PopCult Reviews

My Favorite Films of 2024

Honorable Mentions: Longlegs, Cuckoo, Love Lies Bleeding, Sasquatch Sunset, Furiosa, In a Violent Nature, Ghostlight, Janet Planet, Rebel Ridge, Good One, The Apprentice, Problemista, The Boy and The Heron, Last Summer, Flow, and All of Us Strangers

His Three Daughters (directed by Azazel Jacobs)
Listen to our full review here

Three women (Natasha Lyonne, Carrie Coon, Elizabeth Olsen) come together as their father is in the final days of hospice care. The audience is thrown into the middle of the situation, quickly figuring out that these sisters’ relationships are tenuous at best. Coon’s middle child swoops in and tries to take over the situation from eldest child, Lyonne. The youngest child, Olsen, is considered a flighty, flakey type but pushes back on her sister’s misconceptions about her. Azazel Jacobs has constructed a very human story about aging and family that never drowns in maudlin sentiment. This mix of empathy and reality is one of the best films I saw all year.

My Favorite Film Discoveries of 2024

Here are the films that weren’t new in 2024, but they were new to me. Of all my first-time viewings this year, these movies stuck with me.

Mandabi (1968, directed by Ousmane Sembene)
Read my full review here

In 2024, I discovered the films of the late Senegalese filmmaker Ousmane Sembene. Most of Sembene’s work is focused on the colonial/post-colonial era. He looks at how even when the colonizer has been (mostly) physically removed, their specter remains in social and economic structures. That sounds very academic, but Sembene can make it easy to digest and genuinely hilarious in a film like Mandabi. A Senegalese man receives money from a nephew working in Paris. He’s meant to disperse this money in a specific way to particular people, but once news of the money gets around the community, everyone starts showing up to call in debt or plead their case. If you want an introduction to West African cinema, I think Mandabi is a great jumping-off point and had me cracking up many times.

PopCult Podcast – Our Favorites of 2024

Books. TV. Comics. Video Games. Films. It’s time for our favorite things of 2024. Ariana and Seth share their thoughts.

My Favorite Television Watched in 2024

X-Men ‘97 Season One (Disney+)
Read my full review here

I was skeptical of the animated X-Men revival. Like many others, I have been burned out on superhero shows and films for a while now. However, this was the one Marvel thing in 2024 that I actually enjoyed. It was probably aided by reading Chris Claremont’s 16-year run on Uncanny X-Men this year, where so many stories on X-Men animated old & new drew from. Stylistically the ‘97 revival felt like the 1990s version, but with slightly more sophisticated storytelling and some major upgrades regarding the animation. There were a few duds; the Jubilee/Mojo episode was meh. The season overall was fantastic. I was very happy to see characters like Nightcrawler added to the regular roster; it always felt odd that he wasn’t included as a regular. We get a big cliffhanger that suggests some twists for a second season. Hoping they can keep the quality levels just as high going forward.

My Favorite Books Read in 2024

Good Night, Sleep Tight: Stories by Brian Evenson

I have never been disappointed by Brian Evenson, so I was delighted to see his short story collection coming out the exact same day as Laird Barron’s new book. These two books helped improve my October, and I needed it. This story collection was a slight shift from Evenson’s normal fare. I noticed a lot of variations on the same themes (mothers, robots, the end of humanity) and a shift to more science fiction stories than just horror.

My Favorite Solo Tabletop RPGs of 2024

Becoming the Villain by There’s A Way Studios
You can purchase this game here
Read my actual play here

I didn’t play many solo journaling games this year, opting for games with more dice rolling and moment-to-moment action. I enjoyed this journaling game, which helped me create a villain for my Supersworn (Starforged with supers assets) game. Becoming the Villain uses tarot cards to unfold your future fiend’s history. You’ll track your character’s changing ambitions, goals, and motivations affected by the events keyed from your card draws. Allies very likely will become enemies. Precious resources will be destroyed and fuel your villain’s rage. For GMs wanting to have a firmer handle on their campaign’s BBEG, this could be an enjoyable resource during planning.

PopCult Podcast – PopCult Christmas 2024 Special

Ghosts visiting a jaded television executive. A mad scientist’s creation hoping to find a home among the normies. A Japanese POW camp becoming the site of a clash between soldiers and honor.

Solo Tabletop RPG Actual Play – Starforged: Messiahs Part Three

Read the previous chapter here

Read the previous part here

[Begin a Session: Seemingly unrelated situations are shown to be connected]

A figure rides a wooly sandfoot across the desert, cresting a ridge. Thousands have been set up around a mountain range at the base. The figure is greeted by one of the al-Raml. The figure removes his straw hat and face covering to reveal a young man. This is Gerard Linnaeus, the heir to a House of the same surname. The attendant is Ghazi, Gerard’s greatest acolyte among the al Raml. He brings Gerard into the encampment to a more lavish tent than the others. Here, Gerard cleans himself with the special powder used by the al Raml. He prepares himself and rests.

Movie Review – The Double Life of Veronique

The Double Life of Veronique (1991)
Written by Krzysztof Kieślowski and Krzysztof Piesiewicz
Directed by Krzysztof Kieślowski

Ever since I was a kid, I’ve found the idea that people shouldn’t have regrets incredibly strange. I know that on my deathbed, there will be things I look back on with shame or think about what I could have done differently. I do these things now, and I believe I have quite a while before I pass. In my opinion, to live and never regret is to have never lived. It means you avoided the tough choices, one thing that lets us know we are alive. So many of those choices aren’t even up to us; they remain in the hands of chance. Why did I end up living where I do, married to this partner, and working this job? If I could go back in time, I would certainly change some things, but I would want other things to remain the same. Yet, those changes would make me a different person living a different life, right? Is our existence just a series of possible realities collapsing into a single material reality as we encounter each moment?

Movie Review – The Spirit of the Beehive

The Spirit of the Beehive (1973)
Written by Víctor Erice and Ángel Fernández Santos
Directed by Víctor Erice

Despite the best efforts of Hollywood and Peter Pan, childhood is often a melancholy, mysterious experience for most children. They are born into a world already in flux, expected to adhere to systems & institutions they had no say in creating, and shouted at when they hesitate or show fear. The Spirit of the Beehive is a film that lives in that space, told through the eyes of a child living in the early years of the Franco regime in Spain. Filmmaker Victor Eric pulls off this dreamlike atmosphere by letting us pivot between the complicated world of the adults and the rich, imaginative inner life of our young protagonist.