1980s – Page 3 – PopCult Reviews

Movie Review – Barefoot Gen

Barefoot Gen (1983)
Written by Keiji Nakazawa
Directed by Mori Masaki

The moment when the bomb drops in Barefoot Gen shakes you. The film does an excellent job presenting itself as a slice of life initially. We follow a Japanese family. Learn their relationship dynamics. The parents discuss worries about the future. Mom is pregnant. Dad feels powerless in this fascist society. The kids argue & play. Then, without warning, the world turns into Hell. Flesh melts off bone. People are crushed to death. Some keep living, and we wonder if it might have been better if they died. You start to think about how little we’re taught in the United States about what happened after the bomb was dropped beyond “the end of the war.”

Movie Review – The Atomic Cafe

The Atomic Cafe (1982)
Written and directed by Kevin Rafferty, Jayne Loader, and Pierce Rafferty

The context of the atomic bomb at its inception is not the same as it was viewed by the public two decades later. Our relationship with this weapon of mass destruction continues to evolve. We no longer have children practice “duck and cover” drills under the fear that the Soviets or their allies might launch nukes on the United States. Those drills weren’t really about protecting anyone if a bomb was dropped. We can look at what happened to Hiroshima and Nagasaki to see that our buildings would be of little protection to anyone. Those drills were about instilling fear of communists in the population. This is quite ironic, as no communist nation has ever dropped an atomic weapon on a civilian population. That “honor” is held by one country on this planet, and they did it twice.

Movie Review – The Adventures of Baron Munchausen

The Adventures of Baron Munchausen (1988)
Written by Charles McKeown and Terry Gilliam
Directed by Terry Gilliam

I was obsessed with Terry Gilliam’s Brazil as a college undergrad. It was the first time I saw it, and right away, I found the imagery to be spellbinding. I’ve cooled immensely since that time on Gilliam’s work. I find most of it to be incredibly inventive yet frustratingly messy. Some comments he’s made have also caused me to see him as a filmmaker I’m not too keen on following. The first film of his I saw was Time Bandits when I was a kid, and it left an indelible mark on me. I remember seeing commercials for The Adventures of Baron Munchausen and desperately wanting to see it. However, it was never an option when renting movies at the video rental store. Finally seeing the film, reminded me that, like all of Gilliam’s work, there is tremendous artistry here, but it is hindered by a lack of consistency.

Movie Review – The Last Unicorn

The Last Unicorn (1982)
Written by Peter S. Beagle
Directed by Arthur Rankin Jr. and Jules Bass

I grew up with a very inconsistent standard of what I could and could not watch because of my parents’ reactionary right-wing Christian beliefs. He-Man? It was not allowed because he called on the power of Greyskull, not Jesus. Lord of the Rings and the Chronicles of Narnia? Perfectly fine because it was some sort of metaphor for Jesus. The Last Unicorn was one of those movies that would air around Easter or Thanksgiving on television. I would catch promos for it but was never allowed to watch because it was “of the Devil.” By the time my youngest siblings reached high school age, my once religiously dogmatic parents had abandoned these strictures but still kept them in their pockets as a cudgel to judge other people. So, after all these decades, I finally got to see The Last Unicorn, and it was, um…okay.

Movie Review – The NeverEnding Story

The NeverEnding Story (1984)
Written by Wolfgang Petersen and Herman Weigel
Directed by Wolfgang Petersen

This movie is a formative piece of many of my peers’ childhoods. I think I saw it twice as a kid. I remembered parts of it vividly, but The NeverEnding Story was never a picture I sought out or felt a strong connection with. That is odd because I was also a child who spent much time alone and read many books. You would think much of the story would resonate, but it did not. I think revisiting the movie as an adult made me appreciate it more, though I could see the weak points more vividly now, too.

Movie Review – Conan the Barbarian

Conan the Barbarian (1982)
Written by John Milius and Oliver Stone
Directed by John Milius

In 1932, pulp writer Robert E. Howard began to pen the tales of Conan, a barbarian fighting in an ancient time of magic. He’d write 21 Conan stories before his tragic death by suicide at the age of 30. The trademark for the character passed through several hands over the following decades, leading to numerous reprints of the original stories and new authors adding to the mythos. Marvel Comics acquired the license in the 1970s, leading to Conan finding his widest audience yet. During much of this time, John Milius had been a fan of what he read. This would lead to a film adaptation that was undeniably made by people who loved the source material.

Movie Review – Dragonslayer

Dragonslayer (1981)
Written by Hal Barwood and Matthew Robbins
Directed by Matthew Robbins

Genre films have always existed in cinema, but it wasn’t until the breakout surprise success of Star Wars that these spectacles gained increased budgets and audiences. Dragonslayer was the second collaboration between Disney & Paramount Pictures. Their first was the Robert Altman-directed Popeye, a film that did not end up how the companies had hoped but which has found a robust cult following in the decades that ensued. The special effects are handled by Industrial Light and Magic, which marks the first use of these special effects outside of a Lucasfilm production. Derek Vanlit, the cinematographer responsible for 1979’s Alien, is behind the camera here, adding rich texture to the screen. The result was a film that was a fun fairy tale/adventure but failed to find an audience, likely because it was up against Raiders of the Lost Ark that summer.

Comic Book Review – Batman: A Lonely Place of Dying & The Caped Crusader Volume Three

Batman: A Death in the Family (2011) – “A Lonely Place of Dying”
Reprints Batman #440-442 and New Titans #60-61
Written by Marv Wolfman
Art by Jim Aparo, George Perez, and Tom Grummet

Batman: The Caped Crusader Volume Three (2019)
Reprints Batman #445-454, Detective Comics #615, and Batman Annual #14
Written by Marv Wolfman, Alan Grant, Andrew Helfer, and Peter Milligan
Art by Jim Aparo, Norm Breyfogle, M.D. Bright, Chris Sprouse, and Kieron Dwyer

In November 1988, Jason Todd, the second young person to hold the title of Robin, was murdered by the Joker in the pages of Batman. In March of that same year, The Joker shot & paralyzed Barbara Gordon (Batgirl) and kidnapped & tortured her father in the one-shot graphic novel The Killing Joke. Things had taken a dark turn for Batman. Tim Burton’s 1989 feature film furthered that with a Gothic, haunting version of the character and his world.

Comic Book Review – Batman: The Dark Knight Detective Volumes Two & Three

Batman: The Dark Knight Detective Volume Two (2018)
Reprints Detective Comics #583 – 591 and Annual #1
Written by John Wagner, Alan Grant, Lewis Klahr, Steve Piersall, and Denny O’Neill
Art by Norm Breyfogle, Dean Haspiel, and Klaus Janson

Batman: The Dark Knight Detective Volume Three (2020)
Reprints Detective Comics #592 – 600
Written by John Wagner, Alan Grant, Sam Hamm
Art by Norm Breyfogle, Irv Novick, Eduardo Barreto, Denys Cowan

Unlike Superman, Batman didn’t have a hard reboot following the continuity shuffling Crisis on Infinite Earths. Superman got a stand-alone mini-series, Man of Steel, that retold his origins and reshaped his supporting cast. Batman did get Frank Miller and David Mazzuchelli’s Year One arc, but it didn’t wipe the slate clean like DC did with Superman. Superman also had a reasonably solid writing team during this period, helmed by John Byrne and Roger Stern. Batman has creative teams rotating in and out on his two monthly books in shorter runs.

Movie Review – Ernest Saves Christmas

Ernest Saves Christmas (1988)
Written by B. Kline and Ed Turner
Directed by John Cherry

Ernest made his film debut in Goes to Camp in the summer of 1987. By Christmas 1988, his second feature was in theaters. Ernest Saves Christmas is my personal favorite of the series. I think it understands some things about Ernest that many other films, especially the post-Touchstone movies, don’t seem to understand. Between these two films, we saw the airing of Hey Vern, It’s Ernest, a CBS Saturday morning kids show in the vein of Pee-Wee’s Playhouse. Varney played Ernest plus other characters, the cameraman as Vern was continued, and Chuck & Bobby were brought into the canon. This has all the elements you expect, which is why I was surprised as I watched the rest of the franchise and realized certain things like this is the only film Vern appears in.