Written by Oleg Negin & Andrey Zvyagintsev
Directed by Andrey Zvyagintsev
Zhenya and Boris are in the final days of their acidic and hateful marriage. When they are forced to be around each other in their Moscow apartment, they fill the bitter silence with mouthfuls of venom spewed at each other. One thing that is agreed upon is that their twelve-year-old son Alyosha is going to be sent to a “boarding school” that will primarily act as an orphanage. Zhenya wants to move on with to her new life with an older, wealthy and established man while Boris has already gotten his twenty-something girlfriend pregnant. Alyosha is destined to be forgotten. One morning, Zhenya discovers that their son hasn’t been to school in two days and appears to have not been in the apartment during that time either. They realize he is missing and contact authorities. The subsequent search forces these two hate-filled people to spend hours together, but don’t expect a reconciliation.
Continue reading “Movie Review – Loveless”
Come and See (1985, dir. Elem Klimov)
As we get older, we’re told our views on life will change. That is a somewhat accurate assessment I’ve found. However, as I was told by older people I would become more conservative in my thinking as I aged, I discovered the opposite to be true, at least in the sense they implied. One thing I have become very conservative about is the act of war, conservative in the sense I abhor it. I find people who have a war hawkishness about them to be very liberal about the deployment of soldiers and the dropping of bombs. I am thankful that I have never had to personally experience war and have great sympathy for those who have taken lives and had lives taken from them. I cannot fathom the trauma a person carries with them in the wake of that experience. Come and See is possibly the best war film ever made in my opinion because it is directly about that trauma.
Continue reading “Movie Review – Come and See”
Lilya-4-Ever (2002, dir. Lukas Moodysson)
Starring Oksana Akinshina, Artyom Bogucharsky, Pavel Ponomaryov
A young girl, face swollen with bruises, cut across her lip, runs through the overcast streets of an anonymous European city. The streets are littered with refuse; broken bottles, crumpled and empty chip bags. She stops on an overpass and stares down at the cars zooming by below. This is how director Lukas Moodysson introduces us to Lilya, an 16 year old Estonian girl trying to overcome a hopeless existence she was born into and unlikely to get out of. Moodysson is grabbing the audience by the scruff of the neck and forcing them to watch this very real tragedy unfolding before their eyes.
Lilya’s mother and stepfather are leaving Estonia, but promise they will send for her once they are settled there. As soon as they leave, Lilya’s aunt claims the girl must leave the flat she shared with her parents for a smaller, more affordable apartment. She ends up in a rundown tenement and befriends Volodya, a boy thrown out of his house by his parents. Lilya is tempted into prostitution as her money and hopes dwindle down. Eventually, she meets Andrei, a man who shows genuine interest in her and gives her hope of leaving this place where she has no chance to better herself.
The film feels completely honest in its characters and the universe it builds around them. Lilya feels painfully real and could be one of millions of teenagers in any country across the globe living in abject poverty. The film doesn’t leave anyone out as responsible for the situation either. The entire system in place to protect children like Lilya is a farce. Teachers ridicule her intelligence so its no surprise she has no interest in finishing school. Her parents abandon her and her only relative, her aunt, dumps her on her own with no money or food. Every adult she comes in contact with wants to use her for sex or abandon her. Its no surprise that she resorts to prostitution as a means to survive. What is interesting is how her mother and her aunt are also sympathetic in their own ways. The women in this culture are fighting to survive, they may have to hurt another in the process, but they have been conditioned to fight tooth and nail. Even Lilya ends up committing the same betrayal when she has an opportunity to leave Eastern Europe.
Lilya-4-Ever could just as easily be remade in the United States and feature the oft vilified Hispanic population. Immigrants are people looking for hope that their homeland couldn’t provide. They fall into crime many times because they are reaching out for anything to hold onto so they don’t sink further. What is most touching about the film are the dream sequences Lilya has in the days where life has gotten the worst. She dreams of having wings, righting the wrongs she made in her past, fixing her life so none of this has happened. That painful regret is what tears at you the most in the end, and breaks your heart to see a life of such potential destroyed.