satire – PopCult Reviews

31 Days of Character Creation #9 – Cabal

Cabal is a game where the character is the evil corporation you create. Employees are assets the company moves around to work towards its nefarious agenda. Essentially, if you want to play a mix of Succession with horror elements, you have found the game for you. Here’s how Cabal is described on its Kickstarter page:

Cabal is an RPG that works in reverse to the way tabletop RPGs usually function. Instead of each player creating their own character, you create a single character between you. This character is an organisation with its own secret plan and goals. It might be a conspiracy, a corporation, an activist group, an occult society of magicians or even a collection of hidden alien refugees. The size, influence, resources and pawns of the group depend entirely on what attributes the players choose between them for the organisation.

Movie Review – Heathers

Heathers (1989)
Written by Daniel Waters
Directed by Michael Lehmann

Screenwriter Daniel Waters originally envisioned Stanley Kubrick directing the screenplay he wrote while working at a Los Angeles video store in 1986. The initial script was three hours long, and the opening cafeteria scene, added in subsequent drafts, was meant to be an homage to the opening barracks scene in Full Metal Jacket. Well, Kubrick didn’t make Heathers, though I am fascinated by what the film would have been like. It is still a fantastic movie, a satire dripping with the most acidic venom toward its targets, a mockery of everything white, suburban, and middle-class in America.

Movie Review – To Be Or Not To Be

To Be Or Not To Be (1942)
Written by Edwin Justus Mayer
Directed by Ernst Lubitsch

When To Be Or Not To Be was released in theaters, the public wasn’t sure how to feel. It was a film about Europe under the control of the Nazis, but it was also a comedy. Beloved comedian Jack Benny was even dressed up as one as part of a complex plan to trick the Nazis. Benny’s father walked out of the theater in disgust, seeing his son wearing that uniform. Eventually, the actor’s father was convinced to return and ended up watching this film 46 times over its run in theaters. However, some critics found the film to be in bad taste, especially a scene where Benny shaves a dead Nazi to help keep the ruse going. They also felt the film’s setting, Warsaw, made light of the bombing of that city. Lubitsch would always emphasize that his goal was to mock the ideology of Nazis while poking fun at the often shallow nature of actors. I would argue he accomplishes both things exceptionally well.

PopCult Podcast – Do Not Expect Too Much From the End of the World/Dad & Step-Dad

A whirlwind day in the life of a Romanian woman hustling & grinding to stay afloat. A lazy weekend with two men concerned with the upbringing of a son they share. These strange films make up the podcast this week.

Movie Review – Naked

Naked (1993)
Written and directed by Mike Leigh

For those not alive in the 1990s, a specific element is difficult to recapture. Due to a simplistic view of numbers, many people felt doom & gloom over the fact that the calendar would one day soon start with “20” rather than “19.” It sounds quaint compared to today’s world, where nothing seemed entirely significant about “2020” until there was. I do think the Cold War fueled many of the anxieties of the 1980s and preceding decades, but with “communism defeated,” you’d think the children of the West would be enjoying an endless capitalist bacchanal. It wasn’t the case because capitalism was spiraling; it was a long journey from the edge of the sink to the bottom. Mike Leigh was feeling that gloom; the conservative Thatcher era in the UK had left so many people barely holding on by a thread, and with that economic crush, they were becoming nastier to each other.

Movie Review – Xala

Xala (1975)
Written and directed by Ousmane Sembène

In the mid-15th century, the Portuguese landed on the shores of Senegal and began a centuries-long occupation that included the British, the Dutch, and the French. It would not be until 1958 that Senegal declared its independence and merged with French Sudan to form the Mali Federation. That would not last long, and by 1960, they went back to their individual states. The process of decolonization is not quick & easy. When the colonizers withdraw, there is still tremendous work to do, a lot of which centers around removing the ideologies & ways of doing imposed on the colonized people by their occupiers. Ousmane Sembène is keenly aware of this, and in his film Xala, he produces an angry screed at how Western capitalism is allowed to fester in the systems of the post-colonial African people.

Movie Review – Mandabi

Mandabi (1968)
Written and directed by Ousmane Sembène

Despite the brutal French colonial presence in Senegal, most Senegalese do not understand or speak French. This led Ousmane Sembène to want to make a film entirely in the indigenous tongue of Wolof. Like most of Sembène’s work, it was almost lost to us. Film prints were locked away in vaults in France. Sembène’s son, Alain, and filmmaker Martin Scorsese worked together, slogging through bureaucratic hell to get the films in their hands for restoration.

Comic Book Review – Parasocial

Parasocial (Image Comics)
Written by Alex de Campi
Art by Erica Henderson

The other day, I was looking over the upcoming DC Comics solicitations and realized something. I am old now. I just looked at the covers, the blurbs for stories they were announcing, the lead-ups & preludes to the next big event, and I thought, “Boy, am I tired.” I know part of this is that the writers that are up and coming in comics right now are, for the first time, my age or younger than I am. It was an inevitable point I would reach one day, but experiencing it is still strange. Having grown up reading comics written by mostly Baby Boomers, there’s a particular style & tone I’m used to. It’s not better than what is new; it is just different. When I read something like Parasocial, I have mixed feelings – I like a lot of the ideas, but the execution is not what I expected, so I’m left feeling ambivalent.

Comic Book Review – The Flintstones Deluxe Edition

The Flintstones Deluxe Edition (2022)
Reprints The Flintstones #1-12 and Booster Gold/Flintstones Special
Written by Mark Russell
Art by Steve Pugh and Rick Leonardi

You might see a Flintstones comic book and think it’s some kiddie fare not worth your time. I thought that too in 2016 when I saw DC Comics was publishing it as part of a line of Hanna Barbera books. I was utterly wrong. In my opinion, this is one of the best comic book runs DC has published in over a decade. Writer Steve Pugh delivers a stunning satirical analysis of life in the United States using the Flintstone family and the world of Bedrock. This book left me wondering why The Flintstones has yet to be rebooted as an animated series in this style. That would be stunning.

Movie Review – The Player

The Player (1992)
Written by Michael Tolkin
Directed by Robert Altman

Robert Altman has been one of my favorite directors since I first learned of him in college. I’d known of his movies, the Robin Williams-led Popeye, especially as a kid. It’s hard to nail down precisely what appeals to me about Altman, but his signature of having large, sweeping ensemble casts is one of them. While his stories might have a protagonist, they are not who the film is entirely about. Altman loves to let his camera wander like an eye, using advancements in sound recording to give the audience snippets of conversations. It’s the voyeurism of Hitchcock paired with a California pothead vibe. The Player couldn’t be a more perfect film for the director, who had struggled through the 1970s and 80s with a contentious studio system. Altman’s loose narratives and penchant for being over budget made the executives & accountants fume.