1970s – Page 2 – PopCult Reviews

Movie Review – Salo, or The 120 Days of Sodom

Salo, or the 120 Days of Sodom (1975)
Written by Sergio Citti
Directed by Pier Paolo Pasolini

His body was nearly unrecognizable when it was found on a beach in Ostia, near the edges of Rome. Pier Paolo Pasolini had been savagely beaten and run over multiple times with his own car. Additionally, the director had his genitals crushed with a metal bar and had been doused in gasoline and set ablaze. He was 53 years old when his life was taken. He hadn’t started making movies until he was 35, having helped write dialogue for Federico Fellini’s Nights of Cabiria. Fellini brought him back for the La Dolce Vita script. Before films, Pasolini was known as a poet & a painter, both finding a potent presence in his cinematic work. His murder appeared to have been part of an extortion attempt by the mafia, stealing reels of Salo and demanding large sums of money in return. There was certainly hate behind it, too.

Movie Review – The Devils

The Devils (1971)
Written and directed by Ken Russell

They don’t make movies like this anymore, but I wish they did. The Devils was a Warner Brothers production based on the stage play of the same name, which in turn was based on the Aldous Huxley novel The Devils of Loudon. 1971 was a very fruitful year for director Ken Russell. This was released alongside The Music Lovers, a Tchaikovsky biopic, and The Boy Friend, a 1920s period musical starring Twiggy. These weren’t his first films, but they did come after his picture Women In Love garnered Russell Golden Globes and Oscars nods. In classic Ken Russell fashion, The Devils is not adhering closely to the tropes associated with the genre – in this instance, historical drama. It is a wild experience, visceral and hallucinatory, aided by the production design of the great Derek Jarman.

Movie Review – Martin

Martin (1977)
Written and directed by George A. Romero

While most know George Romero as the director of the zombie films Night of the Living Dead, Dawn of the Dead, and Day of the Dead, he also made other films during the 1970s. Between 1968 and 1978, Romero wrote and/or directed five non-zombie films, including a romantic comedy. Most of his interests stayed firmly in horror, and of these pictures, Martin is the one you’re most likely to hear about, and for good reason. Having seen only three Romero pictures to date, I can say Martin is the one that kept my attention the best. It is a character study and vampire movie that plays with our perceptions by centering us entirely in the mind of the protagonist, who is definitely a murderer but may also be a literal monster.

Movie Review – House

House (1977)
Written by Chigumi Obayashi and Chiho Katsura
Directed by Nobuhiko Obayashi

Following the phenomenal success of Jaws at the box office, Japanese film studio Toho went to Nobuhiko Obayashi and proposed he develop a similar script. Obayashi was an odd choice. His filmmaking career focused on personal, avant-garde experimental movies and TV ads, not big commercial hits. The director discussed the script with Chigumi, his preteen daughter, positing that telling everything from an adult perspective is limiting for films. From young Chigumi, he got several of the set pieces that would end up in House, including a mirror attacking the audience and a house eating a girl. The final product doesn’t have much in common with Jaws, but it is a film you won’t forget after watching it.

Movie Review – The Wicker Man

The Wicker Man (1973)
Written by Anthony Shaffer
Directed by Robin Hardy

I had seen the Nicolas Cage-led sequel in all its wild, camp glory but had never watched the film that inspired it. With it being October – the spooky month – I decided to kick off my Horrorpalloza 2024 with The Wicker Man. Before I even watched the film, I knew of the ending decades ago thanks to a Bravo series about the scariest movie moments. I wondered what knowing the protagonist’s fate would do with my thoughts on the film, but thankfully, there was so much of this movie I didn’t know about that I never felt deprived of surprises. It’s a movie that clearly inspired so many more films in the folk horror genre and still holds up after fifty-one years.

Movie Review – Wanda

Wanda (1970)
Written and directed by Barbara Loden

The Actors Studio was founded in 1948 by Elia Kazan and his associates. The building in Hell’s Kitchen, New York, became a training ground for many of the mid-century’s greatest American actors, with Marilyn Monroe and Marlon Brando as two of the most notable. There are a host of character actors that developed their craft here as well. The most prevalent style of American acting from the late 1940s through 1980 directly resulted from what happened in this place. Barbara Loden was one of those people to hone their skills in the Studio. She would make a name for herself on the Broadway stage, winning a Tony Award for her performance in Arthur Miller’s After the Fall. In 1970, she wrote, directed, and starred in Wanda, an independent feature that earned her the description of “female counterpart to John Cassavetes” by the New Yorker.

PopCult Podcast – The Crow/Opening Night

We go retro this episode to look at two old releases. The first is a 90s Goth cult classic that has recently been remade. The second is a premier performance from the late, great Gena Rowlands.

TV Review – The Sympathizer

The Sympathizer (2024)
Written by Park Chan-wook, Don McKellar, Naomi Iizuka, Mark Richard, Maegan Houang, and Anchuli Felicia King
Directed by Park Chan-wook, Fernando Meirelles, and Marc Munden

The portrayal of communism in Western media is fraught with contradiction. It has to be because to honestly present communism would mean capitalism would be critiqued in detail. Part of the ongoing American imperialist project is ensuring no cogent critiques of the dominant economic system happen. This means when communism is presented, it is always a brutal internment camp where people are tortured. This disregards the fact the United States has and continues to operate brutal internment camps where people are tortured. It seems that this behavior isn’t inherent to communism but something people seem to do regardless of the economic system they live under. While The Sympathizer starts out strong, its lead director steps aside three episodes in, and a very neoliberal centrist viewpoint leaves it as an imperfect creation.

Movie Review – The French Connection

The French Connection (1971)
Written by Ernest Tidyman
Directed by William Friedkin

It’s not the story that compels you to keep watching. It’s the lead performance by Gene Hackman. It’s the bleak atmosphere of a decaying New York City. It’s the sense that no matter how this turns out, no one really wins. The rot will just keep spreading. Reactionary cinema had its Golden Age in the 1970s. Most of those depicted the rogue cop or the street vigilante as a bastion of “real justice,” pushing aside those pesky civil rights laws to “get the job done.” You might lump The French Connection in with something like Dirty Harry, but that would be a mistake. Dirty Harry revels in Callahan’s sadism and hatred of pretty much all humanity. Popeye Doyle is not someone we’re meant to admire. He’s an animal we’re observing who stalks and hunts vulnerable prey, invoking the Law as his justification. He doesn’t care about the Law, though. This is about ego.

Movie Review – The Conformist

The Conformist (1970)
Written and directed by Bernardo Bertolucci

Time and again, people in the States seem to conflate fascism with iconography. Yes, that is undoubtedly a piece of the ideology, but its believers are clever enough to know that continuing to wear swastikas and black leather while goosestepping isn’t going to sow seeds anymore. The danger of fascism is how much like the mundane & ordinary it can appear. This is where “I was just following orders” emerges from. You can be a mild-mannered civil servant, just signing the papers across your desk and filing them correctly. Nothing wrong with that, right? If those papers are in connection to greenlighting death camps or murdering political dissidents, then it doesn’t seem like you are “just doing your job.” You are carrying water for a type of thought that seeks to annihilate every last atom of humanity in us.