale, and Robert Greenberger
Art by John K. Snyder III, Luke McDonnell, Grant Miehm, and Geof Isherwood

Suicide Squad: The Phoenix Gambit (2017)
Reprints Suicide Squad v1 #40-49
Written by John Ostrander, Kim Yale, and David M. DeVries
Art by Geof Isherwood, Luke McDonnell, and Mark Badger

Suicide Squad had an interesting conceit that allowed it to shift the narrative focus every few issues. It was also easy to drop new characters into the book and toss them out when needed, as they were primarily supervillains going through Belle Reve’s revolving door or getting killed on the missions. For the first two and half years of the title, that was how things were, but in the wake of The Janus Directive, it appeared John Ostrander was interested in dramatically shifting what the Suicide Squad would be. Before he can head off in a new direction, though, he has to wrap up loose ends from previous years.

Movie Brain – February 18th, 2022

In 2021, I started getting back into writing fiction again, but I wouldn’t say I produced much. I thought a lot; I revisited LiveJournal and found some ideas I’d shared for stories and never done anything with. The problem with trying to revive my writing was that I was doing it in a vacuum, and so without feedback of any kind, I didn’t have the fuel to keep me going. So in 2022, Ariana and I have made a solid attempt to carve out an hour-a-day minimum to just sit quietly and write. At the end of each month, we’ll pick three things we wrote during that period and share them with each other for critique and workshopping. I think it’s pretty essential to have an audience of some kind when you write. For some people, themselves are good enough, but I just need an external source to give me notes.

Movie Review – The Adventures of Robin Hood (1938)

The Adventures of Robin Hood (1938)
Written by Norman Reilly Raine, Seton I. Miller, and Rowland Leigh
Directed by Michael Curtiz and William Keighley

The Adventures of Robin Hood was unlike anything that had come before and would shape the type of films to come, even today. It was Warner Brothers’ most expensive movie with a $2 million budget. Additionally, it was shot using the first three-strip Technicolor process, a piece of technology that made it stand out against its box office competition. This film used all 11 Technicolor cameras that existed in 1938, which had never been attempted before. At the time, Warner had garnered a reputation for its social issue and low-budget gangster flicks, so something like Robin Hood felt incredibly ambitious for the studio. Once again, the film mimics a Douglas Fairbanks film from the silent era, continuing Errol Flynn’s track of reprising the roles of that actor.

Movie Review – Captain Blood (1935)

Captain Blood (1935)
Written by Casey Robinson
Directed by Michael Curtiz

Michael Curtiz was born Manó Kaminer in 1866 Hungary. His parents were Jews, his father a carpenter, and his mother an opera singer. They were lower-middle class and had times where it was a struggle to put food on the table. Curtiz loved the theater as a child and even constructed a tiny stage in his family’s basement when he was 8 years old. After high school, he joined a traveling theater troupe and performed throughout Europe. At age 26, Curtiz took his first theatrical directing gig and even fenced on the Hungarian Olympic Fencing team that year. Just a couple years later, World War I would pull young men into a brutal conflict, including Curtiz. From there, he was carried to a burgeoning film scene in Germany, where Curtiz truly learned the craft. In 1926, he came to the United States and began directing for Warner Brothers. That filmmaking partnership would span 28 years and 86 films, some of which are the most acclaimed films of the era. With 1935’s Captain Blood, Curtiz would see his star soar and the best work of his career just beginning.

PopCult Podcast – The White Ribbon/Films of Michael Haneke

Ariana & Seth have a new episode focused on one of the great living directors.

Movie Review – The Empty Man

The Empty Man (2021)
Written & Directed by David Prior

If you were unaware of this film or saw the title in 2021 and kept walking, I wouldn’t think less of you. There has been a bizarre dichotomy in the horror of slow-burn art house fare and throwaway On-Demand garbage in recent years. The mid-tier horror film, much like mid-tier movies in general, feels somewhat lost. The recommendation of the Red Letter Media guys caused me to search out this picture and give it a view. I can honestly say I really enjoyed myself. This isn’t groundbreaking but does actually have a filmmaker thinking carefully about each scene resulting in some astounding cinematography and stylistic flourishes at moments. The story is also very unconventional, told in a manner that will have the audience wondering how the narrative will shift and change next.

Comic Book Review – Suicide Squad Volumes Three & Four

Suicide Squad: Rogues (2016)
Reprints Suicide Squad v1 #17-25, Annual #1
Written by John Ostrander (with Kim Yale and Larry Ganem)
Art by Luke McDonnell, Graham Nolan, Peter Krause, Keith Giffen, and Grant Miehm

Suicide Squad: The Janus Directive (2016)
Reprints Suicide Squad v1 #26-30, Checkmate #15-18, Manhunter #14, Firestorm #86, and Captain Atom #30
Written by John Ostrander (with Paul Kupperberg, Kim Yale, Cary Bates, and Greg Weisman)
Art by Grant Miehm, Steve Erwin, Rick Hoberg, John K. Snyder III, Pablo Marcos, Doug Rice, Tom Mandrake, and Rafael Kayanan

The first year and a half of Suicide Squad had writer John Ostrander figuring out what the book would be. This means several cast members rotate in and out, never having clear arcs. By this point, the core members of the group were established. Amanda Waller. Rick Flag. Bronze Tiger. Deadshot. Nightshade. Captain Boomerang. There were recurring team members like Nemesis, Shade, Duchess, and others, but they didn’t quite reach the level of development seen in these characters. “The Nightshade Odyssey” brought some science fiction dimension-hopping to the book, but Ostrander pulled back on that quite a bit and decided to center his stories in the global political sphere.

Movie Review – Cache [Hidden]

Cache [Hidden] (2005)
Written & Directed by Michael Haneke

Cache is a film nestled in modern French history, specifically the Algerian War. The French right-wing was becoming aggressive towards Algeria in the early 1960s. Algeria had been a colony since the mid-1800s, and its citizens had become tired of their abuses at the hands of the French. In October of 1961, the FLN, a nationalist political party in Algeria, called on their emigres in Paris to participate in a march. The police prefect Maurice Papon, who served in Vichy France, called on the police to take aggressive action against these protestors. The result was 200 Arab people being drowned or shot to death in the Seine. French authorities hid evidence and suppressed investigations in the wake of the massacre. At the time, only three deaths were admitted. By 1998, when reporters were given access to archives, the total death toll became clear.

Movie Brain – February 11th, 2022

Since coming to the Netherlands, I’ve been grateful to have about half a dozen experiences with “magic truffles.” These are sclerotia (kind of like the “fruit”) of Psilocybin mushrooms, so you get the same effects as when consuming shrooms. These are legal, but regular Psilocybin mushrooms are not because of an American tourist who didn’t regulate their intake well and ended up drowning in a canal in Amsterdam. That’s one American stereotype I don’t feel I adhere to, but I can’t argue with Dutch people about it. Americans are so repressed that they gorge themselves when they have access to something considered a vice. Look at food, alcohol, sex, the list goes on. My experience with magic truffles has been really positive because I like to read a lot before taking a drug and understand the best practices to have an optimal experience.

Movie Review – Time of the Wolf

Time of the Wolf (2003)
Written & Directed by Michael Haneke

Throughout his career, Michael Haneke has been interested in how the media will present information or events versus what experiencing those same things would be like. He’s often pointed to the screen as a filter that blocks humanity’s perceptions of the actual emotional weight of trauma. Frequently Haneke protects his audience from the sight of violence but uses sound to make sure they do not forget the pain inflicted on a person. Time of the Wolf reads as a response to apocalypse-porn popularized by director Roland Emmerich starting with the blockbuster Independence Day. These ends of the world are almost always bombastic, full of massive explosions, and ending with humanity triumphing somehow. Haneke refuses to leave it like that, and so he went about making his own film.