TV Review – The Best of The Twilight Zone Part 1

The Twilight Zone was not the first anthology of the fantastic, but it has gone down as the most memorable and best-written one. That writing was due in part to Rod Serling setting the standard. Rod Serling looked pretty “square,” but he was a political radical, virulently anti-war and firmly in support of racial equality. He made sure that his anthology told stories relevant to what was happening in the society around his viewers. Serling’s wife, Carol, remarked that he would often say, “the ultimate obscenity is not caring, not doing something about what you feel, not feeling! Just drawing back and drawing in, becoming narcissistic”. So you can see that Serling felt compelled to not just entertain but educate whether audiences wanted it or not. 

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Movie Review – A Clockwork Orange

A Clockwork Orange (1971)
Written & Directed by Stanley Kubrick

Stanley Kubrick has no shortage of controversy in his filmmaking career, and probably the most incendiary of his films is this adaptation of Anthony Burgess’ 1962 satirical novel about a violently out of control youth culture. In reflecting on my rewatch of this movie in the context of Kubrick’s body of work, I think it is shortsighted by people who are offended by the picture to push it aside so brusquely. The director has composed a movie that sits as a discomforting companion piece to Paths of Glory, asking some tough questions and making sure that our contemplation of these inquiries is not an easy task. The most important aspects of our society should be very hard to address and tackle.

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Movie Review – 2001: A Space Odyssey

2001: A Space Odyssey (1968)
Written by Stanley Kubrick & Arthur C. Clarke
Directed by Stanley Kubrick

Film does not work without images. In the same manner, music does not work without sound, and comics do not work without illustration. With 2001: A Space Odyssey, Stanley Kubrick dove deep into the very heart of what gives cinema form. The result is a movie that is actually an incredibly traditional narrative, shaking off all the unnecessary exposition and focusing its lens on movement, space, both the presence & absence of sound, color, lighting, every essential component of the craft. I get entirely if someone doesn’t like 2001, and the first time I saw it, I felt very dissonant with the picture. It took some additional viewings, reading & hearings others’ thoughts, and forming a picture of what the movie represented for myself.

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TV Review – Dark Season 3

Dark Season 3 (Netflix)
Written by Jantje Friese & Marc O. Seng
Directed by Baran bo Odar

Dark will go down as one of the most mind-melting complex series most people have ever seen. Its creators Baran bo Odar and Jantje Friese, have been uncompromising in their vision for all three seasons, challenging viewers to follow the convoluted family trees and crisscrossing timelines. This is made even more challenging to comprehend in the third season’s introduction of multiple realities. Yet it all works and makes sense in the end. Dark is not a series you can play in the background and drift in and out of, it demands the viewer’s full attention or you will most certainly become as lost as Jonas does at times.

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Book Update – May-June 2020

How Long Til’ Black Future Month: Stories by N.K. Jemisin

This is a beautiful melange of fantasy & science fiction told from a black perspective. Some stories feel like a red hot bullet right between the eyes in our current context. There’s a story about the spirit of a city becoming aware she not merely a human walking its street with the idea that these city spirits travel and awaken their kin across the world over time. We’re presented with a Jim Crow-era story of a black witch and her children encountering a demonic fey-like entity posing as a beautiful blonde white woman. There are stories of secret agents from an alternate universe Haiti sneaking through New Orleans to take out a white cabal. You get the transformational narrative of a young chef introduced to alien ingredients and becoming a sorceress who can create food that radically affects her customers. The most resonant for me was the opening story, “The Ones Who Stay and Fight,” where a beautiful utopia is described, a place where all prejudices are gone, and humanity lives in beautiful harmony and follows a path that parallels and reflect our own. You can read that story, and you most certainly should here.

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Game Review – The X-Files Board Game

The X-Files Board Game (2015)
Designed by Kevin Wilson
Published by IDW Games

After watching through ten of the best episodes of The X-Files this month, I decided to crack open a copy of the board game from IDW I’d bought a few years ago. I remember hearing good reviews when it originally came out in 2015, and I snatched up a copy. As so often happens when you buy a board game on a whim, it sits on your shelf for a while until you finally find the time to play it. The X-Files Board Game turned out to be quite an excellent experience, a game I definitely want to play again and again to explore the tactics and mechanics going on under the hood.

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TV Review – The Best of The X-Files Part 3

The Post-Modern Prometheus (Season Five, Episode Five)
Original airdate: November 30th, 1997
Written & Directed by Chris Carter

By this point in the series, the mythology episodes were becoming more prominent and had a more significant effect on the overall direction of the show. To balance that out, the Monster of the Week episodes became a little wilder and tonally jarring in a good way. The Post-Modern Prometheus is one of the biggest stylistic shifts for the X-Files being shot in black & white with a wide-angle lens. Additionally, the tone throughout is comedic with appropriate touches of melodrama. 

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TV Review – The Best of the The X-Files Part 2

Clyde Bruckman’s Final Repose (Season Three, Episode Four)
Original airdate: October 13, 1995
Written by Darrin Morgan
Directed by David Nutter

This was the period where X-Files was reaching its sweet spot. The show was firmly submerged in the pop culture zeitgeist, so the writers started to play around with the one-off Monster of the Week episodes. This might be the best episode the series ever produced. It has a tightly written, clever plot with genuinely surprising & well-earned twists. Peter Boyle (Young Frankenstein, Everybody Loves Raymond) guest stars as Clyde Bruckman, an insurance salesman who gained the ability to see every person’s death. He becomes caught up in a case where Mulder & Scully are chasing down a serial killer who targets psychics and fortune-tellers. This entry into the series is incredibly dark & bleak while still injecting big doses of sly humor. Little touches like the injection of celebrity psychic the Stupendous Yappi and revelations about Mulder’s extracurricular activities help lighten a weighty & poignant study. The conclusion of this episode is just so satisfying and bittersweet. 

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TV Review – Homecoming Season One

Homecoming Season One (Amazon Prime)
Written by Eli Horowitz & Micah Bloomberg, David Wiener, Cami Delavigne, Shannon Houston, and Eric Simonson
Directed by Sam Esmail

Ever since I finished watching the British television show Utopia, I have been searching for another show that hit many of the same buttons as that one. While it is not an exact 1:1 match, Homecoming is the closest I’ve come to find a show that creates that same pleasant paranoid and heightened atmosphere. There are some supremely intelligent presentation decisions made with the music and cinematography that give the show an eerie feeling. Homecoming presents an urgently relevant story with the feel of a type of cinema from decades in our past.

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TV Review – The Best of The X-Files Part One

If you weren’t alive or simply too young in the 1990s to remember, The X-Files was an insanely huge deal. UFOs, in particular, had a significant popularity resurgence in that decade, but this show was the most popular media to come out of all of that by a longshot. The X-Files aired on Fox for nine years and spawning two feature films, one of which came out between seasons 5 & 6 and a short-lived revival. Creator Chris Carter was inspired by his love of science fiction & horror media, with the most relevant source being Kolchak: The Night Stalker. That was a short-lived ABC series about a paranormal investigator in the Monster of the Week mold. 

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