Seth Harris

Movie Review – Alice Doesn’t Live Here Anymore

Alice Doesn’t Live Here Anymore (1974)
Written by Robert Getchell
Directed by Martin Scorsese

Interestingly, the popular perception of Martin Scorsese is as a director of macho gangster pictures. Yes, he has made a considerable number of them, but after Mean Streets, it wouldn’t return that world until 1990’s Goodfellas. Instead, he showcased a genuine love of the cinema. In the documentary A Personal Journey With Martin Scorsese Through American Movies, it becomes inarguable that the director is most interested in continuing conversation begun in films he watched throughout his life. Alice Doesn’t Live Here Anymore opens with a young girl walking along a country set in a soundstage, which immediately evokes images of Victor Fleming’s The Wizard of Oz. Yet, Scorsese immediately subverts our expectations by having young Alice give an expletive-laden outburst.

TV Review – The Best of Batman: The Animated Series Part 1

With the success of 1989’s Batman and its sequel, Batman Returns, it was clear that Warner Bros. was going to cash on this newfound love for the Dark Knight. One of those ventures was Batman: The Animated Series, which aired on Fox before moving to the WB network for its final season. BTAS exploded on the children’s television scene as nothing else had before. This was not the Superfriends, or the other Hanna Barbara takes on Batman. It also wasn’t exactly a one-to-one match to Tim Burton’s vision of Gotham City. While the series was undoubtedly influenced by the Burton films, it also owed much to the Max Fleischer Superman cartoons of the 1940s. There’s even a strong vein of Hitchcock through the series with its emphasis on the darker aspects of the human heart as well as explorations of the subconscious mind.

Movie Review – Mean Streets

Mean Streets (1973)
Written by Martin Scorsese & Mardik Martin
Directed by Martin Scorsese

Mean Streets was not the first film made by Martin Scorsese, but it certainly is the first Scorsese film. By that, I mean it is the first movie he wrote & directed that begins to explore the themes and types of characters that would turn up in his work for the next nearly five decades to the present. You can see the seeds of future projects like Taxi Driver and Goodfellas beginning to emerge. Scorsese’s signature use of music explodes from the opening scenes, and his ambition far exceeds the modest budget of this film. Mean Streets was a significant sign that new talent was emerging from the 1970s shoestring moviemaking culture, an auteur whose work would resonate for generations.

Superhero Spotlight – Green Arrow

We’ve looked at some characters with wildly convoluted histories, but Green Arrow remains one of the most simple concepts out of DC. Much like Batman and Superman, Green Arrow’s origins have remained relatively unchanged since the Silver Age, just updated with the times as they go. Wealthy playboy Oliver Queen has always been the Green Arrow (save for one brief instant) from his Golden Age origins to the present day. Despite his roots being kept stable, he has been changed mainly to distance himself from Batman, who he certainly came to resemble in those early years.

Movie Review – Last and First Men

Last and First Men (2020)
Written by Jóhann Jóhannsson & José Enrique Macián
Directed by Jóhann Jóhannsson

In 2016, I went to the theater to see Denis Villeneuve’s Arrival. One of the things that stuck with me when the end credits rolled was the haunting score by Jóhann Jóhannsson. Since his first solo album in 2002, the Icelandic composer had already established himself blending traditional orchestra, electronic instruments, and choral elements. Last and First Men would be his only directorial effort. It premiered in early 2020 at the Berlin Film Festival, but Jóhannsson had died in 2018. Toxicology reports showed a lethal combination of cocaine and flu medication in his system. Jóhannsson was only 48 years old.

January 2021 Digest

If you enjoy what you read here on PopCult, please think about becoming a supporter on my Patreon. I want to grow this blog into something special in 2021. To learn more about the exciting reward tiers that let you decide what we will feature check out my Patreon page.

Features
2021 Most Anticipated Films Part 1, Part 2
2021 Most Anticipated Television
State of the Blog 2021 – The First Half
Patron’s Pick – Hook

Weekly Wonderings – February 1st, 2021

A new month means some new series on the blog. I’d normally post my Weekly Wonderings today, but because it’s February 1st those wonderings will be centered around what is coming up on PopCult this month. And another chance to push my Patreon, which I want to grow just because I really liked my first Patron Pick last month and wish I had more people requesting films like that. But before we get into the look ahead, here is the weekly Spotify playlist for your listening pleasure.

Movie Review – Jindabyne

Jindabyne (2006)
Written by Raymond Carver and Beatrix Christian
Directed by Ray Lawrence

In 2006, sixteen Australian films were released worldwide, one of the largest international surges of movies from that country. Lawrence’s picture is a quiet one, very mature in its storytelling. He’s clearly comfortable telling stories in his own way, letting moments breathe. It’s quite different from the more commercial style editing of Bliss. Obviously, Lawrence was closer to his beginnings in advertising then, so he told stories in that mode. With 21 years between Bliss and Jindabyne, he’d changed as an artist aesthetically, but this picture finds Lawrence still exploring the conflict of personalities in intimate relationships.

Movie Review – The Little Things

The Little Things (2021)
Written & Directed by John Lee Hancock

Noir is a genre that can be better than anything else when done right but can crash and burn miserably when all the elements fail to come together. The Little Things doesn’t get noir right. It certainly has some great aspects, but it sputters out when it comes time to put everything together. If this had been a purely theatrical release, I would have skipped it, but because it was offered on HBO Max, I was willing to give it a try. The trailer is intriguing enough and provides a hint of a good mystery with some brooding protagonists. Yet, when I saw Jared Leto come on the screen, I had to worry if it would prove to be a disaster.

TV Review – Wandavision Episode 4

Wandavision Episode 4 (Disney+)
Written by Bobak Esfarjani and Megan McDonnell
Directed by Matt Shakman

I’m going to be a little snarky here. I am genuinely baffled by people on social media acting surprised or wondering what the twist in Wandavision is. I don’t feel like the show has hidden much from us that can’t at the least be easily inferred. I may be biased because I carved out a large chunk of dedicated brain space for comic book knowledge & tropes long ago. Everything we have seen so far, including this most recent episode, feels is telegraphing the plot beats to the audience. It felt obvious to me who the villain was in this mini-series from the second episode or so.