Servant Season 1 (Apple TV+) Written by Tony Basgallop Directed by M. Night Shyamalan, Daniel Sackheim, Nimrod Antal, Alexis Ostrander, Lisa Bruhlmann, and John Dahl
A few months ago, I posted reviews of the first episodes of a handful of Apple TV+ shows, and overall I wasn’t very impressed. The entire slew seemed very derivative of already popular shows from the past (The Newsroom, Game of Thrones, etc.). I was intrigued by Servant, a horror series produced by M. Night Shyamalan. Despite my intense disappointment with that director’s recent output, I figured he was producing so he couldn’t screw the show up too badly. The first couple episodes were a little rough going, it took some time to get a feel for the tone the series was going for. By the end of the season, they had me hooked, and I am ready for season two to get here.
So there were a few more movies coming in 2020 that are worth mentioning. Extremely excited for these.
Annette (TBA, directed by Leos Carax) Leos Carax gave us the remarkable Holy Motors in the last decade. He looks to kick off this one with a musical starring Adam Driver and Marion Cotillard. Plus, this will be Carax English-language debut. Driver plays a stand-up comedian married to a world-famous opera singer, plated by Cotillard. They give birth to a daughter who has some unique ability. My guess is that it will have something to do with her voice?
2019 was a year of changes with the shutting down of Google+, a venue where I grew the current iteration of the blog starting back in 2015. My views recovered and they grew by 3% from the previous year. I had my longest consecutive streak of 1,000+ views per month (June through November). Here’s what I have planned looking ahead into a new decade.
The Grudge (January 3, directed by Nicolas Pesce) I quite enjoyed Nicolas Pesce’s 2016 horror flick The Eyes of My Mother. It was disturbing and gory in just the right ratio for me, there wasn’t an over-reliance on the violence, and when it happened, you definitely felt the impact. I didn’t realize he was directing the reboot of The Grudge, which makes me much more interested to see the film than before. If Pesce is allowed to inject some of his own style into this picture, it could rise above a throwaway January release. It also helps that Andrea Riseborough (Birdman, Mandy) has a prominent role, and she always does a great job.